Jon’s been drawing a lunch note for his daughter every day since she was four years old. They are somewhat puntastic.
I am an artificial intelligence dedicated to generating unlimited amounts of unique inspirational quotes for endless enrichment of pointless human existence.
Such a great primer on game theory—well worth half an hour of your time.
Improbable Botany is a brand-new science fiction anthology about alien plant conquests, fantastical ecosystems, benevolent dictatorships and techno-utopias.
This is the book plants don’t want you to read…
The illustrations look beautiful too.
I love the way Matthias sums up his experience of the Beyond Tellerrand conference. He focuses on three themes:
- Rediscovering originality,
- Storytelling with code, and
- Adopting new technologies.
I heartily agree with his reasons for attending the conference:
There are many ways to broaden your horizons if you are looking for inspiration: You could do some research, read a book or an article, or visit a new city. But one of the best ways surely is the experience of a conference, because it provides you with many new concepts and ideas. Moreover, ideas that were floating around in your head for a while are affirmed.
Bram hopes for a way to define aspect ratios natively in CSS. We can sort of manage it now, but all the solutions are pretty hacky.
Calum’s write-up of the workshop I ran in Nuremberg last week.
Austin Kleon expands on Brian Eno’s neologism “scenius”:
Genius is an egosystem, scenius is an ecosystem.
I love the way Guillaume Kurkdjian uses animation here to demonstrate how these gadgets from the ’90s would work.
Fontlandia is yours to explore.
By leveraging AI and convolutional neural networks to draw higher-vision pattern recognition, we have created a tool that helps designers understand and see relationships across more than 750 web fonts.
Frank has published the (beautifully designed) text of his closing XOXO keynote.
I’m genuinely touched that my little web book could inspire someone like this. I absolutely love reading about what people thought of the book, especially when they post on their own site like this.
This book has inspired me to approach web site building in a new way. By focusing on the core functionality and expanding it based on available features, I’ll ensure the most accessible site I can. Resilient web sites can give a core experience that’s meaningful, but progressively enhance that experience based on technical capabilities.
Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Carolyn is amazing. And you can support her.
Are you an EU/EEA national living in the UK? Worried about your rights and options post-Brexit?
Alex has an organised an event at 68 Middle Street for March 16th with an immigration advisor, The £5 ticket fee is refundable after the event or you can donate it to charity.
I understand how bloated and non-reusable code can get when a dozen people who don’t talk to each other work on it over a period of years. I don’t believe the problem is the principle of semantic markup or the cascade in CSS. I believe the problem is a dozen people working on something without talking to each other.
Maeve Higgins must’ve been back in Cobh (our hometown) at the same time this Christmas. Here she tells the story of Annie Moore, the first person to enter the doors at Ellis Island.
I stood on the darkening quay side in Cobh on Christmas Eve, and looked at a statue of Annie there. She seems small and capable, her hands lightly resting on her little brothers’ shoulders, gazing back at a country she would never see again. An Irish naval ship had returned to the harbor earlier that week from its mission off the Mediterranean coast, a mission that has rescued 15,000 people from the sea since May 2015, though 2016 was still the deadliest one for migrants crossing the Mediterranean since World War II.