Black Mirror meets Henrietta Lacks in this short story by Erik Hoel who I had not heard of until today, when I came across his name here and also in a completely unrelated blog post by Peter Watts about the nature of dreams.
CSS only truly exists in a browser. As soon as we start writing CSS outside of the browser, we rely on guesses and memorization and an intimate understanding of the rules. A text editor will never be able to provide as much information as a browser can.
CSS is frustrating because you have to actually think of a website like a website and not an app. That mental model is what everyone finds so viscerally upsetting. And so engineers do what feels best to them; they try to make websites work like apps, like desktop software designed in the early naughts. Something that can be controlled.
The headline begs the question, but Robin makes this very insightful observation in the article itself:
This post absolutely nails what’s special about CSS …and why supersmart programmers might have trouble wrapping their head around it:
Other programming languages often work in controlled environments, like servers. They expect certain conditions to be true at all times, and can therefore be understood as concrete instructions as to how a program should execute.
CSS on the other hand works in a place that can never be fully controlled, so it has to be flexible by default.
Max goes on to encapsulate years of valuable CSS learnings into some short and snappy pieces of advices:
No matter what your level of CSS knowledge, this post has something for you—highly recommended!
There’s a lot here that ties in with what I was talking about at New Adventures around the rule of least power in technology choice.
I’m not sure if I agree with describing CSS as being state-based. The example that illustrates this—a
:hover style—feels like an exception rather than a typical example of CSS.
This is really good breakdown of what’s different about CSS (compared to other languages).
These differences may feel foreign, but it’s these differences that make CSS so powerful. And it’s my suspicion that developers who embrace these things, and have fully internalized them, tend to be far more proficient in CSS.
Once I got the hang of this game, I found it incredibly addictive. I would describe it as mindless fun, but I think it’s more like mindful fun: it has the same zen contemplative peacefulness as Sudoku. I can certainly see how it makes for a good activity while listening to podcasts.
Note: click once for water; double-click for ships. And don’t blame me if you lose hours of time to this game.
A beautiful piece of writing from Virginia Heffernan on how to cope with navigating the overwhelming tsunami of the network.
The trick is to read technology instead of being captured by it—to maintain the whip hand.
A series of questions to ask on any design project:
- What are my lenses?
- Am I just confirming my assumptions, or am I challenging them?
- What details here are unfair? Unverified? Unused?
- Am I holding onto something that I need to let go of?
- What’s here that I designed for me? What’s here that I designed for other people?
- What would the world look like if my assumptions were wrong?
- Who might disagree with what I’m designing?
- Who might be impacted by what I’m designing?
- What do I believe?
- Who’s someone I’m nervous to talk to about this?
- Is my audience open to change?
- What am I challenging as I create this?
- How can I reframe a mistake in a way that helps me learn?
- How does my approach to this problem today compare to how I might have approached this one year ago?
- If I could learn one thing to help me on this project, what would that one thing be?
- Do I need to slow down?
I can relate 100% to what Dave is saying here:
I’m disenchanted with desktop. That conviction runs so deep, I groan when I see a desktop layout JPEG.
All too often we talk the talk about taking a mobile first approach, but we rarely walk the walk. Most designers and developers still think of the small-screen viewport as the exception, not the norm.
A detailed look at the troubled history of George Lakoff, the father of conceptual metaphor.
A brilliant piece of mindhacking for a good cause. Take the test for yourself and see if you can figure out where it's all leading.
Playing with Lego Mindstorms on a train can get you arrested in Germany.
An optical illusion; a mind hack, if you will.
This is the most amazing optical effect in the world... or at least a good mind hack.