Shannon is not exactly a household name. He never won a Nobel Prize, and he wasn’t a celebrity like Albert Einstein or Richard Feynman, either before or after his death in 2001. But more than 70 years ago, in a single groundbreaking paper, he laid the foundation for the entire communication infrastructure underlying the modern information age.
I watched The Social Dilemma last night and to say it’s uneven would be like saying the Himalayas are a little bumpy.
I’m shocked at how appealing so many people find the idea that social networks are uniquely responsible for all of society’s ills.
This cartoon super villain view of the world strikes me as a kind of mirror image of the right-wing conspiracy theories which hold that a cabal of elites are manipulating every world event in secret. It is more than a little ironic that a film that warns incessantly about platforms using misinformation to stoke fear and outrage seems to exist only to stoke fear and outrage — while promoting a distorted view of how those platforms work along the way.
A short web book on the past, present and future of interfaces, written in a snappy, chatty style.
From oral communication and storytelling 500,000 years ago to virtual reality today, the purpose of information interfaces has always been to communicate more quickly, more deeply, to foster relationships, to explore, to measure, to learn, to build knowledge, to entertain, and to create.
We interface precisely because we are human. Because we are intelligent, because we are social, because we are inquisitive and creative.
We design our interfaces and they in turn redefine what it means to be human.
The characteristica universalis and the calculus racionator of Leibniz.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.
Timelines of people, interfaces, technologies and more:
30 years of facts about the World Wide Web.
Ooh! A documentary on Claude Shannon—exciting!
I just finished reading A Mind At Play, the (very good) biography of Claude Shannon, so this film feels very timely.
Mixing contemporary interviews, archival film, animation and dialogue drawn from interviews conducted with Shannon himself, The Bit Player tells the story of an overlooked genius who revolutionized the world, but never lost his childlike curiosity.
What would Wiener think of the current human use of human beings? He would be amazed by the power of computers and the internet. He would be happy that the early neural nets in which he played a role have spawned powerful deep-learning systems that exhibit the perceptual ability he demanded of them—although he might not be impressed that one of the most prominent examples of such computerized Gestalt is the ability to recognize photos of kittens on the World Wide Web.
Steven Pemberton’s presentation on the printing press, the internet, Moore’s Law, and exponential growth.
I just binge-listened to the six episodes of the first season of this podcast from Stephen Fry—it’s excellent!
It covers the history of communication from the emergence of language to the modern day. At first I was worried that it was going to rehash some of the more questionable ideas in the risible Sapiens, but it turned out to be far more like James Gleick’s The Information or Tom Standage’s The Victorian Internet (two of my favourite books on the history of technology).
There’s no annoying sponsorship interruptions and the whole series feels more like an audiobook than a podcast—an audiobook researched, written and read by Stephen Fry!
It turns out that a whole lot of The So-Called Cloud is relying on magnetic tape for its backups.
Tom Standage—author of the brilliant book The Victorian Internet—relates a tale of how the Chappe optical telegraph was hacked in 19th century France, thereby making it one of the earliest recorded instances of a cyber attack.
James is writing a book. It sounds like a barrel of laughs.
In his brilliant new work, leading artist and writer James Bridle offers us a warning against the future in which the contemporary promise of a new technologically assisted Enlightenment may just deliver its opposite: an age of complex uncertainty, predictive algorithms, surveillance, and the hollowing out of empathy.
From Scott McCloud to responsive design, Dave is pondering our assumptions about screen real estate:
As the amount of information increases, removing details reduces information density and thereby increasing comprehension.
It reminds me of Edward Tufte’s data-ink ratio.
Of course, information existed before Shannon, just as objects had inertia before Newton. But before Shannon, there was precious little sense of information as an idea, a measurable quantity, an object fitted out for hard science. Before Shannon, information was a telegram, a photograph, a paragraph, a song. After Shannon, information was entirely abstracted into bits. The sender no longer mattered, the intent no longer mattered, the medium no longer mattered, not even the meaning mattered: A phone conversation, a snatch of Morse telegraphy, a page from a detective novel were all brought under a common code. Just as geometers subjected a circle in the sand and the disk of the sun to the same laws, and as physicists subjected the sway of a pendulum and the orbits of the planets to the same laws, Claude Shannon made our world possible by getting at the essence of information.
This article makes a good point about client-rendered pages:
Asynchronously loaded page elements shift click targets, resulting in a usability nightmare.
…but this has nothing, absolutely nothing to do with progressive web apps.
More fuel for the fire of evidence that far too many people think that progressive web apps and single page apps are one and the same.
Philip Ball certainly has a way with words.
Some great thoughts here from Francis on how crafting solid HTML is information architecture.