The web can be used to find common connections with folks you find interesting, and who don’t make you feel like so much of a weirdo. It’d be nice to be able to do this in a safe space that is not being surveilled.
Owning your own content, and publishing to a space you own can break through some of these barriers. Sharing your own weird scraps on your own site makes you easier to find by like-minded folks. If you’ve got no tracking on your site (no Google Analytics etc), you are harder to profile. People can’t come to harass you on your own site if you do not offer them the means to do so
I tried very hard in that book, when it came to social media, to be platform agnostic, to emphasize that social media sites come and go, and to always invest first and foremost in your own media (website, blog, etc.) and mailing list.
I still stand by that advice, but if I re-wrote the book now, I would encourage artists to use much more caution when it comes to using social media websites like Facebook, Twitter, and Instagram.
A collection of sci-fi short stories, featuring Becky Chambers and Madeline Ashby …and it’s free!
The title is quite clickbaity, but this is a rather wonderful retelling of web history on how Content Management Systems may have stifled a lot of the web’s early creativity.
Also, there’s this provocation: we like to rail against algorithmic sorting …but what if the reverse-chronological feed was itself the first algorithm?
Here’s the video of the talk I gave at Design4Drupal last week in Boston. There’s a good half an hour of questions at the end.
Before social media monoliths made us into little mechanical turks for advertising platforms, we had organic homes on the web. We had pages that were ours. And they could look however you wanted. And you could write whatever you wanted on there.
There weren’t comments if you didn’t want them. There were no photo dimensions to adhere to. No 140-character limits. No BS. Or lots of BS. Either way, the choice was yours because you owned your site and you could do whatever you wanted.
If you’re thinking of writing something that explains a weird thing you struggled with on the Internet, do it! Don’t worry about the views and likes and Internet hugs. If you’ve struggled with figuring out this thing then be sure to jot it down, even if it’s unedited and it uses too many commas and you don’t like the tone of it.
If only all documentation was as great as this old manual for the ZX Spectrum that Remy uncovered:
The manual is an instruction book on how to program the Spectrum. It’s a full book, with detailed directions and information on how the machine works, how the programming language works, includes human readable sentences explaining logic and even goes so far as touching on what hex values perform which assembly functions.
When we talk about things being “inspiring”, it’s rarely in regards to computer manuals. But, damn, if this isn’t inspiring!
This book stirs a passion inside of me that tells me that I can make something new from an existing thing. It reminds me of the 80s Lego boxes: unlike today’s Lego, the back of a Lego box would include pictures of creations that you could make with your Lego set. It didn’t include any instructions to do so, but it always made me think to myself: “I can make something more with these bricks”.
What’s happening right now at the US border is heartbreaking and inexcusable. We’re donating 25% of all profits today and tomorrow (June 19 & 20) to RAICES, to help reunite detained immigrant parents and children.
This looks like a really good (and free!) online book all about design ops.
The focus of the A Book Apart series is what makes it great …and that means having to reject some proposals that don’t fit. Even though I’ve had the honour of being a twice-published A Book Apart author, I also have the honour of receiving a rejection, which Jeffrey mentions here:
In one case we even had to say no to a beautifully written, fully finished book.
That was Resilient Web Design.
So why did we turn down books we knew would sell? Because, again—they weren’t quite right for us.
It was the right decision. And this is the right advice:
If you’ve sent us a proposal that ultimately wasn’t for us, don’t be afraid to try again if you write something new—and most importantly, believe in yourself and keep writing.
I continue to write stuff down on my little corner of the Web (does it have corners?) and I encourage you to do the same, as all these little bits of flotsam and jetsam become something a lot lot bigger.
This is the dumbest publishing platform on the web.
Write something, hit publish, and it’s live.
In a world full of talented designers, the ability to express oneself in written form is a key advantage.
Here’s the talk I gave at Webstock earlier this year all about the indie web:
In these times of centralised services like Facebook, Twitter, and Medium, having your own website is downright disruptive. If you care about the longevity of your online presence, independent publishing is the way to go. But how can you get all the benefits of those third-party services while still owning your own data? By using the building blocks of the Indie Web, that’s how!
I really enjoyed chatting with Mark and Ben on the Relative Paths podcast. We talked about service workers and Going Offline, but we also had a good musical discussion.
Here’s a great even-handed in-depth review of Going Offline:
A short’n’sweet review of Going Offline:
Jeremy nails it again with this beginner-friendly introduction to Service Workers and Progressive Web Apps. The foreword to the book says “you’ll gain a solid understanding of how to put this new technology to work for you right away” and I’d say that is very accurate.