Lysenko vs. Vavilov feels like the 20th century version of Edison vs. Tesla.
I played a lot Lords of Midnight (and Doomdark’s Revenge) on my Amstrad 464 when I was a kid. Turns out there’s a dedicated labour of love to port the games to modern platforms. I just downloaded the OS X port, so there goes my weekend.
If you make an improvement, it’s not going to be to the industry as a whole — it’ll be specific. And actually improvements have always been specific; it’s just that the industries have since multiplied and narrowed. Inventors once made drops into a puddle, but the puddle then expanded into an ocean. It doesn’t make the drops any less innovative.
James made a radio programme about “the cloud”:
It’s the central metaphor of the internet - ethereal and benign, a fluffy icon on screens and smartphones, the digital cloud has become so naturalised in our everyday life we look right through it. But clouds can also obscure and conceal – what is it hiding? Author and technologist James Bridle navigates the history and politics of the cloud, explores the power of its metaphor and guides us back down to earth.
The radioactive properties of React.
I probably need to upgrade the Huffduffer server but Maciej nails why that’s an intimidating prospect:
Doing this on a live system is like performing kidney transplants on a playing mariachi band. The best case is that no one notices a change in the music; you chloroform the players one at a time and try to keep a steady hand while the band plays on. The worst case scenario is that the music stops and there is no way to unfix what you broke, just an angry mob. It is very scary.
This is a very nifty use of CSS gradients!
I wrote a while back about one of my favourite photographs but this might just give it a run for its money.
It was only near the end of the 19th century that shutter speeds improved, as did emulsions, meaning that spontaneous moments could be captured. Still, smiling was not part of many cultures. It could be seen as unseemly or undignified, and many people rarely sat for photos anyway.
It’s now easier than ever to style form controls without sacrificing semantics and accessibility:
The reason is that we can finally style the ::before and ::after pseudo-elements on the
<input>tag itself. This means we can keep and style an
<input>and won’t need any extra elements. Before, we had to rely on the likes of an extra
<span>, to pull off a custom design.
The demo is really nice. And best of all, you can wrap all of these CSS enhancements in a feaure query:
Hopefully, you’re seeing how nice it is to create custom form styles these days. It requires less markup, thanks to pseudo-elements that are directly on form inputs. It requires less fancy style switching, thanks to custom properties. And it has pretty darn good browser support, thanks to
The Jevons Paradox in action:
Even if folks are on a new fast network, they’re very likely choking on the code we’re sending, rendering the potential speed improvements of 5G moot.
The longer I spend in this field, the more convinced I am that web performance is not a technical problem; it’s a people problem.
Myself and Jessica joining in some reels and jigs.
But there’s a difference between something degrading gracefully (the result) and graceful degradation (the approach).
Know any graduates who’d like to take part in a fun (paid) three month scheme at Clearleft? Send ‘em our way.
This is a fascinating story of psychological manipulation and internal politics. It leaves me feeling queasy about the amount of power wielded by individuals in one single organisation.
New Ways of Seeing considers the impact of digital technologies on the way we see, understand, and interact with the world. Building on John Berger’s seminal Ways of Seeing from 1972, the show explores network infrastructures, digital images, systemic bias, education and the environment, in conversation with a number of contemporary art practitioners.
Bringing gradients back, baby!
This is going to be a handy reference to keep on hand whenever you want a button to actually look like a button.
Sara shows a few different approaches to building accessible toggle switches:
Always, always start thinking about the markup and accessibility when building components, regardless of how small or simple they seem.