To navigate the web is to beat a path through a labyrinth of links left by others, and to thereby create associative links yourself, unspooling them like a guiding thread onto a floor already carpeted with such connections. Each thread of connection is unique, individualized: everyone draws their own map of the network as they navigate it.
I wasn’t supposed to speak at this year’s Beyond Tellerrand conference, but alas, Ellen wasn’t able to make it so I stepped in and gave my talk on evaluating technology.
Laurie Voss on the trade-off between new powerful web dev tools, and the messiness that abusing those tools can bring:
Is modern web development fearsomely, intimidatingly complicated? Yes, and that’s a problem. Will we make it simpler? Definitely, but probably not as soon as you’d like. Is all this new complexity worthwhile? Absolutely.
I agree that there’s bound to be inappropriate use of technologies, but I don’t agree that we should just accept it:
I think we can raise our standards. Inappropriate use of technology might have been forgivable ten years ago, but if we want web development to be taken seriously as a discipline, I think we should endeavour to use our tools and technologies appropriately.
But we can all agree that the web is a wonderful thing:
Nobody but nobody loves the web more than I do. It’s my baby. And like a child, it’s frustrating to watch it struggle and make mistakes. But it’s amazing to watch it grow up.
Calum’s write-up of the workshop I ran in Nuremberg last week.
But real problems are messy. Tech culture prefers to solve harder, more abstract problems that haven’t been sullied by contact with reality. So they worry about how to give Mars an earth-like climate, rather than how to give Earth an earth-like climate. They debate how to make a morally benevolent God-like AI, rather than figuring out how to put ethical guard rails around the more pedestrian AI they are introducing into every area of people’s lives.
Austin Kleon expands on Brian Eno’s neologism “scenius”:
Genius is an egosystem, scenius is an ecosystem.
Cancelling the future.
The future lives and dies by the state of the archives. To look hard at this world and honestly, diligently articulate what happened and what it was like in the present is a sort of promise to the future, a new layer to the palimpsest of history that can become someone else’s foundation.
Photos of analogue interfaces: switches, knobs, levers, dials, buttons, so many buttons.
The Long Now Foundation has been posting some great stuff on their blog lately. The latest is a look at orreries, clocks, and computers throughout history …and into the future.
A write-up of the BrightSparks programme that Clearleft is taking part in.
Each company agreed to help support one local child from a low-income family, on free school meals or with a yearly household income of under £25k.
The rapture of the nerds:
Transhumanism’s simulation theology
This wide-ranging essay by Nick Nielsen on Centauri Dreams has a proposition that resonates with my current talk about evaluating technology:
Science produces knowledge, but technology only selects that knowledge from the scientific enterprise that can be developed for practical uses.
Then there’s this:
The most remarkable feature of how we got from the origins of our species to the complex and sophisticated civilization we have today is that, with few exceptions, none of it was planned. Technology was not planned; civilization was not planned; industrialization was not planned; the internet was not planned.
Here’s the opening keynote I gave at the Render Conference in Oxford. The talk is called Evaluating Technology:
Luke is a live-blogging machine. Here’s the notes he made during my talk at An Event Apart Seattle.
If it reads like a rambling hodge-podge of unconnected thoughts, I could say that you had to be there …but it kinda was a rambling hodge-podge of unconnected thoughts.
I adore the thoughtfulness and lack of ego that Frank presents here. I hope that every designer reads this and thinks upon it.
This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.
When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.
Charlotte’s step-by-step account of setting up a Node server is going to be invaluable if and when I get around to dipping my toes in those waters.
That library was a Pandorica of fabulous, interwoven randomness, as rich as plum cake. Push a seed of curiosity in between any two books and it would grow, overnight, into a rainforest hot with monkeys and jaguars and blowpipes and clouds. The room was full, and my head was full. What a magical system to place around a penniless girl.
Speaking as an ancient web developer myself, this account by Gina of her journey into Node.js is really insightful. But I can’t help but get exhausted just contemplating the yak-shaving involved in the tooling set-up:
The sheer number of tools and plugins and packages and dependencies and editor setup and build configurations required to do it “the right way” is enough to stall you before you even get started.