Tags: movie

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» Baikonur, Earth

A new impressionistic documentary about Space City.

Avengers: Infinity War - Wizards vs. The Prophet

Jason Kottke had the same reaction I did to the new Avengers film:

Jeremy Keith noticed the same thing and I echo his amazement: “I was not expecting to be confronted with the wizards vs. prophets debate while watching Avengers: Infinity War”.

Color Palette Cinema

Some colour palette inspiration from films.

Ridley Scott’s ‘Blade Runner’: A Game-Changing Science-Fiction Classic • Cinephilia & Beyond

A nexus of hypermedia on all things Blade Runner, from links to Tumblr blogs to embedded screenplays, documentaries, and scanned images.

leaving the future behind – Al Robertson

Science fiction isn’t about technology, it’s about people …and how people change in response to technology.

So ironically, perhaps the only way that any piece of science fiction can be sure that it will remain resonant as the years pass is to make sure that any technical speculation can drop away once it’s no longer relevant. The science will fall back to Earth like an exhausted booster section, tumbling away from the rocket that will one day reach the stars. And then we’ll be left with stories about how people change when change arrives – and that, for me, is what science fiction is.

Movies with Mikey

I know it’s just a landing page for YouTube channel of movie reviews but I really like the art direction and responsiveness of this.

From Tape Drives to Memory Orbs, the Data Formats of Star Wars Suck (Spoilers) | Motherboard

As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.

Is Children of Men 2016’s Most Relevant Film? — Vulture

Ten years on from Afonso Cuarón’s masterpiece.

Everything is a Remix: The Force Awakens on Vimeo

The newest Kirby Ferguson video looks at remixing through the lens of the newest Star Wars film.

Everything is a Remix: The Force Awakens

The Many Faces Of… Punch Dancing

Last time I was in Austin I met up with Trent who got very animated when as he described a childhood strapping shinguards to his arms and recreating the montage fighting/dancing scenes from the finest of 80s movies.

That explains where this website is coming from.

The Perils of an All-Digital Movie Future

Dropping our films down the memory hole. Welcome to the digital dark age.

The Many Faces Of… Sigourney Weaver

Queen of science fiction.

High Street Shops In Sci Fi Films

I’m not quite sure why this is funny, but I am quite sure that it is.

Unfinished Business special: Rumpus On The Planet Of The Apes with Brendan Dawes and Jeremy Keith on Huffduffer

This was a lot of fun for us. It might even be fun to listen to.

If you haven’t seen Dawn Of The Planet Of The Apes, then listen ye not—this is a spoilerific podcast episode.

The Internet’s Own Boy: The Story of Aaron Swartz by Brian Knappenberger

The Aaron Swartz film is available on the Internet Archive under a Creative Commons attribution non-commercial share-alike license.

2001: A Space Odyssey | Typeset In The Future

Okay, this might just be my new favourite blog:

This site is dedicated to all aspects of movie and TV typography and iconography as it appears in Sci-Fi and fantasy movies.

The first post is all about 2001, and the writing is just the right shade of fun.

I’m already looking forward to future posts. (See what I did there?)

Laser Age / The Dissolve

A great series of articles on the sci-fi films of the ’60s and ’70s:

The Laser Age examines a rich period in the history of science-fiction filmmaking that began in the late 1960s and faded away by the mid 1980s.

…all wrapped up in a nice responsive design too.

Screen shots of computer code

There’s something very satisfying about this televisual sleuthing:

Images of the computer code appearing in TV and films and what they really are.

Shinseungback Kimyonghun: Portrait

Beautiful amalgamations of film characters:

A custom software detects faces from every 24 frames of a movie, and creates an average face of all found faces. The composite image reflects the centric figure(s) and the visual mood of the movie.