A graveyard for good domains you let expire.
A people’s history of copying, from art to software.
Designers copy. We steal like great artists. But when we see a copy of our work, we’re livid.
The title says it all, really. This is another great piece of writing from Paul Ford.
I’ve noticed that when software lets nonprogrammers do programmer things, it makes the programmers nervous. Suddenly they stop smiling indulgently and start talking about what “real programming” is. This has been the history of the World Wide Web, for example. Go ahead and tweet “HTML is real programming,” and watch programmers show up in your mentions to go, “As if.” Except when you write a web page in HTML, you are creating a data model that will be interpreted by the browser. This is what programming is.
What web development can learn from the Nintendo Game and Watch.
The Web now consists of an ever-growing number of different frameworks, methodologies, screen sizes, devices, browsers, and connection speeds. “Lateral thinking with withered technology” – progressively enhanced – might actually be an ideal philosophy for building accessible, performant, resilient, and original experiences for a wide audience of users on the Web.
Cassie’s redesign is gorgeous—so much attention to detail! (And performant too)
Although some communities have listed journalists as “essential workers,” no one claims that status for the keynote speaker. The “work” of being a keynote speaker feels even more ridiculous than usual these days.
Naomi Kritzer published a short story five years ago called So Much Cooking about a food blogger in lockdown during a pandemic. Prescient.
I left a lot of the details about the disease vague in the story, because what I wanted to talk about was not the science but the individuals struggling to get by as this crisis raged around them. There’s a common assumption that if the shit ever truly hit the fan, people would turn on one another like sharks turning on a wounded shark. In fact, the opposite usually happens: humans in disasters form tight community bonds, help their neighbors, offer what they can to the community.
I just love the way that Laurie Penny writes.
In the end, it will not be butchery. Instead it will be bakery, as everyone has apparently decided that the best thing to do when the world lurches sideways is learn to make bread. Yeast is gone from the shops. Even I have been acting out in the kitchen, although my baked goods are legendarily dreadful. A friend and former roommate, who knows me well, called from Berlin to ask if I had “made the terrible, horrible biscuits yet.” These misfortune cookies tend to happen at moments of such extreme stress that those around me feel obliged to eat them. They say that if you can make a cake, you can make a bomb; if the whole thing implodes, my job will not be in munitions.
It was a few years before I realized that worry stones had a name, that they were borrowed from cultures other and older than mine. Heck, it’s been more than a few years since I’ve even held one. But in the last few weeks, before and after launching the redesign, I’ve kept working away at this website, much as I’d distractedly run my fingers over a smooth, flat stone.
Cameron’s blog is back, and very nicely redesigned/aligned it is too!
- Wrong: web workers will take over the world
- Wrong: Safari is the new IE
- Right: developer experience is trumping user experience
- Right: I’m better off without a Twitter account
- Right: the cost of small modules
- Mixed: progressive enhancement isn’t dead, but it smells funny
Maybe I should do one of these.
Tantek documents the features he wants his posting interface to have.
I feel like my problem with design in general today is that folks want to burn everything to the ground and start again all the time. Whether that’s with a website, or a new web standard, or a political policy. They don’t want to fix what’s wrong with things bit by bit, everyone wants Thing 2.0 whilst jumping over all the small improvements that are required to get there.
I am not a believer in the AI singularity — the rapture of the nerds — that is, in the possibility of building a brain-in-a-box that will self-improve its own capabilities until it outstrips our ability to keep up. What CS professor and fellow SF author Vernor Vinge described as “the last invention humans will ever need to make”. But I do think we’re going to keep building more and more complicated, systems that are opaque rather than transparent, and that launder our unspoken prejudices and encode them in our social environment. As our widely-deployed neural processors get more powerful, the decisions they take will become harder and harder to question or oppose. And that’s the real threat of AI — not killer robots, but “computer says no” without recourse to appeal.
Lynn gives a step-by-step walkthrough of the latest amazing redesign of her website. There’s so much joy and craft in here, with real attention to detail—I love it!
Frank is redesigning in the open. Watch this space:
By writing about it, it may help both of us. I can further develop my methods by navigating the friction of explaining them. I’ve been looking for a way to clarify and share my thoughts about typography and layout on screens, and this seems like a good chance to do so. And you? Well, perhaps the site can offer a clearly explained way of working that’s worth considering. That seems to be a rare thing on the web these days.
I’m really enjoying this end-of-the-year round-up from people speaking their brains. It’s not over yet, but there’s already a lot of thoughtful stuff to read through.
Only a few years ago, I would need a whole team of developers to accomplish what can now be done with just a few amazing tools.
And I like this zinger from Geoff:
What you need to build a great website is restraint.
Old technology seldom just goes away. Whiteboards and LED screens join chalk blackboards, but don’t eliminate them. Landline phones get scarce, but not phones. Film cameras become rarities, but not cameras. Typewriters disappear, but not typing. And the technologies that seem to be the most outclassed may come back as a the cult objects of aficionados—the vinyl record, for example. All this is to say that no one can tell us what will be obsolete in fifty years, but probably a lot less will be obsolete than we think.
Here’s a clever tiny lesson from Dave and Brad: you can use
prefers-reduced-motion in the
media attribute of the
source element inside