Beautifully restored high-resolution photographs of the Earth taken by Apollo astronauts.
Want to work with me? If so, come and be a design engineer at Clearleft!
We’re looking for a design-friendly front-end developer with demonstrable skills in pattern-based prototyping and production to join our friendly and supportive team in the heart of Brighton.
Even if this isn’t for you, please spread the word …especially to potential candidates who aren’t mediocre middle-aged white dudes (I’ve already got that demographic covered).
Today’s young tech policy professionals are are, quite rightfully, responding to the only internet in the only world they have ever known. The awful one. The one where the internet was and is a handful of billion-pound companies. The one where the internet has only ever been petrol on a fire. The one where the internet has been essential infrastructure like water and heat, not a thing you had to request and master. The closed internet made for them. Not the open internet I got to make.
So if you think that the biggest threat to encryption is elderly politicians who still need their secretaries to print out emails for them, it’s time you found yourself in a meeting with someone under the age of 30 who is going to war against encryption because he has never needed encryption in his life.
We need engineers, we need designers, and we absolutely need design engineers to make that connection across the great divide between the front-of-the-front-end and the back-of-the-front-end. It’s only then that we can make truly great things together.
Hana recounts the preparation she did for an online presentation, including some advice from me. I’m right in the middle of preparing my own online presentation right now, and I should really heed that advice. But I fear what I told Hana was “do as I say, not as I do.”
There are some beautiful illustrations in this online exhibition of data visualisation in the past few hundred years.
Most days I cook eggs 🍳 and then paint them 🖌. These are those eggs.
But, wait …what’s this?
My favourite condiment with fried eggs is marmite mayo (4 parts mayonnaise to 1 part Marmite).
Okay, now I think this officially qualifies as outsider art.
The Art of Whaling: Illustrations from the Logbooks of Nantucket Whaleships – The Public Domain Review
Scrimshaws and sketches.
Feels like a Zooniverse project waiting to happen.
Cassie’s enthusiasm for fun and interesting SVG animation shines through in her writing!
I like the way that Simon is liberating his data from silos and making it work for him.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
I’d maybe simplify this people problem a bit: the codebase is easy to change, but the incentives within a company are not. And yet it’s the incentives that drive what kind of code gets written — what is acceptable, what needs to get fixed, how people work together. In short, we cannot be expected to fix the code without fixing the organization, too.
A great talk by Ethan called The Design Systems Between Us.
This is a superb twenty minute presentation by Trys! It’s got everything: a great narrative, technical know-how, and a slick presentation style.
Conference organisers: you should get Trys to speak at your event!
A short web book on the past, present and future of interfaces, written in a snappy, chatty style.
From oral communication and storytelling 500,000 years ago to virtual reality today, the purpose of information interfaces has always been to communicate more quickly, more deeply, to foster relationships, to explore, to measure, to learn, to build knowledge, to entertain, and to create.
We interface precisely because we are human. Because we are intelligent, because we are social, because we are inquisitive and creative.
We design our interfaces and they in turn redefine what it means to be human.
A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.