This is why we need an
nth-letter selector in CSS .
This is why we need an
Some time ago I was going through the backlog of around 90 unread articles on Design Systems. About 80 of those were Medium articles and about 40 of those took me to either their user-hostile “you ready a lot and we like that” pop-up or their money-grabbing “you’ve read lots this month, pay us to read some more.”, it turns out that Medium only likes you reading things when you give money to do so.
Therefore I’ve started to add a little warning notice to each article that’s on Medium.
Language is not an invention. As best we can tell it is an evolved feature of the human brain. There have been almost countless languages humans have spoken. But they all follow certain rules that grow out of the wiring of the human brain and human cognition. Critically, it is something that is hardwired into us. Writing is an altogether different and artificial thing.
Coming to your inbox soon:
The Training Commission is a speculative fiction email newsletter about the compromises and consequences of using technology to reckon with collective trauma. Several years after a period of civil unrest and digital blackouts in the United States, a truth and reconciliation process has led to a major restructuring of the federal government, major tech companies, and the criminal justice system.
After musing on newsletters, Craig shares how he’s feeling about Instagram and its ilk:
Instagram will only get more complex, less knowable, more algorithmic, more engagement-hungry in 2019.
I’ve found this cycle has fomented another emotion beyond distrust, one I’ve felt most acutely in 2018: Disdain? (Feels too loaded.) Disappointment? (Too moralistic.) Wariness? (Yes!) Yes — wariness over the way social networks and the publishing platforms they provide shift and shimmy beneath our feet, how the algorithms now show posts of X quality first, or then Y quality first, or how, for example, Instagram seems to randomly show you the first image of a multi-image sequence or, no wait, the second.8
I try to be deliberate, and social networks seem more and more to say: You don’t know what you want, but we do. Which, to someone who, you know, gives a shit, is pretty dang insulting.
Wariness is insidious because it breeds weariness. A person can get tired just opening an app these days. Unpredictable is the last thing a publishing platform should be but is exactly what these social networks become. Which can make them great marketing tools, but perhaps less-than-ideal for publishing.
The first two years of the excellent History Of The Web newsletter is now available as a digital book. It’s volume one of …we’ll see how many.
Buried inside you’ll find fascinating narrative threads from the web’s history, starting all the way from the beginning and straight on through to the very first browsers, the emergence of web design, to the evolving landscape of our online world.
Craig’s slow walk away from Instagram:
I want to have a place very far apart from that, where I can post photos on my own terms. Not have an algorithm decide which of my posts is best (have you noticed Instagram making the second photo in series appear first in the carousel?). And I don’t want to be rewarded for being anodyne, which is what these general algorithms seem to optimize for: things that are easily digestible, firmly on the scale of “fine, just fine.” It becomes a self-fulfilling prophecy, as the more boring stuff we shove into our eyeballs, the more boring our taste becomes.
The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:
Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”
Mandy’s experiments with text effects in CSS are kinda mindblowing—I can’t wait to see her at Ampersand at the end of the month!
Marcin built this lovely little in-browser tool to demonstrate how segmented type displays work at different sizes.
Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.
FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”
This looks like an interesting alternative to TinyLetter for writing and sending email newsletters, like all the cool kids are doing.
I signed this open letter.
We are a community of individuals who have a significant interest in the development and health of the World Wide Web (“the Web”), and we are deeply concerned about Accelerated Mobile Pages (“AMP”), a Google project that purportedly seeks to improve the user experience of the Web.
A blog dedicated to documenting the letterforms on display in Berlin.
A weekly list of short, concrete actions to defend the weak, rebuild civic institutions, and fight right-wing extremism. For UK people.
bastianallgeier/letter: Letter is a simple, highly customizable tool to create letters in your browser.
A nice little use of print (and screen) styles from Bastian—compose letters in a web browser.
Instead of messing around in Word, Pages or even Indesign, you can write your letters in the browser, export them as HTML or PDF (via Apple Preview).
A newsletter dedicated to all things related to design systems, style guides, and pattern libraries.