There are some delightfully dark touches to this Cory Doctorow coming-of-age near-future short story of high school students seizing the means of production.
Most technologies are overestimated in the short term. They are the shiny new thing. Artificial Intelligence has the distinction of having been the shiny new thing and being overestimated again and again, in the 1960’s, in the 1980’s, and I believe again now.
Rodney Brooks is not bullish on the current “marketing” of Artificial Intelligence. Riffing on Arthur C. Clarke’s third law, he points out that AI—as currently described—is indistinguishable from magic in all the wrong ways.
This is a problem we all have with imagined future technology. If it is far enough away from the technology we have and understand today, then we do not know its limitations. It becomes indistinguishable from magic.
Watch out for arguments about future technology which is magical. It can never be refuted. It is a faith-based argument, not a scientific argument.
George Lucas, Ted Chiang, Greg Egan, Stanley Kubrick, Tom Stoppard, William Shakespeare, and Ridley Scott are all part of Matt’s magnificent theory that the play is the thing.
Rosencrantz and Guildenstern are replicants.
Characters look like people, except they exist for only the duration of a movie — only while they are necessary. They come with backstory and memories fully established but never experienced, partly fabricated for the job and partly drawn from real people known by the screenwriter. At the end, they vanish, like tears in rain.
More on that event with Brian Aldiss I was reminiscing about: that was the first time that Kate unveiled part of her Purple People book:
Jeremy insisted this would be an excellent opportunity for me to read an excerpt from Purple People, and so invited me onto the stage with those illustrious, wordy wizards to share an early indigo excerpt. I was quite literally shaking that night (even more than a talking tree, ho ho), but all was jolly. I read my piece without falling off the stage, and afterwards, folk made some ace and encouraging comments.
Three authors pick their favourite book by Philip K Dick:
- Nicola Barker: Puttering About in a Small Land
- Michael Moorcock: Time Out of Joint
- Adam Roberts: Do Androids Dream of Electric Sheep?
Every newspaper has an obituary of Brian Aldiss today, but this heartfelt reminiscence by Chris feels very special to me:
Jeremy got Brian for the panel alongside Lauren Beukes and Jeff Noon - the result is still probably the single best author event I’ve ever attended.
Improbable Botany is a brand-new science fiction anthology about alien plant conquests, fantastical ecosystems, benevolent dictatorships and techno-utopias.
This is the book plants don’t want you to read…
The illustrations look beautiful too.
Kate’s book—a “jolly dystopia”—will get published if enough of us pledge to back it. So let’s get pledging!
There’s a curiously coloured scheme afoot in Blighty. In an effort to tackle dispiriting, spiralling levels of crime and anti-social behaviour, the government has a new solution: to dye offenders purple.
I can’t remember the last time I was genuinely surprised, delighted, and intrigued by an online story like this.
Here’s a fun premise for a collection of sci-fi short stories:
Flight 008 through a temporary wrinkle in the local region of space-time. What these passengers will soon find out as they descend into SFO is that the wrinkle has transported them 20 years in the future, and the year is now 2037.
Read the stories of the passengers from Flight 008, imagined by the world’s top science fiction storytellers, as they discover a future transformed by exponential technologies.
Authors include Bruce Sterling, Madeline Ashby, Paulo Bacigalupi, and Gregory Benford.
The first of Neil Bomkamp’s series of short films—testbeds for potential feature films.
The following film describes an unusual motion picture now being produced in London for release all over the world, starting in early 1967.
Science fiction isn’t about technology, it’s about people …and how people change in response to technology.
So ironically, perhaps the only way that any piece of science fiction can be sure that it will remain resonant as the years pass is to make sure that any technical speculation can drop away once it’s no longer relevant. The science will fall back to Earth like an exhausted booster section, tumbling away from the rocket that will one day reach the stars. And then we’ll be left with stories about how people change when change arrives – and that, for me, is what science fiction is.
A small black mirror.
Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.
A 1983 article from 73 Magazine on the surprisingly plausible Rube Goldberg/Heath Robinson device created by E.T. to call home.
As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.
Ten years on from Afonso Cuarón’s masterpiece.
Reviews of twentieth century science fiction novels and anthologies by women writers.
A lovely piece of design fiction imagining a project where asteroids are shaped and polished into just the right configuration to form part of an enormous solar-system wide optical telescope.
Once they are deployed in space, a celestial spiderweb of crisscrossed laser beams can push around clouds of those microscopic optical sensors to desired locations.