Tags: sci-fi

155

sparkline

Purple People by Kate Bulpitt: Unbound

Kate’s book—a “jolly dystopia”—will get published if enough of us pledge to back it. So let’s get pledging!

There’s a curiously coloured scheme afoot in Blighty. In an effort to tackle dispiriting, spiralling levels of crime and anti-social behaviour, the government has a new solution: to dye offenders purple.

What football will look like in the future

I can’t remember the last time I was genuinely surprised, delighted, and intrigued by an online story like this.

Seat 14C

Here’s a fun premise for a collection of sci-fi short stories:

Flight 008 through a temporary wrinkle in the local region of space-time. What these passengers will soon find out as they descend into SFO is that the wrinkle has transported them 20 years in the future, and the year is now 2037.

Read the stories of the passengers from Flight 008, imagined by the world’s top science fiction storytellers, as they discover a future transformed by exponential technologies.

Authors include Bruce Sterling, Madeline Ashby, Paulo Bacigalupi, and Gregory Benford.

Oats Studios - Volume 1 - Rakka - YouTube

The first of Neil Bomkamp’s series of short films—testbeds for potential feature films.

2001: A Space Odyssey — A Look Behind the Future - YouTube

The following film describes an unusual motion picture now being produced in London for release all over the world, starting in early 1967.

leaving the future behind – Al Robertson

Science fiction isn’t about technology, it’s about people …and how people change in response to technology.

So ironically, perhaps the only way that any piece of science fiction can be sure that it will remain resonant as the years pass is to make sure that any technical speculation can drop away once it’s no longer relevant. The science will fall back to Earth like an exhausted booster section, tumbling away from the rocket that will one day reach the stars. And then we’ll be left with stories about how people change when change arrives – and that, for me, is what science fiction is.

Strange Beasts on Vimeo

A small black mirror.

Bring on the Flood · thewalrus.ca

Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.

How E.T. Really Called Home (PDF)

A 1983 article from 73 Magazine on the surprisingly plausible Rube Goldberg/Heath Robinson device created by E.T. to call home.

From Tape Drives to Memory Orbs, the Data Formats of Star Wars Suck (Spoilers) | Motherboard

As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.

Is Children of Men 2016’s Most Relevant Film? — Vulture

Ten years on from Afonso Cuarón’s masterpiece.

SF Mistressworks | women science fiction writers

Reviews of twentieth century science fiction novels and anthologies by women writers.

Megatelescope releases its first image: Physics Today: Vol 69, No 12

A lovely piece of design fiction imagining a project where asteroids are shaped and polished into just the right configuration to form part of an enormous solar-system wide optical telescope.

Once they are deployed in space, a celestial spiderweb of crisscrossed laser beams can push around clouds of those microscopic optical sensors to desired locations.

BLIND : Rogue One

The on-screen interfaces for Rogue One have just the right retro feel next to those for The Force Awakens.

Visualizing the Alien: A Hollywood Conundrum

Compare and contrast Alien, Starship Troopers, and The Thing with 2001 and Roadside Picnic (and I would throw Solaris into the mix).

Plugging in a monster moves a plot right along, of course, but if that’s all it’s doing, the plot is neglecting to examine how a real biosphere would work. That would be a sensationally complex task, but given the amount of research now going on in astrobiology and exoplanetary science, the suspicion here is that experts could be summoned who could produce such a film. Even so, there is something to be said for not seeing aliens.

Rogue One: an ‘Engineering Ethics’ Story — SciFi Policy

This article examines what I thought was the most interesting aspect of Rogue One—the ethical implications for technologists.

Don’t dismiss this essay just because it’s about a Hollywood blockbuster. Given the current political situation, this is deeply relevant.

The World According to Stanisław Lem - Los Angeles Review of Books

A profile of Stanisław Lem and his work, much of which is still untranslated.

Fantasy UIs

Interviews with the designers who make on-screen interfaces for sci-fi films.

70s Sci-Fi Art

Sci-fi book covers and posters from the 1970s.

SPACEPLAN

I thoroughly enjoyed playing this game. On the face of it, it seems like little more than a cow-clicker, but the way that the plot and the gameplay unfolds is really delightful.

This feels like the kind of game that would only work on the web—keep it in a browser tab in the background, revisiting occasionally throughout the day.