Looking at COVID-19 through the lens of pace layers.
…a citizen could actually play a part that was as important as a vaccine, but instead of preventing transmission of the virus into another cell at the ACE receptor level, it’s preventing transmission of the virus at the social network level. So we’re actually adopting a kind of behavioral vaccine policy, by voluntarily or otherwise self-isolating.
It was fifty years ago this weekend. Follow along here, timeshifted by half a century.
The return of NASA’s iconic “worm” logo (for some missions).
Well, this is a grim collection from Dave:
There are some cases where even using plain ol’ HTML causes accessibility problems. I get frustrated and want to quit web development whenever I read about these types of issues. Because if browsers can’t get this right, what hope is there for the rest of us.
It’s worth clicking through each link he lists—the situation is often much more nuanced than simply “Don’t use X.”
Jen kicked off a fascinating thread here:
It’s come up quite a few times recently that the world of people who make websites would greatly benefit from the CSS Working Group officially defining ”CSS 4”, and later “CSS 5“, etc.
The level is discourse is impressively smart and civil.
Personally, I don’t (yet) have an opinion on this either way, but I’ll be watching it unfold with keen interest.
Decomputerization doesn’t mean no computers. It means that not all spheres of life should be rendered into data and computed upon. Ubiquitous “smartness” largely serves to enrich and empower the few at the expense of the many, while inflicting ecological harm that will threaten the survival and flourishing of billions of people.
Get an idea of how much your website is contributing to the climate crisis.
In total, the internet produces 2% of global carbon emissions, roughly the same as that bad boy of climate change, the aviation industry.
The lunar landing was not a scientific announcement or a political press conference; it was a performance, a literal space opera, a Wagnerian Gesamtkunstwerk that brought together the efforts of more than 400,000 people, performed before an audience of some 650 million. It was a victory, as Armstrong immediately recognized, not of Western democratic capitalism over Soviet tyranny, or of America over the rest of the world, but for humanity. It belongs to the United States no more than Michelangelo does to Italy or Machu Picchu to Peru.
A delightful dialogue …on the moon!
Over the last fifty years, we have come to recognize that the fuel of our civilizational expansion has become the main driver of our extinction, and that of many of the species we share the planet with. We are now coming to realize that is as true of our cognitive infrastructure. Something is out of sync, felt everywhere: something amiss in the temporal order, and it is as related to political and technological shifts, shifts in our own cognition and attention, as it is to climatic ones. To think clearly in such times requires an intersectional understanding of time itself, a way of thinking that escapes the cognitive traps, ancient and modern, into which we too easily fall. Because our technologies, the infrastructures we have built to escape our past, have turned instead to cancelling our future.
James writes beautifully about rates of change.
The greatest trick our utility-directed technologies have performed is to constantly pull us out of time: to distract us from the here and now, to treat time as a kind of fossil fuel which can be endlessly extracted in the service of a utopian future which never quite arrives. If information is the new oil, we are already, in the hyper-accelerated way of present things, well into the fracking age, with tremors shuddering through the landscape and the tap water on fire. But this is not enough; it will never be enough. We must be displaced utterly in time, caught up in endless imaginings of the future while endlessly neglecting the lessons and potential actions of the present moment.
What a magnificent website! You can watch, read, and listen to the entire Apollo 11 mission! Do it now, or wait until until July 16th when you can follow along in real time …time-shifted by half a century.
This is an utterly fascinating interactive description of network effects, complete with Nicky Case style games. Play around with the parameters and suddenly you can see things “going viral”:
We can see similar things taking place in the landscape for ideas and inventions. Often the world isn’t ready for an idea, in which case it may be invented again and again without catching on. At the other extreme, the world may be fully primed for an invention (lots of latent demand), and so as soon as it’s born, it’s adopted by everyone. In-between are ideas that are invented in multiple places and spread locally, but not enough so that any individual version of the idea takes over the whole network all at once. In this latter category we find e.g. agriculture and writing, which were independently invented ~10 and ~3 times respectively.
Play around somewhere and you start to see why cities are where ideas have sex:
What I learned from the simulation above is that there are ideas and cultural practices that can take root and spread in a city that simply can’t spread out in the countryside. (Mathematically can’t.) These are the very same ideas and the very same kinds of people. It’s not that rural folks are e.g. “small-minded”; when exposed to one of these ideas, they’re exactly as likely to adopt it as someone in the city. Rather, it’s that the idea itself can’t go viral in the countryside because there aren’t as many connections along which it can spread.
This really is a wonderful web page! (and it’s licensed under a Creative Commons Zero licence)
We tend to think that if something’s a good idea, it will eventually reach everyone, and if something’s a bad idea, it will fizzle out. And while that’s certainly true at the extremes, in between are a bunch of ideas and practices that can only go viral in certain networks. I find this fascinating.
There’s something deliciously appropriate about using a painting cloning service to clone a photograph of some cloned dogs.
“Did you just order an oil painting of Barbra Streisand’s dogs?” is the most Simon and Natalie thing ever.
Although this comes close:
Hui-Jing talks through her process of building a to-do app on Glitch using a progressive enhancement mindset:
Now this is a feature request I can get behind!
I’m serious about this. It’s is an excellent proposal for WebKit, similar to the never-slow mode proposed by Alex for Chromium.
Remember when I said that if we want to see CSS exclusions implemented in browsers, we need to make some noise?
Well, Rachel is taking names, so if you’ve got a use-case, let her know.
The fascinating story of Charles K. Bliss and his symbolic language:
The writing system – originally named World Writing in 1942, then Semantography in 1947, and finally Blissymoblics in the 1960s – contains several hundred basic geometric symbols (“Bliss-characters”) that can be combined in different ways to represent more complex concepts (“Bliss-words”). For example, the Bliss-characters for “house” and “medical” are combined to form the Bliss-word for “hospital” or “clinic”. The modular structure invites comparison to the German language; the German word for “hospital ” – “krankenhaus” – translates directly to “sick house”.
Sally takes a long hard look at permissions on the web. It’s a fascinating topic because of all the parties involved—browsers, developers, and users.
In order to do permissions well, I think there are two key areas to think about - what’s actually being requested, and how it’s being requested.
Is a site being intrusive with what they can potentially learn about me (say, wanting my precise location when it’s unnecessary)? Or is it being intrusive in terms of how they interact with me (popping up a lot of notifications and preventing me from quickly completing my intended task)? If one of those angles doesn’t work well, then regardless of whether the other is acceptable to someone, they’re likely to start opting out and harbouring negative feelings.