Some time ago I was going through the backlog of around 90 unread articles on Design Systems. About 80 of those were Medium articles and about 40 of those took me to either their user-hostile “you ready a lot and we like that” pop-up or their money-grabbing “you’ve read lots this month, pay us to read some more.”, it turns out that Medium only likes you reading things when you give money to do so.
Therefore I’ve started to add a little warning notice to each article that’s on Medium.
You can’t criticize Twitter on Twitter. It just doesn’t work. The medium is the message.
Nolan’s plea for sanity.
Write blog posts. Use RSS. Use micro.blog. Use Mastodon. Use Pleroma. Use whatever you want, as long as it isn’t manipulating you with algorithms or selling access to your data to advertisers.
Nick Cave - The Red Hand Files - Issue #33 - Did you ever want to simply give up and quit, because of your inner voice? : The Red Hand Files
Nick Cave, like Ana, is blogging about the inner critic:
The truth is that virtually anybody who is trying to do anything worthwhile at all, especially creatively, has seated in his or her brain, a horrible homunculus that blows a dreadful little trumpet, and only knows one song – a song that goes, “You are not good enough. Why bother?” This evil little gnome is full of bad jazz, and is, in the words of author Sam Harris, “an asshole.” The enemy of aspiration, this atrocious inner voice demands you turn away from whatever your higher calling may be and become a second-rate, cut-price version of yourself. As your very own personal detractor it is deeply persuasive in its dark business.
Lots and lots of programming advice. I can’t attest to the veracity and efficacy of all of it, but this really rang true:
If you have no idea how to start, describe the flow of the application in high level, pure English/your language first. Then fill the spaces between comments with the code.
Blogging about your stupid solution is still better than being quiet.
You may feel “I’m not start enough to talk about this” or “This must be so stupid I shouldn’t talk about it”.
Create a blog. Post about your stupid solutions.
I really admire Ana’s honesty here in confronting her inner critic (who she calls “side B Ana”).
For me, I do find that Webmentions are really enhancing linking—by offering a type of bidirectional hyperlink. I think if they could see widespread use, we’d see a Renaissance of blogging on the Web. Webmentions are just so versatile—you can use them to commment, you an form ad-hoc directories with them, you can identify yourself to a wider community. I really feel like they are a useful modernization.
My website has my words, my interviews, my photos, and my identity — what it doesn’t have, as far as I’m concerned, is “content.” Looking at it from the other side, for platforms like Facebook, Instagram, and YouTube, everything is “content” regardless of its provenance. Each creation is merely an object, only valuable for its ability to increase our time spent on their platforms, allowing them to sell more advertising.
Bullet comments, or 弹幕 (“danmu”), are text-based user reactions superimposed onto online videos: a visual commentary track to which anyone can contribute.
A fascinating article by Christina Xu on this overwhelming collaborative UI overlaid on Chinese video-sharing sites:
In the West, the Chinese internet is mostly depicted in negative terms: what websites and social platforms are blocked, what keywords are banned, what conversations and viral posts are scrubbed clean from the web overnight. This austere view is not inaccurate, but it leaves out what exactly the nearly 750 million internet users in China do get up to.
Take a look at bullet comments, and you’ll have a decent answer to that question. They represent the essence of Chinese internet culture: fast-paced and impish, playfully collaborative, thick with rapidly evolving inside jokes and memes. They are a social feature beloved by a generation known for being antisocial. And most importantly, they allow for a type of spontaneous, cumulative, and public conversation between strangers that is increasingly rare on the Chinese internet.
This is a really great, balanced profile of the Indie Web movement. There’s thoughtful criticism alongside some well-deserved praise:
If we itemize the woes currently afflicting the major platforms, there’s a strong case to be made that the IndieWeb avoids them. When social-media servers aren’t controlled by a small number of massive public companies, the incentive to exploit users diminishes. The homegrown, community-oriented feel of the IndieWeb is superior to the vibe of anxious narcissism that’s degrading existing services.
Tantek’s barnstorming closing talk from Beyond Tellerrand. This is well worth 30 minutes of your time.
Own your domain. Own your content. Own your social connections. Own your reading experience. IndieWeb services, tools, and standards enable you to take back your web.
There is one alternative to social media sites and publishing platforms that has been around since the early, innocent days of the web. It is an alternative that provides immense freedom and control: The personal website. It’s a place to write, create, and share whatever you like, without the need to ask for anyone’s permission.
A wonderful and inspiring call to arms for having your own website—a place to express yourself, and a playground, all rolled into one.
Building and maintaining your personal website is an investment that is challenging and can feel laborious at times. Be prepared for that. But what you will learn along the way does easily make up for all the effort and makes the journey more than worthwhile.
A beautiful post by Brendan, comparing the ease of publishing on the web to the original Flip camera:
Right now there’s a real renaissance of people getting back to blogging on their own sites again. If you’ve been putting it off, think about the beauty and simplicity of that red button, press it, and try and help make the web the place it was always meant to be.
Chris ponders the motivations behind companies sharing their design systems publicly. Personally, I’ve always seen it as a nice way of sharing work and saying “here’s what worked for us” without necessarily saying that anyone else should use the same system.
That said, I think Chris makes a good poin here:
My parting advice is actually to the makers of public design systems: clearly identify who this design system is for and what they are able to do with it.
There’s a new reissue of the twenty year old documentary on Justin Hall’s links.net and the early days of the web.
Charlie muses on ol’ fashioned web rings …and the cultural needs they fulfilled.
We suffer from homogenous dirge in most of our contemporary web presences. Having a personal website has become a rarer and rarer thing in this time of social media profile pages.
However, recent months have seen a surge in personal websites and blogging amongst some members of the web tech community. This is something that we urgently need to encourage!
When you greet a stranger, look at his shoes.
Keep your money in your shoes.
Put your trouble behind.
When you greet a stranger, look at her hands.
Keep your money in your hands.
Put your travel behind.
This’ll be handy the next time I want to send someone a file: drop it in here, and then paste the link into a DM/chat.
Writing on your own website associates your thoughts and ideas with you as a person. Having a distinct website design helps strengthen that association. Writing for another publication you get a little circular avatar at the beginning of the post and a brief bio at the end of the post, and that’s about it. People will remember the publication, but probably not your name.