I spent far too long hitting refresh and then clicking on the names of some of the Irish bands down near the bottom of the line-up.
Okay, so I didn’t get many of the answers, but nonetheless these are excellent questions!
(Ah, how I long for the day when we can once more engage in quizzo and picklebacks at National Mechanics.)
- Which jig will be next?
- What instrument?
- What shirt will he wear next?
- Will a shirt make a repeat appearance?
- Will he shave his wiseman beard?
- Possibly a haircut or trim?
I feel my trajectory as a musician maps to the trajectory of the web industry. The web is still young. We’re all still figuring stuff out and we’re all eager to get better. In our eagerness to get better, we’re reaching for more complexity. More complex abstractions, build processes, and tools. Because who wants to be bored playing in 4/4 when you can be playing in 7/16?
I hope we in the web field will arrive at the same realization that I did as a musician: complexity is not synonymous with quality.
Can I get an “Amen!”?
A beautiful audio and visual history of the Lomax’s journey across:
On March 31 1939, when John and Ruby Lomax left their vacation home on Port Aransas, Texas, they already had some idea of what they would encounter on their three-month, 6,502 mile journey through the southern United States collecting folk songs.
Myself and Jessica joining in some reels and jigs.
A short text file, imbued with meaning and memory.
Aw, this is so nice! Chris points to the way that The Session generates sheet music from abc text:
Here’s another way of thinking of it: I was contacted by a blind user of The Session who hadn’t come across abc notation before. Once they realised how it worked, they said it was like having
alt text for sheet music! 🤯
I really enjoyed chatting with Mark and Ben on the Relative Paths podcast. We talked about service workers and Going Offline, but we also had a good musical discussion.
The Real Music Club presents Salter Cane, The Equatorial Group, The Organ Grinder’s Monkey Saturday 28th Apr 2018 | The Brunswick
Mark your calendars, Brightonians: one week from tomorrow, on Saturdaay, April 28th, come and see my band Salter Cane playing in The Brunswick.
We will rock you …in the most miserablist way possible.
This looks like a rather good documentary about the best band in the world.
A massively in-depth study of boundary-breaking music, recreated through the web audio API.
- Steve Reich - It’s Gonna Rain (1965)
- Brian Eno - Ambient 1: Music for Airports, 2/1 (1978)
- Brian Eno - Discreet Music (1975)
You don’t have to be a musician or an expert in music theory to follow this guide. I’m neither of those things. I’m figuring things out as I go and it’s perfectly fine if you do too. I believe that this kind of stuff is well within reach for anyone who knows a bit of programming, and you can have a lot of fun with it even if you aren’t a musician.
One thing that definitely won’t hurt though is an interest in experimental music! This will get weird at times.
It turns out that Brighton has a mandolin orchestra. This aligns with my interests.