Accessibility for designer: where do I start? by Stéphanie Walter - UX Researcher & Designer.
Stéphanie has gathered a goldmine of goodies:
Articles, resources, checklists, tools, plugins and books to design accessible products
Stéphanie has gathered a goldmine of goodies:
Articles, resources, checklists, tools, plugins and books to design accessible products
How do we write, design, and code a link that works for everyone on every device? Let’s dive into the world of creating the perfect link, without making a pig’s breakfast of it.
This is a handy guideline to remember, even if there exceptions:
When a keyboard user follows a link, their focus should be taken to the new place; when a keyboard user presses a button, focus should remain on that button.
It gives me warm fuzzies to see an indie web building block like rel="me"
getting coverage like this.
If you’re thinking of signing up to Hive or Post:
If posts in a social media app do not have URLs that can be linked to and viewed in an unauthenticated browser, or if there is no way to make a new post from a browser, then that program is not a part of the World Wide Web in any meaningful way.
Consign that app to oblivion.
I really like this experiment that Jim is conducting on his own site. I might try to replicate it sometime!
“Be linkable and accessible to any client” is a provocative test for whether something is “of the web”.
Following on from my recently-lost long bet, this is a timely bit of data spelunking from Brian analysing the linkrot of 1400 links over 18 years of time.
Don’t see making your own web page as a nostalgia, don’t participate in creating the netstalgia trend. What you make is a statement, an act of emancipation. You make it to continue a 25-year-old tradition of liberation.
We invite software developers to do their part, by
- ensuring their users can conveniently obtain a link to the currently open or selected resource via a user interface; and
- providing an application programming interface (API) to obtain or construct a link to that resource (i.e., to get its address and name).
Internet users use fewer different websites today than they did 20 years ago, and spend most of their “Web” time in app versions of websites (which often provide a better experience only because site owners strategically make it so to increase their lock-in and data harvesting potential). Truly exploring the Web now requires extra effort, like exercising an underused muscle. And if you begin and end your Web experience on just one to three services, that just feels kind of… sad, to me. Wasted potential.
A wonderful bit of spelunking into the annals of software interfaces by Elise Blanchard.
A terrific piece by Jonathan Zittrain on bitrot and online digital preservation:
Too much has been lost already. The glue that holds humanity’s knowledge together is coming undone.
A very comprehensive directory of accessibility resources.
Vitaly has rounded up a whole load of accessibility posts. I think I’ve linked to most of them at some point, but it’s great to have them all gathered together in one place.
A wonderful look at the kind of links we didn’t get on the World Wide Web.
From the memex and Xanadu right up to web mentions, this ticks all my boxes!
(And can I just say, it’s so much fun to explore all of Maggie Appleton’s site …or should I say web garden.)
Vasilis offers some research that counters this proposal.
It makes much more sense to start each page with the content people expect on that page. Right? And if you really need navigation (which is terribly overrated if you ask me) you can add it in the footer. Which is the correct place for metadata anyway.
That’s what I’ve done on The Session.
I like this proposal, and I like that it’s polyfillable (which is a perfectly cromulent word).
I really like the way that Amber doesn’t go straight to the end solution but instead talks through her thought process when adding a feature to her site.
In 1990, the science fiction writer Douglas Adams produced a “fantasy documentary” for the BBC called Hyperland. It’s a magnificent paleo-futuristic artifact, rich in sideways predictions about the technologies of tomorrow.
I remember coming across a repeating loop of this documentary playing in a dusty corner of a Smithsonian museum in Washington DC. Douglas Adams wasn’t credited but I recognised his voice.
Hyperland aired on the BBC a full year before the World Wide Web. It is a prophecy waylaid in time: the technology it predicts is not the Web. It’s what William Gibson might call a “stub,” evidence of a dead node in the timeline, a three-point turn where history took a pause and backed out before heading elsewhere.
Here, Claire L. Evans uses Adams’s documentary as an opening to dive into the history of hypertext starting with Bush’s Memex, Nelson’s Xanadu and Engelbart’s oNLine System. But then she describes some lesser-known hypertext systems…
In 1985, the students at Brown who encountered Intermedia had never seen anything like it before in their lives. The system laid a world of information at their fingertips, saved them hours at the library, and helped them work through tangles of thought.