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We need more inclusive web performance metrics | Filament Group, Inc.

Good point. When we talk about perceived performance, the perception in question is almost always visual. We should think more inclusively than that.

The Whimsical Web

A collection of truly personal sites.

This site is meant to showcase how a more personal web could look like, and hopefully give you some inspiration to make your own corner of the web a bit weirder.

Of course Cassie’s site is included!

The Gentle Sadness of Things

There is a gentle sadness to being present in a moment so precious that you know you’ll never forget it, and will revisit it as a memory time and time again. It will be a shadow, many details missing, the moment bittersweet.

Cassie Evans’s Blog

Cassie’s redesign is gorgeous—so much attention to detail! (And performant too)

Accessible to some - Manuel Matuzović

A score of 100 in Lighthouse or 0 errors in axe doesn’t mean that you’re done, it means that you’re ready to start manual testing and testing with real users, if possible.

CSS folded poster effect

This is a very nifty use of CSS gradients!

Pandemic Time: A Distributed Doomsday Clock - NOEMA

A meditative essay on the nature of time.

The simultaneous dimming of Betelgeuse and the global emergence of COVID-19 were curiously rhyming phenomena: disruptions of familiar, reassuring rhythms, both with latent apocalyptic potential.

Time and distance are out of place here.

We will have left a world governed by Chronos, the Greek god of linear, global, objective time measured by clocks, and arrived into a world governed by Kairos, the Greek god of nonlinear, local, subjective time, measured by the ebb and flow of local patterns of risk and opportunity. The Virus Quadrille is not just the concluding act of pandemic time but the opening act of an entire extended future.

Robin Rendle ・ 2D Websites

When I log onto someone’s website I want them to tell me why they’re weird. Where’s the journal or scrapbook? Where’s your stamp collection? Or the works-in-progress, the failed attempts, the clunky unfinished things?

Type Specimens

This is a lovely new project from Mark that gets very meta, cataloging specimens of type specimens:

This project will dig into specimens from these three perspectives: as artefacts made by and for font designers to evolve type culture; as tools for font users to make decisions about choosing and using type; and as effective marketing tools.

A Guide to the Responsive Images Syntax in HTML | CSS-Tricks

Chris has put together one of his indispensable deep dives, this time into responsive images. I can see myself referring back to this when I need to be reminded of the syntax of srcset and sizes.

This Website Will Self-destruct

You can send me messages using the form below. If I go 24 hours without receiving a message, I’ll permanently self-destruct, and everything will be wiped from my database.

Times New Arial

Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!

The Coronavirus and Our Future | The New Yorker

Science-fiction writers don’t know anything more about the future than anyone else. Human history is too unpredictable; from this moment, we could descend into a mass-extinction event or rise into an age of general prosperity. Still, if you read science fiction, you may be a little less surprised by whatever does happen. Often, science fiction traces the ramifications of a single postulated change; readers co-create, judging the writers’ plausibility and ingenuity, interrogating their theories of history. Doing this repeatedly is a kind of training. It can help you feel more oriented in the history we’re making now.

Kim Stanley Robinson knows the score:

Margaret Thatcher said that “there is no such thing as society,” and Ronald Reagan said that “government is not the solution to our problem; government is the problem.” These stupid slogans marked the turn away from the postwar period of reconstruction and underpin much of the bullshit of the past forty years.

The beauty of progressive enhancement - Manuel Matuzović

Progressive Enhancement allows us to use the latest and greatest features HTML, CSS and JavaScript offer us, by providing a basic, but robust foundation for all.

Some great practical examples of progressive enhancement on one website:

  • using grid layout in CSS,
  • using type="module" to enhance a form with JavaScript,
  • using the picture element to provide webp images in HTML.

All of those enhancements work great in modern browsers, but the underlying functionality is still available to a browser like Opera Mini on a feature phone.

Dams Public Website

I had the great pleasure of visiting the Museum Plantin-Moretus in Antwerp last October. Their vast collection of woodblocks are available to dowload in high resolution (and they’re in the public domain).

14,000 examples of true craftmanship, drawings masterly cut in wood. We are supplying this impressive collection of woodcuts in high resolution. Feel free to browse as long as you like, get inspired and use your creativity.

Better Image Optimization by Restricting the Color Index – Eric’s Archived Thoughts

A great little mini case-study from Eric—if you’re exporting transparent PNGs from a graphic design tool, double-check the colour-depth settings!

I’d been saving the PNGs with no bit depth restrictions, meaning the color table was holding space for 224 colors. That’s… a lot of colors, roughly 224 of which I wasn’t actually using.

Apollo 13 in Real Time

It was fifty years ago this weekend. Follow along here, timeshifted by half a century.

Responsive Images the Simple Way - Cloud Four

A nice succint explanation of using the srcset and sizes attributes on the img element—remember, you probably don’t need picture and source elements if your use case is swapping out different sized versions of the same image.

One caveat thought: you do need to know the dimensions of the images. If you’re dealing with unknown or user-generated photos, that can be an issue.

Sight and Sound: The Cinema of Walter Murch on Vimeo

I enjoyed this documentary on legendary sound designer and editor Walter Murch. Kinda makes me want to rewatch The Conversation and The Godfather.