Sounds like Zach had a great time at Indie Web Camp Düsseldorf:
I can’t really express how meaningful this experience was to me. An antithesis to the rat race of social media, IndieWebCamp was a roomful of kindred spirits that care about the web and their own websites and hosting their own content. It felt like the Google Reader days again, when everyone was blogging and writing on their own sites. I dunno if you can tell but I loved it.
He also made a neat little plug-in that renders negative comments in Comic Sans with mixed cased writing:
This isn’t intended to be a hot-take on Comic Sans. Instead it’s meant to change the tone of the negativity to make it sound like a clown is yelling at a kid’s birthday party.
There’s something deliciously appropriate about using a painting cloning service to clone a photograph of some cloned dogs.
“Did you just order an oil painting of Barbra Streisand’s dogs?” is the most Simon and Natalie thing ever.
Although this comes close:
This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.
I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.
¶, &, @, ‽, ☺, #, and ☛.
A profile of Susan Kare, icon designer extraordinaire.
I loved the puzzle-like nature of working in sixteen-by-sixteen and thirty-two-by-thirty-two pixel icon grids, and the marriage of craft and metaphor.
I’m soooo excited that Mandy is speaking at Ampersand here in Brighton in June!
Be there or be square.
The gorgeous website for this year’s Ampersand conference might well be one of the first commercial uses of variable fonts in the wild. Here, Richard documents all the clever things Mark did to ensure good fallbacks for browsers that don’t yet support variable fonts.
In fact, you can do more than saving the date: you can snap up a super early bird ticket for whopping £85 saving.
Take a break. Build a sandcastle. It’s relaxing.
Two new typefaces, designed to be deliberately lacking in expression.
The write-up of the making of the typefaces is as open and honest as the finished output. This insight into the design process rings very, very true:
Post rationalisation is an open secret in the design industry. Only when a project is finished can it be written up, the messy process is delineated and everything seems to follow a logical sequence up until the final thing is unveiled, spotless and perfect.
However, I suspect the process is largely irrational for most designers. There is a point where all the input has been processed, all the shit drawings, tenuous concepts and small ideas have been thrown away and you just work towards the finish, too exhausted and distracted to even know if it’s worth anything or not. And, if you’re lucky, someone or something will come along and validate the work.
Here’s one of them new-fangled variable fonts that’re all the rage. And this one’s designed by David Berlow. And it’s free!
Science Hack Day’s mission is simply to get excited and make things with science, and that’s just what everyone did. One of the remarks I made at the start of this year’s event was about how building community is one of the best things to be involved in right now after the election, and especially connecting different communities together as Science Hack Day does. Exploration is not a solo endeavor and thus it’s less about what you explore and more about the act of exploring. In community exploration, we build strength, support, and safe spaces.
Oh, how I wish I could make it to this event!
June 8th-9th at Internet Archive, featuring Vint Cerf, Brewster Kahle, and more.
We are bringing together a diverse group of Web architects, activists, engineers, archivists, scholars, journalists, and other stakeholders to explore the technology required to build a Decentralized Web and its impact.
An immortal deer wanders the world of Grand Theft Auto for all eternity. It’s remarkably calm and relaxing.
The audio is now up from all the talks at this year’s excellent Ampersand conference.
It looks like this year’s Science Hack Day in San Francisco was particularly excellent.
Tantek told me about building a portable home planetarium—sounded like a blast.