I really like the way that Amber doesn’t go straight to the end solution but instead talks through her thought process when adding a feature to her site.
In 1990, the science fiction writer Douglas Adams produced a “fantasy documentary” for the BBC called Hyperland. It’s a magnificent paleo-futuristic artifact, rich in sideways predictions about the technologies of tomorrow.
I remember coming across a repeating loop of this documentary playing in a dusty corner of a Smithsonian museum in Washington DC. Douglas Adams wasn’t credited but I recognised his voice.
Hyperland aired on the BBC a full year before the World Wide Web. It is a prophecy waylaid in time: the technology it predicts is not the Web. It’s what William Gibson might call a “stub,” evidence of a dead node in the timeline, a three-point turn where history took a pause and backed out before heading elsewhere.
Here, Claire L. Evans uses Adams’s documentary as an opening to dive into the history of hypertext starting with Bush’s Memex, Nelson’s Xanadu and Engelbart’s oNLine System. But then she describes some lesser-known hypertext systems…
In 1985, the students at Brown who encountered Intermedia had never seen anything like it before in their lives. The system laid a world of information at their fingertips, saved them hours at the library, and helped them work through tangles of thought.
You might not think this is a big deal, and maybe it’s not, but I love the idea behind the indie web: a people-focused alternative to the corporate web. Seeing everything you’ve ever linked to in one place really drives home how much of the web’s content, made by individuals, is under corporate control and identity.
This is a great short introduction to using VoiceOver with Safari by the one and only Ethan Marcotte.
What I love about the web is that it’s a hypertext. (Though in recent years it has mostly been used as a janky app delivery platform.)
I am very much enjoying Matt’s thoughts on linking, quoting, transclusion, and associative trails.
My blog is my laboratory workbench where I go through the ideas and paragraphs I’ve picked up along my way, and I twist them and turn them and I see if they fit together. I do that by narrating my way between them. And if they do fit, I try to add another piece, and then another. Writing a post is a process of experimental construction.
And then I follow the trail, and see where it takes me.
A collection of articles and talks about HTML, CSS, and JS, grouped by elements, attributes, properties, selectors, methods, and expressions.
Here are the many, many reasons why you should not open links in a new window (or tab).
Regardless of what accessibility conformance level you target, do not arbitrarily open links in a new window or tab. If you are required to do so anyway, inform users in text.
Chris takes two side-by-side deep dives; one into the
a element, the other into the
Even if you think you already know those elements well, I bet there’ll be something new here for you. Like, did you know that the
button element can have form over-riding attributes like
This is quite remarkable. On the surface, it’s a short article about the Y2K bug, but the hypertextual footnotes go deeper and deeper into memory, loss, grief …I’m very moved by the rawness and honesty nested within.
For a closed system, those kinds of open connections are deeply dangerous. If anyone on Instagram can just link to any old store on the web, how can Instagram — meaning Facebook, Instagram’s increasingly-overbearing owner — tightly control commerce on its platform? If Instagram users could post links willy-nilly, they might even be able to connect directly to their users, getting their email addresses or finding other ways to communicate with them. Links represent a threat to closed systems.
Anil Dash on the war on hyperlinks.
It may be presented as a cost-saving measure, or as a way of reducing the sharing of untrusted links. But it is a strategy, designed to keep people from the open web, the place where they can control how, and whether, someone makes money off of an audience. The web is where we can make sites that don’t abuse data in the ways that Facebook properties do.
Max describes how he does bookmarking on his own site—he’s got a bookmarklet for sharing links, like I do. But he goes further with a smart use of the “share target” section in his web app manifest, as described by Aaron.
Click around the site a bit and you’ll find yourself tied to an endless string of hyperlinks, hopping from one page to the next, with no real rhyme or reason to tie them altogether. It is almost pure web id, unleashed structurally to engage your curiosity and make use of the web’s most primal feature: the link.
Another take on the scrolling navigation pattern. However you feel about the implementation details, it’s got to better than the “teenage tidying” method of shoving everything behind a hamburger icon.
I think the situation that Remy outlines here is quite common (in client-rehydrated server-rendered pages), but what’s less common is Remy’s questioning and iteration.
So I now have a simple rule of thumb: if there’s an onClick, there’s got to be an anchor around the component.
Ignore the ludicrously clickbaity title. This is a well-considered look at thirty years of linking on the World Wide Web.
Transcript of Tim Berners-Lee’s talk to the LCS 35th Anniversary celebrations, Cambridge Massachusetts, 1999/April/14
Twenty years ago—when the web was just a decade old—Tim Berners-Lee gave this talk, looking backwards and forwards.
For me the fundamental Web is the Web of people. It’s not the Web of machines talking to each other; it’s not the network of machines talking to each other. It’s not the Web of documents. Remember when machines talked to each other over some protocol, two machines are talking on behalf of two people.
A great interview with Ted Nelson at the Internet Archive where he reminisces about Doug Engelbart, Bob Taylor, Vannevar Bush, hypertext and Xanadu. Wind him and let him go!
There’s an interesting tidbit on what he’s up to next:
So, the first one I’m trying to build will just be a comment, but with two pages visibly connected. And the second bit will be several pages visibly connected. A nice example is Vladimir Nabokov’s novel Pale Fire, which is a long poem by the fictitious author John Shade, connected to a large number of idiotic footnotes by the fictitious academic Charles Kinbote.
Ironically, back in the days of the Dark Brown Project, I actually got permission from the publishers of Pale Fire to demonstrate it on the Brown system. So now I hope to demonstrate it on the new Xanadu.
Pale Fire is the poem referenced in Blade Runner 2049:
Cells interlinked within cells interlinked…