Digital things look ‘finished’ too soon. When something is a work in progress on a wall, it looks unfinished, so you keep working on it. moving things around, reshaping things, connecting things, erasing things, and making them again. Walls make it easier to iterate. Iteration, in my opinion, is massively correlated with quality.
Okay, I think I’m going to have to get this pack of three notebooks: Mercury, Gemini, and Apollo.
There’s something quite Bridlesque about these lovely books that Brendan is generating from git commits.
From the proceedings of the Electronic Computer Symposium in 1952, the remarkable Ida Rhodes describes a vision of the future…
My crystal ball reveals Mrs. Mary Jones in the living room of her home, most of the walls doubling as screens for projected art or information. She has just dialed her visiophone. On the wall panel facing her, the full colored image of a rare orchid fades, to be replaced by the figure of Mr. Brown seated at his desk. Mrs. Jones states her business: she wishes her valuable collection of orchid plants insured. Mr. Brown consults a small code book and dials a string of figures. A green light appears on his wall. He asks Mrs. Jones a few pertinent questions and types out her replies. He then pushes the start button. Mr. Brown fades from view. Instead, Mrs. Jones has now in front of her a set of figures relating to the policy in which she is interested. The premium rate and benefits are acceptable and she agrees to take out the policy. Here is Brown again. From a pocket in his wall emerges a sealed, addressed, and postage-metered envelope which drops into the mailing chute. It contains, says Brown, an application form completely filled out by the automatic computer and ready for her signature.
An interesting Xerox-PARC-like project dedicated to making a programmable platform out of paper and other physical objects.
A humane dynamic medium embraces the countless ways in which human beings use their minds and bodies, instead of cramming people into a tiny box of pixels.
Play the part of an AI pursuing its goal without care for existential threats. This turns out to be ludicrously addictive. I don’t want to tell you how long I spent playing this.
Keep your eye on the prize: remember that money (and superintelligence) is just a means to an end …and that end is making more paperclips.
Toilet paper, barbed wire, shipping containers, and replicants.
The ability of the physical world — a floor, a wall — to act as a screen of near infinite resolution becomes more powerful the more time we spend heads-down in our handheld computers, screens the size of palms. In fact, it’s almost impossible to see the visual patterns — the inherent adjacencies — of a physical book unless you deconstruct it and splay it out on the floor.
Craig gives us a walkthrough—literally—of the process behind the beautiful Koya Bound book.
Deciding to make any book is an act of creative faith (and ego and hubris, but these aren’t all exclusionary). But before Dan and I sold any copies of Koya Bound, we walked atop the pages that would become the book, not really knowing if there existed an audience for the book.
Well, look at these fresh-faced lads presenting their little hypertext system in 1992. A fascinating time capsule.
When it seems like all our online activity is being tracked by Google, Facebook, and co., it comforts me to think of all the untracked usage out there, from shared (or fake) Facebook accounts to the good ol’ sneakernet:
Packets of information can be distributed via SMS and mobile 3G but also pieces of paper, USB sticks and Bluetooth.
Connectivity isn’t binary. Long live the papernet!
We find that the detected signals have exactly the shape of an ETI signal predicted in the previous publication and are therefore in agreement with this hypothesis.
The 1978 short film Farewell, etaoin shrdlu documents the changeover from linotype to digital typesetting at The New York Times.
An evenhanded treatment of the unremitting march of technological progress, Weiss’s film about an outmoded craft is stylistically vintage yet also immediate in its investigation of modernity.
Yummy wallpapers for your desktop, tablet, and phone, from NASA and ESA.
I’m so proud of Charlotte right now: last week she gave a conference talk and today she has an article published in A List Apart. Superb work on both fronts!
She does a great job of talking through a collaborative exercise to help teams move from thinking in pages to thinking in patterns.
The Guardian have hit the big red button and made their responsive site the default. Great stuff!
(top tip: don’t read the comments)
Print out the plans, fold and glue/sellotape the paper together, and you’ve got yourself the best sci-fi robots in recent cinema history.
Instapaper is going to add support for fragmentions. Seems like a match made in heaven.
Kyle’s new site is looking lovely and responsive (thanks to Josh). But mostly it just gets out of the way so you can take in his truly amazing work.
Michael Weinberg’s follow-up whitepaper to “It will be awesome if they don’t screw it up.”