Whereas before content used to be spread out on numerous domains in numerous ways, content now mostly makes its home on the three domains that are most hostile to thoughtful human discussion: Twitter, Medium, and Facebook.
So what? you may ask..
Think about how many times you’ve tweeted. Or written or commented on a Facebook post. Or started a Medium draft. These are all our words, locked in proprietary platforms that controls not only how our message is displayed, but how we write it, and even more worrying, how we think about it.
Andy is sticking with the indie web.
Here, I control my words. Nobody can shut this site down, run annoying ads on it, or sell it to a phone company. Nobody can tell me what I can or can’t say, and I have complete control over the way it’s displayed. Nobody except me can change the URL structure, breaking 14 years of links to content on the web.
I second that emotion.
Chris runs through the process and pitfalls of POSSEing a site (like CSS Tricks) to Apple’s News app, Facebook’s Instant Articles, and Google’s AMP.
Hey, whatever you want. As long as…
- It’s not very much work
- The content’s canonical home is my website.
I just want people to read and like CSS-Tricks.
This is a really great step-by-step walkthrough of adding a service worker to a website. Mike mentions the gotchas he encountered along the way, and describes how he incrementally levelled up the functionality.
If you’ve been going through a similar process, please write it down and share it like this!
Lovely, lovely photos from this weekend’s Indie Web Camp.
Heartfelt congratulations to Remy on ten years of blogging.
More importantly, every single URL on my blog that’s ever been published still works, and even better than that (for me) is my archive showing off the decade of writing I’ve been producing over all this time 💪
There’s this really common use-case I’ve seen at Codebar and Homebrew Website Club, where someone is making a static site, but they just want a contact form that sends data via email. This looks like a handy third-party service to do just that. No registration required: it’s all done via the value of the
action attribute in the opening
Fortunately there’s a back-up on the Internet Archive, but this tale of Google’s overnight destruction of fourteen years of writing is truly infuriating.
When we use their services, we trust that companies like Google will preserve some of the most personal things we have to share. They trust that we will not read the fine print.
When you pitch your tent in someone else’s walled garden, they can tear down your home whenever they want.
Sixteen years on, this still rings true.
I realized there are dot-com people and there are web people. Dot-com people work for start-ups injected with large Silicon Valley coin, they have options, they talk options, they dream options. They have IPOs. They’re richer after four months of “web” work than many web people who’ve been doing it since the beginning. They don’t have personal sites. They don’t want personal sites. They don’t get personal sites. They don’t get personal. Web people can tell you the first site they ever saw, they can tell you the moment they knew: This, This Is It, I Will Do This. And they pour themselves into the web, with stories, with designs, with pictures.
A workshop for codebar students: Build a portfolio or blog site | Charlotte Jackson, Front-end developer
Charlotte did a fantastic job putting this workshop together on the weekend. It was inspiring!
Two weeks ago, writer and artist Dennis Cooper was checking his Gmail when something peculiar happened: the page was refreshed and he was notified that his account had been deactivated – along with the blog that he’d maintained for 14 years.
This is why the Indie Web exists.
His advice to other artists who work predominantly online is to maintain your own domain and back everything up.
The video of my talk on hypertext at the HTML Special before CSS Day. I’m pretty with my delivery here. There’s a bit of Q&A afterwards as well.
Dan Gillmor and Kevin Marks report on the Decentralized Web Summit:
Kahle framed the gathering with three key questions: How can we build a reliable decentralized web? How can we make it more private? And how do we keep it fun and evolving?
There’s something so grim about the resigned acceptance of centralisation here.
It’s in general no longer about the creativity, it’s about the business.
It is a sad and beautiful world wide web:
The technology that let people make web sites never went away. You can still set up a site as if it were 1995. But culture changes, as do expectations. It takes a certain set of skills to create your own web site, populate it with cool stuff, set up a web server, and publish your own cool-stuff web pages. I would argue that those skills should be a basic part of living in a transparent and open culture where individuals are able to communicate on an equal field of play. Some fellow nerds would argue the same. But most everyone else, statistically, just uses Facebook and plays along.
Paul Ford shines a light on the solution:
Standing against this tide of centralization is the indie web movement. Perhaps “movement” is too strong—it’s more an aesthetic of independence and decentralization. The IndieWebCamp web page states: “When you post something on the web, it should belong to you, not a corporation.” You should own your information and profit from it. You should have your own servers. Your destiny, which you signed over to Facebook in order to avoid learning a few lines of code, would once again be your own.
Beautiful, beautiful writing:
We could still live in that decentralized world, if we wanted to. Despite the rise of the all-seeing database, the core of the internet remains profoundly open. I can host it from my apartment, on a machine that costs $35. You can link to me from your site. Just the two of us. This is an age of great enterprise, no time to think small. Yet whatever enormous explosion tears through our digital world next will come from exactly that: an individual recognizing the potential of the small, where others see only scale.
The slides from Aaron’s talk at OS Bridge in Portland, looking at the formats and protocols powering the indie web.
A wonderful rallying cry for the indie web:
Do it yourself. Strip it down. Keep control. Make it for your community. Don’t do it for the money.
And this is where I start to understand what my friend Rebecca Gates means when she says that technologists and designers have a lot to learn from punk and indie rock. Leave the expensive, large scale, commercial arena rock to Facebook, Google, and Twitter.
We can be The Ramones.
And Bad Brains.
We can press our own records, and run our own labels.
We can make our own spaces based on our own values.
Such a shame that it’s only on Medium—the MOR of online publishing.