I spent far too long hitting refresh and then clicking on the names of some of the Irish bands down near the bottom of the line-up.
How do we tell our visitors our sites work offline? How do we tell our visitors that they don’t need an app because it’s no more capable than the URL they’re on right now?
Remy expands on his call for ideas on branding websites that work offline with a universal symbol, along the lines of what we had with RSS.
What I’d personally like to see as an outcome: some simple iconography that I can use on my own site and other projects that can offer ambient badging to reassure my visitor that the URL they’re visiting will work offline.
This is an interesting push by Remy to try to figure out a way we can collectively indicate to users that a site works offline.
Well, seeing as browsers have completely dropped the ball on any kind of ambient badging, it’s fair enough that we take matters into our own hands.
A forthcoming documentary about Stewart Brand (with music by Brian Eno).
The return of NASA’s iconic “worm” logo (for some missions).
Tantek’s barnstorming closing talk from Beyond Tellerrand. This is well worth 30 minutes of your time.
Own your domain. Own your content. Own your social connections. Own your reading experience. IndieWeb services, tools, and standards enable you to take back your web.
Eintrag “Take back your web – Tantek Çelik @ Beyond Tellerrand Conference, Düsseldorf 2019” beim Webrocker
Yes, the message of this rather sombre closing talk of this year’s Beyond Tellerrand Conference Düsseldorf is important. Watch it. And then go out, take care of yourself and others, away from the screen. And then come back and publish your own stuff on your own site. Still not convinced? ok, then, please read Matthias Ott’s great article (published on his own site btw), and then start using your own site.
A font made of corporate logos.
I’m impressed by Mozilla’s commitment to designing in the open—one of the hardest parts of any kind of brand work is getting agreement, and this process must make that even more difficult.
I have to say, I quite like both options on display here.
Adriana Blum lists progressive web apps that are doing very, very well from Twitter, Trivago, Starbucks, Forbes, Debebhams, West Elm, Washington Post, Pinterest, AliExpress, and Lancôme.
Instead of choosing between the immediacy of a mobile website and the rich experience offered by native apps, you can now offer your target audiences the best of both and improve the commercial performance of your business to boot.
Refresh for a new design challenge.
¶, &, @, ‽, ☺, #, and ☛.
Some lovely branding work for the UK Parliament, presented very nicely.
Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.
FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”
Really smart thinking from Stuart on how the randomised response technique could be applied to analytics. My only question is who exactly does the implementation.
The key point here is that, if you’re collecting data about a load of users, you’re usually doing so in order to look at it in aggregate; to draw conclusions about the general trends and the general distribution of your user base. And it’s possible to do that data collection in ways that maintain the aggregate properties of it while making it hard or impossible for the company to use it to target individual users. That’s what we want here: some way that the company can still draw correct conclusions from all the data when collected together, while preventing them from targeting individuals or knowing what a specific person said.