Another take on the scrolling navigation pattern. However you feel about the implementation details, it’s got to better than the “teenage tidying” method of shoving everything behind a hamburger icon.
For me, I do find that Webmentions are really enhancing linking—by offering a type of bidirectional hyperlink. I think if they could see widespread use, we’d see a Renaissance of blogging on the Web. Webmentions are just so versatile—you can use them to commment, you an form ad-hoc directories with them, you can identify yourself to a wider community. I really feel like they are a useful modernization.
I think the situation that Remy outlines here is quite common (in client-rehydrated server-rendered pages), but what’s less common is Remy’s questioning and iteration.
So I now have a simple rule of thumb: if there’s an onClick, there’s got to be an anchor around the component.
Ignore the ludicrously clickbaity title. This is a well-considered look at thirty years of linking on the World Wide Web.
Transcript of Tim Berners-Lee’s talk to the LCS 35th Anniversary celebrations, Cambridge Massachusetts, 1999/April/14
Twenty years ago—when the web was just a decade old—Tim Berners-Lee gave this talk, looking backwards and forwards.
For me the fundamental Web is the Web of people. It’s not the Web of machines talking to each other; it’s not the network of machines talking to each other. It’s not the Web of documents. Remember when machines talked to each other over some protocol, two machines are talking on behalf of two people.
A great interview with Ted Nelson at the Internet Archive where he reminisces about Doug Engelbart, Bob Taylor, Vannevar Bush, hypertext and Xanadu. Wind him and let him go!
There’s an interesting tidbit on what he’s up to next:
So, the first one I’m trying to build will just be a comment, but with two pages visibly connected. And the second bit will be several pages visibly connected. A nice example is Vladimir Nabokov’s novel Pale Fire, which is a long poem by the fictitious author John Shade, connected to a large number of idiotic footnotes by the fictitious academic Charles Kinbote.
Ironically, back in the days of the Dark Brown Project, I actually got permission from the publishers of Pale Fire to demonstrate it on the Brown system. So now I hope to demonstrate it on the new Xanadu.
Pale Fire is the poem referenced in Blade Runner 2049:
Cells interlinked within cells interlinked…
I love this use of e-ink to play a film at 24 frames per day instead of 24 frames per minute.
Well, this an interesting format experiment—the latest Black Mirror just dropped, and it’s a PDF.
A starter list of Fractal examples and links. You can expand it.
Flickr is removing anything over 1,000 photos on accounts that are not “pro” (paid for) in 2019. We highlight large and amazing accounts that could use a gift to go pro. We take nominations and track when these accounts are saved.
A great selection of links about design systems, collected and categorised.
This is very, very good news. Following on from the recent announcement that a huge swathe of Flickr photos would soon be deleted, there’s now an update: any photos that are Creative Commons licensed won’t be deleted after all. Phew!
I wonder if I can get a refund for that pro account I just bought last week to keep my Creative Commons licensed Flickr pictures online.
I’ve got a lot of photos on Flickr (even though I don’t use it directly much these days) and I’ve paid up for a pro account to protect those photos, but I’m very worried about this:
Beginning January 8, 2019, Free accounts will be limited to 1,000 photos and videos.
That in itself is fine, but any existing non-pro accounts with more than 1000 photos will have older photos deleted until the total comes down to 1000. This means that anyone linking to those photos (or embedding them in blog posts or articles) will have broken links and images.
Tears in the rain.
Looking back on this classic explainer video from eleven years ago, I know exactly what’s meant by this comment:
its weird that when i first saw this video it made me think of the future, and now i watch it and it reminds me of the past..
A profile of Mark Graham and the team at the Internet Archive.