Deleting your old thoughts may be giving your older self a kick they really don’t deserve. And the beauty of having an archive is that you don’t need to decide whether you were right or not. Your views, with a date attached, can stand as a reflection of a specific moment in time.
Reconciling every past view you’ve ever had with how you feel now isn’t required. It sounds exhausting, frankly.
Imagine a world without hyperlinks or search:
Take WeChat as an example. It is home to the vast majority of China’s original writing, and yet:
- It doesn’t allow any external links;
- Its posts are not indexed by search engines such as Google or Baidu, and its own search engine is practically useless;
- You can’t check the author’s other posts if open the page outside of the WeChat app. In other words, each WeChat article is an orphan, not linked to anything else on the Internet, not even the author’s previous work.
Search engine indexing is key to content discovery in the knowledge creation domain, but in a mobile-first world, it is extremely difficult to pull content across the walled gardens, whether or not there is a profit incentive to do so.
Again, the issue here is not censorship. Had China relaxed its speech restrictions, a search start-up would’ve faced the same level of resistance from content platforms when trying to index their content, and content platforms would’ve been equally reluctant to create their own search engines, as they could serve ads and profit without a functional search engine.
“Be linkable and accessible to any client” is a provocative test for whether something is “of the web”.
Don’t see making your own web page as a nostalgia, don’t participate in creating the netstalgia trend. What you make is a statement, an act of emancipation. You make it to continue a 25-year-old tradition of liberation.
We invite software developers to do their part, by
- ensuring their users can conveniently obtain a link to the currently open or selected resource via a user interface; and
- providing an application programming interface (API) to obtain or construct a link to that resource (i.e., to get its address and name).
The internet, it turns out, is not forever. It’s on more of like a 10-year cycle. It’s constantly upgrading and migrating in ways that are incompatible with past content, leaving broken links and error pages in its wake. In other instances, the sites simply shutter, or become so layered over that finding your own footprint is impossible—I have searched “Kate Lindsay Myspace” every which way and have concluded that my content from that platform must simply be lost to time, ingested by the Shai-Hulud of the internet.
Internet users use fewer different websites today than they did 20 years ago, and spend most of their “Web” time in app versions of websites (which often provide a better experience only because site owners strategically make it so to increase their lock-in and data harvesting potential). Truly exploring the Web now requires extra effort, like exercising an underused muscle. And if you begin and end your Web experience on just one to three services, that just feels kind of… sad, to me. Wasted potential.
A wonderful bit of spelunking into the annals of software interfaces by Elise Blanchard.
A terrific piece by Jonathan Zittrain on bitrot and online digital preservation:
Too much has been lost already. The glue that holds humanity’s knowledge together is coming undone.
A very comprehensive directory of accessibility resources.
Vitaly has rounded up a whole load of accessibility posts. I think I’ve linked to most of them at some point, but it’s great to have them all gathered together in one place.
A wonderful look at the kind of links we didn’t get on the World Wide Web.
From the memex and Xanadu right up to web mentions, this ticks all my boxes!
Vasilis offers some research that counters this proposal.
It makes much more sense to start each page with the content people expect on that page. Right? And if you really need navigation (which is terribly overrated if you ask me) you can add it in the footer. Which is the correct place for metadata anyway.
That’s what I’ve done on The Session.
I like this proposal, and I like that it’s polyfillable (which is a perfectly cromulent word).
My work shouldn’t be presented in the Smithsonian behind glass or anything, I’m just pointing at this enormous flaw in the architecture of the web itself: you’re renting servers and renting URLs. Nothing is permanent because on the web we don’t really own any space, we’re just borrowing land temporarily.
I really like the way that Amber doesn’t go straight to the end solution but instead talks through her thought process when adding a feature to her site.
In 1990, the science fiction writer Douglas Adams produced a “fantasy documentary” for the BBC called Hyperland. It’s a magnificent paleo-futuristic artifact, rich in sideways predictions about the technologies of tomorrow.
I remember coming across a repeating loop of this documentary playing in a dusty corner of a Smithsonian museum in Washington DC. Douglas Adams wasn’t credited but I recognised his voice.
Hyperland aired on the BBC a full year before the World Wide Web. It is a prophecy waylaid in time: the technology it predicts is not the Web. It’s what William Gibson might call a “stub,” evidence of a dead node in the timeline, a three-point turn where history took a pause and backed out before heading elsewhere.
Here, Claire L. Evans uses Adams’s documentary as an opening to dive into the history of hypertext starting with Bush’s Memex, Nelson’s Xanadu and Engelbart’s oNLine System. But then she describes some lesser-known hypertext systems…
In 1985, the students at Brown who encountered Intermedia had never seen anything like it before in their lives. The system laid a world of information at their fingertips, saved them hours at the library, and helped them work through tangles of thought.
You might not think this is a big deal, and maybe it’s not, but I love the idea behind the indie web: a people-focused alternative to the corporate web. Seeing everything you’ve ever linked to in one place really drives home how much of the web’s content, made by individuals, is under corporate control and identity.