What I love about the web is that it’s a hypertext. (Though in recent years it has mostly been used as a janky app delivery platform.)
I am very much enjoying Matt’s thoughts on linking, quoting, transclusion, and associative trails.
My blog is my laboratory workbench where I go through the ideas and paragraphs I’ve picked up along my way, and I twist them and turn them and I see if they fit together. I do that by narrating my way between them. And if they do fit, I try to add another piece, and then another. Writing a post is a process of experimental construction.
And then I follow the trail, and see where it takes me.
This looks like a nifty tool for blogs:
Quotebacks is a tool that makes it easy to grab snippets of text from around the web and convert them into embeddable blockquote web components.
Congratulations and kudos to Phil for twenty years of blogging!
Here he describes what it was like online in the year 2000. Yes, it was very different to today, but…
Anyone who thinks blogging died at some point in the past twenty years presumably just lost interest themselves, because there have always been plenty of blogs to read. Some slow down, some die, new ones appear. It’s as easy as it’s ever been to write and read blogs.
Though Phil does note:
Some of the posts I read were very personal in a way that’s less common now, in general. … Even “personal” websites (like mine) often have an awareness about them, about what’s being shared, the impression it gives to strangers, presenting a public face, maybe a feeling of, “I’m just writing personal nonsense but, why, yes, I am available for hire”.
Maybe that’s why I’m enjoying Robin’s writing so much.
When I log onto someone’s website I want them to tell me why they’re weird. Where’s the journal or scrapbook? Where’s your stamp collection? Or the works-in-progress, the failed attempts, the clunky unfinished things?
There’s a voice inside your head that prevents you from sharing ideas—punch it in the face. - Airbag Industries
When I challenge the idea of topics—especially when I suggest writing about a design topic—the “I don’t know what to write about” excuse goes to level two: Someone has already written about [design topic]. And that might be true, but by Great Gutenberg’s Ghost, if that was a hard requirement for publishing, we’d have one newspaper, a few magazines, and maybe a thousand books. Hollywood would be a ghost town because we got to the end of all of the movie tropes by 1989. We’d have seventy-five songs with lyrics, but re-recorded in every music style and everyone would still hate Yanni. The point is you can’t let the people who have come before you be the excuse to stop you from writing or, frankly, creating.
Personal website owners – what do you think about collecting all of the feeds you are producing in one way or the other on a
Sounds like a good idea! I’ll get on that.
I keep coming back to this remarkable piece of writing by Cassie. Honest, resonant, and open, centred around a perfect analogy.
2010 was quite a year:
Nothing’s been quite the same since.
I remember being at that An Event Apart in Seattle where Ethan first unveiled the phrase and marvelling at how well everything just clicked into place, perfectly capturing the zeitgeist. I was in. 100%.
I think this one single feature is going to get me to switch to iA Writer:
For starters, we added Micropub support. This means you can publish to Micro.blog and other IndieWeb tools.
Great typography on the web should be designed in layers. The web is an imperfect medium, consumed by countless different devices over untold numbers of network connections—each with their own capabilities, limitations, and peculiarities. To think that you can create one solution that will look and work the same everywhere is a fantasy. To make this more than just one nice book website, the whole project and process needs to embrace this reality.
This might be the most insightful thing that Dan has written since his seminal 2013 Medium article:
The problem with Scrappy Doo, isn’t that he’s annoying, which he is, but that the ghosts suddenly became real, which is an afront to science.
I know this hot-take is about 40 years old, but I’ve been bottling it up.
Digital preservation of dead-tree media:
The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories.
Naomi Kritzer published a short story five years ago called So Much Cooking about a food blogger in lockdown during a pandemic. Prescient.
I left a lot of the details about the disease vague in the story, because what I wanted to talk about was not the science but the individuals struggling to get by as this crisis raged around them. There’s a common assumption that if the shit ever truly hit the fan, people would turn on one another like sharks turning on a wounded shark. In fact, the opposite usually happens: humans in disasters form tight community bonds, help their neighbors, offer what they can to the community.
A group blog by a whole bunch of people who are staying at home.
It’s hard to believe, but there was a time where the internet was just full of casual websites posting random stuff. And you’d go to them maybe even multiple times a day to see if they had posted any new stories. It was something we all did when we were bored at our desks, at our jobs. Now there are no more desks. But there are still blogs.
An interview with Joanne McNeil about her new book, Lurking:
Someone who was creating, say, a small decentralized community for a specific group of people would not have luck finding investors, as opposed to Facebook, which sought to build a platform for all.
‘Sfunny, when I was on Quarantine Book Club the other day, this is exactly what I talked about one point—how Facebook (and venture capital) moved the goalposts on what constitutes success and failure on the web.
A brief history of the manicule, illustrated with some extreme examples.