Adactio: Links—Tagged with music

Spotify – dConstruct 2022

If you were at dConstruct on Friday and you enjoyed the mood music during the breaks, this is what you were listening to.

Balisage: Metaphors We Code By

My talk, Building, was about the metaphors we use to talk about the work we do on the web. So I’m interested in this analysis of the metaphors used to talk about markup:

Data is documents, processing data is clerking

Data is trees, processing data is forestry

Data is buildings, processing data is construction

Data is a place, processing data is a journey

Data is a fluid, processing data is plumbing

Data is a textile, processing data is weaving

Data is music, processing data is performing

The Cello and the Nightingales: How the World’s First Fake News United Humanity in Our First Collective Experience of Empathy for Nature – The Marginalian

Decades before fiber optic cable spanned the bottom of the ocean to link continents, the airborne voice of a spring songbird did.

Mario Popova writes of an interspecies broadcast:

Those were the early days of broadcasting and recorded music, when the technology was both too primitive and too expensive to make the joy of music as ambient as air; the days before we made our Faustian deal with the technocrats who made music cheap and musicians poor so that we could stream it anytime anywhere with no recompense or thought of the souls from which the stream pours.

Trial, Triumph, and the Art of the Possible: The Remarkable Story Behind Beethoven’s “Ode to Joy” – The Marginalian

An ode to an ode. Both of them beautiful.

Safeguarding music | Global Music Vault | Svalbard

This sounds like an interesting long-term storage project, but colour me extremely sceptical of their hand-wavey vagueness around their supposedly flawless technical solution:

This technology will be revealed to the world in the near future.

Also, they keep hyping up the Svalbard location as though it were purpose-built for this project, rather than the global seed bank (which they don’t even mention).

This might be a good way to do marketing, but it’s a shitty way to go about digital preservation.

Playlist J (part 2) – The Irish Mandolin – a website from Aidan Crossey

I had fun coming up five trad music tracks related to the letter J.

Centuries of Sound

An audio mix for every year of recorded sound, 1859 to the present.

Currently up to 1936.

No Wrong Notes · Matthias Ott – User Experience Designer

A personal website ain’t got no wrong words.

Feel bad because your favourite artists aren’t getting any income from Spotify? Here’s a handy tool from Hype Machine that allows you to import Sportify playlists and see where you can support those artists on Bandcamp.

90s Festival Generator

I spent far too long hitting refresh and then clicking on the names of some of the Irish bands down near the bottom of the line-up.

Fictional Band Trivia | Rob Weychert

Okay, so I didn’t get many of the answers, but nonetheless these are excellent questions!

(Ah, how I long for the day when we can once more engage in quizzo and picklebacks at National Mechanics.)

Mando | Luke Dorny

Which jig will be next?

What instrument?

What shirt will he wear next?

Will a shirt make a repeat appearance?

Will he shave his wiseman beard?

Possibly a haircut or trim?

geoTrad - Google My Maps

Well, this is a rather wonderful mashup made with data from thesession.org:

The distribution of Irish traditional tunes which reference place names in Ireland

20/20 Visions Review - Brighton Source

Here’s a write-up (with great photos) from the truly excellent gig that Salter Cane headlined on Saturday night.

The high praise for all the bands is not hyperbole—I was blown away by how good they all were!

Music and Web Design | Brad Frost

I feel my trajectory as a musician maps to the trajectory of the web industry. The web is still young. We’re all still figuring stuff out and we’re all eager to get better. In our eagerness to get better, we’re reaching for more complexity. More complex abstractions, build processes, and tools. Because who wants to be bored playing in 4/4 when you can be playing in 7/16?

I hope we in the web field will arrive at the same realization that I did as a musician: complexity is not synonymous with quality.

Can I get an “Amen!”?

Southern Mosaic

A beautiful audio and visual history of the Lomax’s journey across:

On March 31 1939, when John and Ruby Lomax left their vacation home on Port Aransas, Texas, they already had some idea of what they would encounter on their three-month, 6,502 mile journey through the southern United States collecting folk songs.

Link tags: music

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