I just binge-listened to the six episodes of the first season of this podcast from Stephen Fry—it’s excellent!
It covers the history of communication from the emergence of language to the modern day. At first I was worried that it was going to rehash some of the more questionable ideas in the risible Sapiens, but it turned out to be far more like James Gleick’s The Information or Tom Standage’s The Victorian Internet (two of my favourite books on the history of technology).
There’s no annoying sponsorship interruptions and the whole series feels more like an audiobook than a podcast—an audiobook researched, written and read by Stephen Fry!
When is a space not a space?
Tom talks about ogham stones and unicode.
When you’re struggling to write something that sounds clear and sounds human (two of the essential basics of a good blog post, I’d argue), just use the words normal people would use.
If we use jargon, we reveal our insecurity. If we use pretentious language, we expose our arrogance. But if we use language that anyone can understand, people are much more likely to value what we do.
The fascinating story of Charles K. Bliss and his symbolic language:
The writing system – originally named World Writing in 1942, then Semantography in 1947, and finally Blissymoblics in the 1960s – contains several hundred basic geometric symbols (“Bliss-characters”) that can be combined in different ways to represent more complex concepts (“Bliss-words”). For example, the Bliss-characters for “house” and “medical” are combined to form the Bliss-word for “hospital” or “clinic”. The modular structure invites comparison to the German language; the German word for “hospital ” – “krankenhaus” – translates directly to “sick house”.
Very valuable observations from Paul on his travels, talking to developers and business people about progressive web apps—there’s some confusion out there.
My personal feeling is that everyone is really hung up on the A in PWA: ‘App’. It’s the success and failure of the branding of the concept; ‘App’ is in the name, ‘App’ is in the conscious of many users and businesses and so the associations are quite clear.
What an excellent question! And what an excellent bit of sleuthing to get to the bottom of it. This is like linguistic spelunking on the World Wide Web.
Oh, and of course I love the little sidenote at the end.
The ideas and images that come to mind when you think of technology as an instrument are more useful than if you think of it as a tool. Instruments — I’m specifically talking about musical instruments — are a way to create culture.
You approach instruments with a set of expectations and associations that are more humane. It’s built into their very purpose. Instruments are meant to make something for other people, not making things. When you use an instrument, you have an expectation that it is going to take effort to use it well. Using an instrument takes practice. You form a relationship with that object. It becomes part of your identity that you make something with it. You tune it. You understand that there’s no such thing as a “best” guitar in the same way that there’s not necessarily a “best” phone.
Testing the theory that putting the word “total”, “complete”, or “absolute” in front of any noun automatically makes for an excellent insult.
Hui Jing describes her motivation for creating the lovely Penang Hokkien site:
People who grew up their whole lives in a community that spoke the same mother tongue as themselves would probably find this hard to relate to, but it really was something else to hear my mother tongue streaming out of the speakers of my computer.
She ends with an impassioned call for more local language websites:
If the Internet is meant to enhance the free flow of information and ideas across the world, then creation of content on the web should not largely be limited to English-speaking communities.
This is really good breakdown of what’s different about CSS (compared to other languages).
These differences may feel foreign, but it’s these differences that make CSS so powerful. And it’s my suspicion that developers who embrace these things, and have fully internalized them, tend to be far more proficient in CSS.
In my experience, there’s no casual mode within React. You need to be all-in, keeping up with the ecosystem, or else your knowledge evaporates.
I think Dave is right. At this point, it’s possible to be a React developer exclusively.
React is an ecosystem. I feel like it’s a disservice to anyone trying to learn to diminish all that React entails. React shows up on the scene with Babel, Webpack, and JSX (which each have their own learning curve) then quickly branches out into technologies like Redux, React-Router, Immutable.js, Axios, Jest, Next.js, Create-React-App, GraphQL, and whatever weird plugin you need for your app.
And, as Jake points out, you either need to go all in or not at all—you can’t really incrementally add Reactness to an existing project.
Ethan emphasises the importance of making a shared language the heart of any design system. I heartily agree!
This isn’t new thinking, mind: folks like Alla Kholmatova and Charlotte Jackson have been talking about this for ages. (And in doing so, they’ve massively influenced how I think about modular, pattern-driven design.)
What these brands are taking from web-brutalism — and truly, we should all be learning something here — is that User-centered design doesn’t need to be monopolized by the same colors, same buttons, same photography and even same copy you see in pretty much every single website or product.
Monzo’s guidelines for tone of voice, including a reference to “the curse of knowledge.”
A really deep dive into the
lang attribute, and the
:lang() pseudo-class (hitherto unknown to me). This is all proving really useful for a little side project I’m working on.
Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.
It’s really heartwarming to see this idea resonating.
The field of front-end has yet to be defined, because our industry moves too quickly and the range of skills required seems to grow with every passing day. We need to realise that it is impossible to be an expert in every one of those skills, and that’s perfectly fine.