Images, videos, sounds, and 3D models are now available from the European Space Agency under a Creative Commons Attribution Share-alike license.
The largest complaint by far is that the URLs for AMP links differ from the canonical URLs for the same content, making sharing difficult. The current URLs are a mess.
This is something that the Google gang are aware of, and they say they’re working on a fix. But this post points out some other misgivings with AMP, like its governance policy:
This keeps the AMP HTML specification squarely in the hands of Google, who will be able to take it in any direction that they see fit without input from the community at large. This guise of openness is perhaps even worse than the Apple News Format, which at the very least does not pretend to be an open standard.
Joschi is documenting his commitment to “contribute at least one meaningful commit a day to a public Open Source project or a similar community effort.” So far it’s a really nice mix of coding and face-to-face activities.
Continuous web death.
The modern journalist is not an expert on the web. They and their colleagues have spent a large part of the last twenty-five years dismissing the open web at every stage. They are not the people you can trust to either accurately assess the web or to make usable websites. You can’t even trust them to make sensible decisions about web strategy. Just look at their damn websites!
The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov
Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.
Best of all, you can get involved:
In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.
Jamie Zawinski tells the story of how John Carpenter’s They Live led to Shepard Fairey’s Obey Giant which led to Mozilla’s logo.
So that was the time that I somehow convinced a multi-billion dollar corporation to give away the source code to their flagship product and re-brand it using propaganda art by the world’s most notorious graffiti artist.
Excellent guidelines from GDS on providing services that work well on mobile. The watchwords are:
- responsive design,
- progressive enhancement,
- open data, and
- emerging technology (service workers, notifications, etc.).
Native and hybrid apps are rarely justified.
Mozilla are updating their brand identity and they’re doing it in the open. A brave, but fascinating move.
Colin pointed out this interesting perspective from an iOS developer moving to the web:
My work for the last few years has been on the web, and honestly, it’s a breath of fresh air. Instant refreshing, surprisingly good debugging / perf tools, intrinsically multi-platform, and most importantly, open.
Web tech gets a lot of shit from native devs (some of it deserved). But the alternatives are worse. I find the entire concept of App Review morally questionable despite Apple’s good intentions. So I sleep better at night not being part of that anymore. Sure, the web is messy, and it’s delicate, but it’s important and good and getting better fast.
While the open web still exists, we really dropped the ball protecting and strengthening it. Fewer people’s first choice for publishing is to start a web site hosted at their own domain. Like the destruction of Pennsylvania Station, sometimes you only know in hindsight that you’ve made a mistake. We were so caught up in Twitter and Facebook that we let the open web crumble. I’m not giving up — I think we can get people excited about blogging and owning their own content again — but it would have been easier if we had realized what we lost earlier.
This might be the most remote open device lab yet. Looks pretty great.
This seems like a decent endeavour:
A collaborative research project aimed at designing better tools and practices for learning web development.
The death of the web has been greatly exaggerated.
There’s nothing else like it. It’s constantly improving. It’s up to you what you do with it.
OpenGeofiction is a map of an imaginary world, created by a community of worldbuilders. You can take part in this project too.
I really like this impassioned love letter to the web. This resonates:
The web is a worthy monument for society. It cannot be taken away by apps in the app store or link bait on Facebook, but it can be lost if we don’t continue to steward this creation of ours. The web is a garden that needs constant tending to thrive. And in the true fashion of the world wide web, this is no task for one person or entity. It will require vigilance and work from us all.
Bastian sums up his experience of attending Indie Web Camp:
But this weekend brought a new motivational high that I didn’t expect to go that far. I attended the Indie Web Camp in Düsseldorf, Germany and I’m simply blown away.
I completely understand Peter’s fears here, and to a certain extent, I share them. But I think there’s a danger in only looking to what native platforms can do that the web doesn’t (yet). Perhaps instead we should be looking to strengthen what only the web can offer: ubiquity, access, and oh yeah, URLs.
Brewster Kahle’s short presentation at NetGain.