I know a number of people who blog as a way to express themselves, for expression’s sake, rather than for anyone else wanting to read it. It’s a great way to have a place to “scream into the void” and share your thoughts.
The new editorial project from David Byrne, as outlined in his recent Long Now talk.
Through stories of hope, rooted in evidence, Reasons to be Cheerful aims to inspire us all to be curious about how the world can be better, and to ask ourselves how we can be part of that change.
Editing is hard because you realize how bad you are. But editing is easy because we’re all better at criticizing than we are at creating.
My essay was garbage. But it was my garbage.
This essay is most definitely not garbage. I like it very much.
Reinventing the web the long way around, in a way that gives Google even more control of it. No thanks.
How Robin really feels about Google AMP:
Here’s my hot take on this: fuck the algorithm, fuck the impressions, and fuck the king. I would rather trade those benefits and burn my website to the ground than be under the boot and heel and of some giant, uncaring corporation.
The best time to make a personal website is 20 years ago. The second best time to make a personal website is now.
Chris offers some illustrated advice:
- Define the purpose of your site
- Organize your content
- Look for inspiration
- Own your own domain name
- Build your website
There’s no sugar-coating it—AMP components are dreadfully inaccessible:
We’ve reached a point where AMP may “solve” the web’s performance issues by supercharging the web’s accessibility problem, excluding even more people from accessing the content they deserve.
Books in the public domain, lovingly designed and typeset, available in multiple formats for free. Great works of fiction from Austen, Conrad, Stevenson, Wells, Hardy, Doyle, and Dickens, along with classics of non-fiction like Darwin’s The Origin of Species and Shackleton’s South!
This’ll be good—the inside story of the marvelous Zooniverse project as told by Chris Lintott. I’m looking forward to getting my hands on a copy of this book when it comes out in a couple of months.
I’ve shaped this timeline over five months. It might look simple, but it most definitely was not. I liken it to chipping away at a block of marble, or the slow process of evolving a painting, or constructing a poem; endless edits, questions, doubling back, doubts. It was so good to have something meaty to get stuck into, but sometimes it was awful, and many times I considered throwing it away. Overall it was challenging, fun, and worth the effort.
Simon describes the process of curating the lovely timeline on his personal homepage.
My timeline is just like me, and just like my life: unfinished, and far from perfect.
A short, snappy web book on product development from Ryan Singer at Basecamp.
Like Resilient Web Design, the whole thing is online for free (really free, not “give us your email address” free).
Some time ago I was going through the backlog of around 90 unread articles on Design Systems. About 80 of those were Medium articles and about 40 of those took me to either their user-hostile “you ready a lot and we like that” pop-up or their money-grabbing “you’ve read lots this month, pay us to read some more.”, it turns out that Medium only likes you reading things when you give money to do so.
Therefore I’ve started to add a little warning notice to each article that’s on Medium.
For me, I do find that Webmentions are really enhancing linking—by offering a type of bidirectional hyperlink. I think if they could see widespread use, we’d see a Renaissance of blogging on the Web. Webmentions are just so versatile—you can use them to commment, you an form ad-hoc directories with them, you can identify yourself to a wider community. I really feel like they are a useful modernization.
My website has my words, my interviews, my photos, and my identity — what it doesn’t have, as far as I’m concerned, is “content.” Looking at it from the other side, for platforms like Facebook, Instagram, and YouTube, everything is “content” regardless of its provenance. Each creation is merely an object, only valuable for its ability to increase our time spent on their platforms, allowing them to sell more advertising.
It’s hard to overstate how important my blog has been, but if I were to try to distill it down into one word, it would be: “amplifier.”
Khoi talks about writing on his own website.
I personally can’t imagine handing over all of my labor to a centralized platform where it’s chopped up and shuffled together with content from countless other sources, only to be exploited at the current whims of the platform owners’ volatile business models.
I got a preview copy of this book and, my oh my, it is superb!
If your job involves dealing with humans (or if it might involve dealing with humans in the future), you’ll definitely want to read this.
Andrew looks at AMP from a technical, UX, and commercial perspective. It looks pretty bad in all three areas. And the common thread is the coercion being applied to publishers.
But casting the web aside and pushing a new proprietary content format (which is optional, but see coercion) seems like an extraordinarily heavy handed way to address it. It’s like saying I see you have a graze on your knee so let’s chop off and replace your whole leg. Instead, we could use the carrot of a premium search result position (as AMP has done) and make it only possible to be there if your site is fast.
He’s absolutely right about how it sounds when the AMP team proudly talk about how many publishers are adopting their framework, as if the framework were actually standing on its own merits instead of being used to blackmail publishers:
It is utterly bizarre to me, akin to a street robber that has convinced himself that people just randomly like giving him their money and has managed to forget the fact that he’s holding a gun to their head.
This is a really great, balanced profile of the Indie Web movement. There’s thoughtful criticism alongside some well-deserved praise:
If we itemize the woes currently afflicting the major platforms, there’s a strong case to be made that the IndieWeb avoids them. When social-media servers aren’t controlled by a small number of massive public companies, the incentive to exploit users diminishes. The homegrown, community-oriented feel of the IndieWeb is superior to the vibe of anxious narcissism that’s degrading existing services.
Tantek’s barnstorming closing talk from Beyond Tellerrand. This is well worth 30 minutes of your time.
Own your domain. Own your content. Own your social connections. Own your reading experience. IndieWeb services, tools, and standards enable you to take back your web.