Images, videos, sounds, and 3D models are now available from the European Space Agency under a Creative Commons Attribution Share-alike license.
The largest complaint by far is that the URLs for AMP links differ from the canonical URLs for the same content, making sharing difficult. The current URLs are a mess.
This is something that the Google gang are aware of, and they say they’re working on a fix. But this post points out some other misgivings with AMP, like its governance policy:
This keeps the AMP HTML specification squarely in the hands of Google, who will be able to take it in any direction that they see fit without input from the community at large. This guise of openness is perhaps even worse than the Apple News Format, which at the very least does not pretend to be an open standard.
It strikes me that Garrett’s site has become a valuable record of the human condition with its mix of two personal stories—one relating to his business and the other relating to his health—both of them communicated clearly through great writing.
Have a read back through the archive and I think you’ll share my admiration.
Joschi is documenting his commitment to “contribute at least one meaningful commit a day to a public Open Source project or a similar community effort.” So far it’s a really nice mix of coding and face-to-face activities.
This is a clever technique by Dave—use viewport units to make a lightweight lightbox.
Continuous web death.
The modern journalist is not an expert on the web. They and their colleagues have spent a large part of the last twenty-five years dismissing the open web at every stage. They are not the people you can trust to either accurately assess the web or to make usable websites. You can’t even trust them to make sensible decisions about web strategy. Just look at their damn websites!
Andy is sticking with the indie web.
Here, I control my words. Nobody can shut this site down, run annoying ads on it, or sell it to a phone company. Nobody can tell me what I can or can’t say, and I have complete control over the way it’s displayed. Nobody except me can change the URL structure, breaking 14 years of links to content on the web.
I second that emotion.
The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov
Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.
Best of all, you can get involved:
In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.
Jamie Zawinski tells the story of how John Carpenter’s They Live led to Shepard Fairey’s Obey Giant which led to Mozilla’s logo.
So that was the time that I somehow convinced a multi-billion dollar corporation to give away the source code to their flagship product and re-brand it using propaganda art by the world’s most notorious graffiti artist.
Excellent guidelines from GDS on providing services that work well on mobile. The watchwords are:
- responsive design,
- progressive enhancement,
- open data, and
- emerging technology (service workers, notifications, etc.).
Native and hybrid apps are rarely justified.
This is a rather lovely idea—a disc with eight rings, each marked with the position of a planet, the arrangement of which corresponds to a specific date.
Heartfelt congratulations to Remy on ten years of blogging.
More importantly, every single URL on my blog that’s ever been published still works, and even better than that (for me) is my archive showing off the decade of writing I’ve been producing over all this time 💪
Mozilla are updating their brand identity and they’re doing it in the open. A brave, but fascinating move.
Here’s another clever CSS technique. It uses flexbox to add horizontal lines either side of centred content.
This is witchcraft. I’ve been deconstructing the CSS to figure out how this works and it’s really clever.
(Hint: try commenting out some of the CSS and see what happens.)
Colin pointed out this interesting perspective from an iOS developer moving to the web:
My work for the last few years has been on the web, and honestly, it’s a breath of fresh air. Instant refreshing, surprisingly good debugging / perf tools, intrinsically multi-platform, and most importantly, open.
Web tech gets a lot of shit from native devs (some of it deserved). But the alternatives are worse. I find the entire concept of App Review morally questionable despite Apple’s good intentions. So I sleep better at night not being part of that anymore. Sure, the web is messy, and it’s delicate, but it’s important and good and getting better fast.
It is a sad and beautiful world wide web:
The technology that let people make web sites never went away. You can still set up a site as if it were 1995. But culture changes, as do expectations. It takes a certain set of skills to create your own web site, populate it with cool stuff, set up a web server, and publish your own cool-stuff web pages. I would argue that those skills should be a basic part of living in a transparent and open culture where individuals are able to communicate on an equal field of play. Some fellow nerds would argue the same. But most everyone else, statistically, just uses Facebook and plays along.
Paul Ford shines a light on the solution:
Standing against this tide of centralization is the indie web movement. Perhaps “movement” is too strong—it’s more an aesthetic of independence and decentralization. The IndieWebCamp web page states: “When you post something on the web, it should belong to you, not a corporation.” You should own your information and profit from it. You should have your own servers. Your destiny, which you signed over to Facebook in order to avoid learning a few lines of code, would once again be your own.
Beautiful, beautiful writing:
We could still live in that decentralized world, if we wanted to. Despite the rise of the all-seeing database, the core of the internet remains profoundly open. I can host it from my apartment, on a machine that costs $35. You can link to me from your site. Just the two of us. This is an age of great enterprise, no time to think small. Yet whatever enormous explosion tears through our digital world next will come from exactly that: an individual recognizing the potential of the small, where others see only scale.
Why Get on the Indie Web?
In a word, autonomy.
- What is the Indie Web?
- How Can You Get on the Indie Web?,
- Where is the Indie Web? and
- Who is the Indie Web?
The Indie Web is made of people. It’s made by me. It can be made by you too. There’s no gatekeeper. You can join anytime without anyone’s permission. The Indie Web is made by everyone.
A typically superb article by Aaron. Here, he breaks down a resilient approach to building for the web by examining the multiple ways you could add a button to a page. There’s a larger lesson here too:
We don’t control where our web-based products go or how our users access them. All we can do is imagine as many less-than-perfect scenarios as possible and do our best to ensure our creations will continue to do what they’re supposed to do. One of the easiest ways to do that is to be aware of and limit our dependencies.