I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
While we’re all confined to quarters during The Situation, Gary Hustwit is offering one of his films for free every week. The fantastic Helvetica is just about to finish its run, but every one of Gary’s films is worth watching (and rewatching): Helvetica, Objectified, Urbanized, and Rams.
Filmmaker Gary Hustwit is streaming his documentaries free worldwide during the global COVID crisis. Each week we’ll be posting another film here. We hope you enjoy them, and please stay strong.
Sometimes me think me should just tear bull pictogram down. Can bull pictogram really be worth it? Sure, pictogram help advance caveculture and foster writing system. But what good that stuff if whole cave society is just bunch of brainwashed bull-pictogram-watchers? You know what Aiden say yesterday? When he grow up, he want be bull-pictogram-painter! That not real job! Real job hunter! Or at least gatherer! How many bull-pictogram-painters world need?
The Decolonial Atlas is a growing collection of maps which, in some way, help us to challenge our relationships with the land, people, and state. It’s based on the premise that cartography is not as objective as we’re made to believe.
For example: Names and Locations of the Top 100 People Killing the Planet — a cartogram showing the location of decision makers in the top 100 climate-hostile companies.
This map is a response to the pervasive myth that we can stop climate change if we just modify our personal behavior and buy more green products. Whether or not we separate our recycling, these corporations will go on trashing the planet unless we stop them.
These diagrams of early networks feel like manuscripts that you’d half expect to be marked with “Here be dragons” at the edges.
The newest Gary Hustwit film is a documentary about Dieter Rams, featuring plinkity music by Brian Eno.
Rams is a design documentary, but it’s also a rumination on consumerism, materialism, and sustainability.
The tools that characterize a person’s time and place in technological history are the ones that a person actually uses, the technologies relied upon so heavily that they can feel like an extension of oneself. This is part of how technology can define a culture, and why sometimes you forget the thing you’re using is technology at all. Until, eventually, inevitably, the technology is all but forgotten.
A fascinating bit of technological archeology tracing some of the oldest still-running software, from a COBOL program at the Pentagon to the firmware on the Voyager probes.
Blogging through Venn diagrams.
A comprehensive set of sketches, diagrams and screenshots from Soxiam showing the evolution and iteration of interfaces on Vimeo and other sites.
He's not big and he's not clever but Little Gordon is f*cking funny.