The design history of the New York subway map.
The opening of this blog post warned the cockles of my heart:
I have a rule about conferences: go once.
Like all rules, it can be broken — usually when Jeremy Keith is involved — but not often.
Awww! That’s so nice!
The new editorial project from David Byrne, as outlined in his recent Long Now talk.
Through stories of hope, rooted in evidence, Reasons to be Cheerful aims to inspire us all to be curious about how the world can be better, and to ask ourselves how we can be part of that change.
Some time ago I was going through the backlog of around 90 unread articles on Design Systems. About 80 of those were Medium articles and about 40 of those took me to either their user-hostile “you ready a lot and we like that” pop-up or their money-grabbing “you’ve read lots this month, pay us to read some more.”, it turns out that Medium only likes you reading things when you give money to do so.
Therefore I’ve started to add a little warning notice to each article that’s on Medium.
This is a really great, balanced profile of the Indie Web movement. There’s thoughtful criticism alongside some well-deserved praise:
If we itemize the woes currently afflicting the major platforms, there’s a strong case to be made that the IndieWeb avoids them. When social-media servers aren’t controlled by a small number of massive public companies, the incentive to exploit users diminishes. The homegrown, community-oriented feel of the IndieWeb is superior to the vibe of anxious narcissism that’s degrading existing services.
Coming to your inbox soon:
The Training Commission is a speculative fiction email newsletter about the compromises and consequences of using technology to reckon with collective trauma. Several years after a period of civil unrest and digital blackouts in the United States, a truth and reconciliation process has led to a major restructuring of the federal government, major tech companies, and the criminal justice system.
Ted Chiang has new collection out‽ Why did nobody tell me‽
Okay, well, technically this is Joyce Carol Oates telling me. In any case …woo-hoo!!!
A Public Record at Risk: The Dire State of News Archiving in the Digital Age - Columbia Journalism Review
This well-researched in-depth piece doesn’t paint a pretty picture for archiving online news:
Of the 21 news organizations in our study, 19 were not taking any protective steps at all to archive their web output. The remaining two lacked formal strategies to ensure that their current practices have the kind of longevity to outlast changes in technology.
It’s not funny, cause it’s true.
Hacker News is an echo chamber focusing on computer posturing and self-aggrandizement. It is run by Paul Graham’s investment fund and sociopath incubator, Y Combinator.
There’s never been any reason to visit Hacker News, but now you really don’t need to ever go there. This site posts a weekly roundup, complete with commentary that’s even more snarky than Hacker News.
Here’s a fairly typical summary of a fairly typical thread:
Oh, and I love the “about” page.
After musing on newsletters, Craig shares how he’s feeling about Instagram and its ilk:
Instagram will only get more complex, less knowable, more algorithmic, more engagement-hungry in 2019.
I’ve found this cycle has fomented another emotion beyond distrust, one I’ve felt most acutely in 2018: Disdain? (Feels too loaded.) Disappointment? (Too moralistic.) Wariness? (Yes!) Yes — wariness over the way social networks and the publishing platforms they provide shift and shimmy beneath our feet, how the algorithms now show posts of X quality first, or then Y quality first, or how, for example, Instagram seems to randomly show you the first image of a multi-image sequence or, no wait, the second.8
I try to be deliberate, and social networks seem more and more to say: You don’t know what you want, but we do. Which, to someone who, you know, gives a shit, is pretty dang insulting.
Wariness is insidious because it breeds weariness. A person can get tired just opening an app these days. Unpredictable is the last thing a publishing platform should be but is exactly what these social networks become. Which can make them great marketing tools, but perhaps less-than-ideal for publishing.
Here’s a thorough blow-by-blow account of the workshop I ran in Nottingham last week:
Jeremy’s workshop was a fascinating insight into resilience and how to approach a web project with ubiquity and consistency in mind from both a design and development point of view.
Westley came along to my workshop at New Adventures …and liked it! (phew!)
I have long been a proponent of progressive enhancement on the web, perhaps before I knew the true value of it to the people that use the things we build for the web, but Jeremy has always been able to expand my understanding of its importance in the wider scope of things, how it inherently builds resilience into your products, and how it makes it more widely available to people across the world, in vastly different scenarios. The workshop itself was fluid enough to cater to the topics that the attendees were interested in; from over-arching philosophy to technical detail around service workers and new APIs. It has helped me to understand that learning in this kind of environment doesn’t have to be rigorously structured, and can be shaped as the day progresses.
Read on to discover how I incorporated time travel into the day’s activities.
Here are the slides for the opening keynote I delivered at the New Adventures conference in Nottingham on Thursday. They make no sense out of context like this. You kinda had to be there (or suggest to some other conference that I should deliver this talk again—hint, hint).
The first two years of the excellent History Of The Web newsletter is now available as a digital book. It’s volume one of …we’ll see how many.
Buried inside you’ll find fascinating narrative threads from the web’s history, starting all the way from the beginning and straight on through to the very first browsers, the emergence of web design, to the evolving landscape of our online world.
Craig’s slow walk away from Instagram:
I want to have a place very far apart from that, where I can post photos on my own terms. Not have an algorithm decide which of my posts is best (have you noticed Instagram making the second photo in series appear first in the carousel?). And I don’t want to be rewarded for being anodyne, which is what these general algorithms seem to optimize for: things that are easily digestible, firmly on the scale of “fine, just fine.” It becomes a self-fulfilling prophecy, as the more boring stuff we shove into our eyeballs, the more boring our taste becomes.
When a storm comes, some of the big news sites like CNN and NPR strip down to a zippy performant text-only version that delivers the content without the bells and whistles.
I’d argue though that in some aspects, they are actually better than the original.
The “full” NPR site in comparison takes ~114 requests and weighs close to 3MB on average. Time to first paint is around 20 seconds on slow connections. It includes ads, analytics, tracking scripts and social media widgets.
Meanwhile, the actual news content is roughly the same.
I quite like the idea of storm-driven development.