The ideas and images that come to mind when you think of technology as an instrument are more useful than if you think of it as a tool. Instruments — I’m specifically talking about musical instruments — are a way to create culture.
You approach instruments with a set of expectations and associations that are more humane. It’s built into their very purpose. Instruments are meant to make something for other people, not making things. When you use an instrument, you have an expectation that it is going to take effort to use it well. Using an instrument takes practice. You form a relationship with that object. It becomes part of your identity that you make something with it. You tune it. You understand that there’s no such thing as a “best” guitar in the same way that there’s not necessarily a “best” phone.
Browser implementations of Sol LeWitt’s conceptual and minimal art, many of which only exist as instructions like this:
Vertical lines, not straight, not touching, covering the wall evenly.
Testing the theory that putting the word “total”, “complete”, or “absolute” in front of any noun automatically makes for an excellent insult.
If only all documentation was as great as this old manual for the ZX Spectrum that Remy uncovered:
The manual is an instruction book on how to program the Spectrum. It’s a full book, with detailed directions and information on how the machine works, how the programming language works, includes human readable sentences explaining logic and even goes so far as touching on what hex values perform which assembly functions.
When we talk about things being “inspiring”, it’s rarely in regards to computer manuals. But, damn, if this isn’t inspiring!
This book stirs a passion inside of me that tells me that I can make something new from an existing thing. It reminds me of the 80s Lego boxes: unlike today’s Lego, the back of a Lego box would include pictures of creations that you could make with your Lego set. It didn’t include any instructions to do so, but it always made me think to myself: “I can make something more with these bricks”.
A thorough explanation of the history and inner workings of Cross-Origin Resource Sharing.
Like tales of a mythical sea beast, every developer has a story to tell about the day CORS seized upon one of their web requests, dragging it down into the inexorable depths, never to be seen again.
I really like the way that this pattern library includes research insights to provide justification for design decisions.
Beneath the URL shorteners, the web!
It’s increasingly apparent that a more digitally literate citizenry would be good for a thousand different reasons. A great way to start would be to make URLs visible again, to let people see the infrastructure they’re living in.
It turns out that Diana Smith isn’t just a genius with CSS—she’s a fantastic writer too. This post is somehow heartfelt and lighthearted at the same time. It’s also very humorous, but beneath the humour there’s an excellent point here about the rule of least power …and doing things the long, hard, stupid way.
Because something about those limitations just calls to me. I know I’m not alone when I say that a rigid set of restrictions is the best catalyst for creativity. Total artistic freedom can be a paralyzing concept.
That can sometimes be the case with programming. If you have the most powerful programming languages in the world at your disposal, it starts to seem natural that you should then have no difficulty solving any programming problem. With all these amazing tools offering countless solutions to solve the same problem, it’s no wonder that we sometimes freeze up with information overload.
No matter where I go on the Internet, I feel like I am trapped in the “feed,” held down by algorithms that are like axes trying to make bespoke shirts out of silk. And no one illustrates it better than Facebook and Twitter, two more services that should know better, but they don’t. Fake news, unintelligent information and radically dumb statements are getting more attention than what matters. The likes, retweets, re-posts are nothing more than steroids for noise. Even when you are sarcastic in your retweets or re-shares, the system has the understanding of a one-year-old monkey baby: it is a vote on popularity.
It is common to refer to universally popular social media sites like Facebook, Instagram, Snapchat, and Pinterest as “walled gardens.” But they are not gardens; they are walled industrial sites, within which users, for no financial compensation, produce data which the owners of the factories sift and then sell. Some of these factories (Twitter, Tumblr, and more recently Instagram) have transparent walls, by which I mean that you need an account to post anything but can view what has been posted on the open Web; others (Facebook, Snapchat) keep their walls mostly or wholly opaque. But they all exercise the same disciplinary control over those who create or share content on their domain.
Professor Alan Jacobs makes the case for the indie web:
We need to revivify the open Web and teach others—especially those who have never known the open Web—to learn to live extramurally: outside the walls.
What do I mean by “the open Web”? I mean the World Wide Web as created by Tim Berners-Lee and extended by later coders. The open Web is effectively a set of protocols that allows the creating, sharing, and experiencing of text, sounds, and images on any computer that is connected to the Internet and has installed on it a browser that can interpret information encoded in conformity with these protocols.
This resonated strongly with me:
To teach children how to own their own domains and make their own websites might seem a small thing. In many cases it will be a small thing. Yet it serves as a reminder that the online world does not merely exist, but is built, and built to meet the desires of certain very powerful people—but could be built differently.
A good core experience is indicative of a well-structured web page, which, in turn, is usually a good sign for SEO and for accessibility. It’s usually a well designed web page, as the designer and developer have spent time and effort thinking about what’s truly core to the experience. Progressive enhancement means more robust experiences, with fewer bugs in production and fewer individual browser quirks, because we’re letting the platform do the job rather than trying to write it all from scratch.
I really like this month’s CodePen challenge, all about HTML elements that go well together. First up:
Some colour palette inspiration from films.
When I’m asked to give an example of a beautiful piece of design, perfect in form and function, I often respond with “the URL.”
I love every word of this beautifully-written love letter from Brendan.
Our insular discourse, the way we’ve jealously protected the language and tools of design, the way we’ve focused so much on the “genius designer”… these behaviors have all worked against our own interests.
Khoi on design thinking and the democratisation of design.
Any embrace of design by non-designers is a good thing, and design thinking qualifies here. The reason for this is that when that happens, it means our language, the vocabulary of design, is broadening to the rest of the world.
Brendan shows how he uses IFTTT and a webhook to post to his own site from Instagram. I think I might set up something similar to post from Untappd to my own site.
We talk about complexity, but it’s all opt-in. A wonderfully useful (and simple) website of a decade ago remains wonderfully useful and simple. Fortunately for all involved, the web, thus far, has taken compatibility quite seriously. Old websites don’t just break.
I still find the landscape of build tools completely overwhelming, but I found this distinction to be a useful way of categorising the different kinds of build tools:
Build tools do two things:
- Install things
- Do things
So bower, npm and yarn install things, whereas grunt, gulp, and webpack do things.
If only our digital social networks were to exhibit this kind of faded grandeur when they no longer exist.