I tried very hard in that book, when it came to social media, to be platform agnostic, to emphasize that social media sites come and go, and to always invest first and foremost in your own media (website, blog, etc.) and mailing list.
I still stand by that advice, but if I re-wrote the book now, I would encourage artists to use much more caution when it comes to using social media websites like Facebook, Twitter, and Instagram.
From smart dust and spimes, through to online journaling and social media, to machine learning, big data and digital preservation…
Is the archive where information goes to live forever, or where data goes to die?
The slides and notes from a great presentation by Eric Bailey that takes a really thoughtful deep dive into media types, media queries, and inclusive design.
A run-down of digital preservation technologies for very, very long-term storage …in space.
Another brilliant talk from Frank, this time on the (im)balance between the commercial and the cultural web.
Remember: the web is a marketplace and a commonwealth, so we have both commerce and culture; it’s just that the non-commercial bits of the web get more difficult to see in comparison to the outsized presence of the commercial web and all that caters to it.
This really resonates with me:
If commercial networks on the web measure success by reach and profit, cultural endeavors need to see their successes in terms of resonance and significance.
The text of a fascinating talk given by Tim Berners-Lee back in 1995, at a gathering to mark the 50th anniversary of Vannevar Bush’s amazing article As We May Think. The event also drew together Ted Nelson, Alan Kay, Douglas Engelbart, and Bob Kahn!
It’s a shame that this archiving project is coming to end. We don’t always know the future value of the present:
Researchers have come to realize that the Proceedings of the Old Bailey, transcriptions from London’s central criminal court, are the only record we have of the spoken words of many people who lived centuries ago but were not in the educated or elite classes. That we have them talking about the theft of a pig rather than the thought of Aristotle only gives us greater insight into the lived experience of their time.
The world-wide-web always scared the hell out of those who want to control what people consume and what their career is. The web was the equaliser.
A heartfelt missive by Christian on the eve of the US potentially losing net neutrality. I agree with every single word he’s written.
I hope that people still care that the web flows, no matter for whom or what the stream carries. The web did me a lot of good, and it can do so for many others. But it can’t do that if it turns into Cable TV. I’ve always seen the web as my media to control. To pick what I want to consume and question it by comparing it. A channel for me to publish and be scrutinised by others. A read-write medium. The only one we have. Let’s do more of the write part.
This homepage is media-querytastic. It’s so refreshing to see this kind of fun experimentation on a personal site—have fun resizing your browser window!
A history of hypertext, from the memex to HyperCard.
A beautiful piece of writing from Virginia Heffernan on how to cope with navigating the overwhelming tsunami of the network.
The trick is to read technology instead of being captured by it—to maintain the whip hand.
I can’t remember the last time I was genuinely surprised, delighted, and intrigued by an online story like this.
A really great overview of using
prefers-reduced-motion to tone down CSS animations.
This post was written by James Craig, and I’m going to take this opportunity to say a big “thank you!” to James for all the amazing accessibility work he has been doing at Apple through the years. The guy’s a goddamn hero!
A new media query that will help prevent you making your users hurl.
I like Mike’s “long zoom” view here where the glass is half full and half empty:
Several years from now, I want to be able to look back on this time the same way people look at other natural disasters. Without that terrible earthquake, we would have never improved our building codes. Without that terrible flood, we would have never built those levees. Without that terrible hurricane, we would have never rebuilt this amazing city. Without that terrible disease, we would have never developed antibodies against it.
It doesn’t require giving any credit to the disaster. The disaster will always be a complete fucking disaster. But it does involve using the disaster as an opportunity to take a hard look at what got us here and rededicate our energy towards things that will get us out.
Matt takes a look at the history of scheduled broadcast media—which all began in Hungary in 1887 via telephone—and compares it to the emerging media context of the 21st century; the stream.
If the organizing principle of the broadcast schedule was synchronization — millions seeing the same thing at the same time — then the organizing principle of the stream is de-contextualization — stories stripped of their original context, and organized into millions of individual, highly personalized streams.
I really like this list of observations (Vasilis pointed it my way). I feel like it encapsulates some of what I was talking about in chapter two of Resilient Web Design. The only point I’d take issue with now is the very last one.
The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov
Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.
Best of all, you can get involved:
In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.