A thorough run-down of the whys and wherefores of being part of the indie web, from Chris.
Once I got the hang of this game, I found it incredibly addictive. I would describe it as mindless fun, but I think it’s more like mindful fun: it has the same zen contemplative peacefulness as Sudoku. I can certainly see how it makes for a good activity while listening to podcasts.
Note: click once for water; double-click for ships. And don’t blame me if you lose hours of time to this game.
A thoroughly enjoyable adventure game in your browser. You are the AI of a colony starship. Humanity’s future is in your hands.
I write to understand and remember. Sometimes that will be interesting to others, often it won’t be.
But it’s going to happen. Here, on my own site.
A great round-up of Leading Design—one of the best events I attended in 2017.
Medium, Twitter, Facebook and others are edge services for your content … Your platform is the origin.
Here’s the talk I gave at Mozilla’s View Source event. I really enjoyed talking about the indie web, both from the big-picture view and the nitty gritty.
In these times of centralised services like Facebook, Twitter, and Medium, having your own website is downright disruptive. If you care about the longevity of your online presence, independent publishing is the way to go. But how can you get all the benefits of those third-party services while still owning your own data? By using the building blocks of the Indie Web, that’s how!
Smashing Magazine has launched its lovely new design, but more importantly, it has launched its lovely new business model. Ads are gone. Patronage is in. This is a resource worth supporting.
A report by the Digital Currency Initiative and the Center for Civic Media. Download the PDF or read the executive summary.
In this report, we explore two important ways structurally decentralized systems could help address the risks of mega-platform consolidation: First, these systems can help users directly publish and discover content directly, without intermediaries, and thus without censorship. All of the systems we evaluate advertise censorship-resistance as a major benefit. Second, these systems could indirectly enable greater competition and user choice, by lowering the barrier to entry for new platforms. As it stands, it is difficult for users to switch between platforms (they must recreate all their data when moving to a new service) and most mega-platforms do not interoperate, so switching means leaving behind your social network.
This looks like an interesting network-level approach to routing around the censorship of internet-hostile governments like China, Turkey, Australia, and the UK.
Rather than trying to hide individual proxies from censors, refraction brings proxy functionality to the core of the network, through partnership with ISPs and other network operators. This makes censorship much more costly, because it prevents censors from selectively blocking only those servers used to provide Internet freedom. Instead, whole networks outside the censored country provide Internet freedom to users—and any encrypted data exchange between a censored nation’s Internet and a participating friendly network can become a conduit for the free flow of information.
A series of posts on the decisions and trade-offs involved in being a tech lead:
I think good tech leads spend a lot of their time somewhere in between the two extremes, adjusting the balance as circumstances demand.
If you feel you are being watched, you change your behavior. Big Data is supercharging this effect.
Some interesting ideas, but the tone is so alarming as to render the message meaningless.
As our weaknesses are mapped, we are becoming too transparent. This is breeding a society where self-censorship and risk-aversion are the new normal.
I stopped reading at the point where the danger was compared to climate change.
Charlotte shares her thoughts on the elements of a fruitful mentorship:
- Learn from each other
- Find the right level of challenge
- Reach out
- Meet with intent
- Offer feedback and ask for feedback
I think this might be the first large-scale practical demonstration of the InterPlanetary File System: routing around the damage of Turkey’s censorship of Wikipedia.
A write-up of the BrightSparks programme that Clearleft is taking part in.
Each company agreed to help support one local child from a low-income family, on free school meals or with a yearly household income of under £25k.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Here’s a great opportunity for somebody looking to level up in web development—mentorship from the one and only Aaron Gustafson.
Whereas before content used to be spread out on numerous domains in numerous ways, content now mostly makes its home on the three domains that are most hostile to thoughtful human discussion: Twitter, Medium, and Facebook.
So what? you may ask..
Think about how many times you’ve tweeted. Or written or commented on a Facebook post. Or started a Medium draft. These are all our words, locked in proprietary platforms that controls not only how our message is displayed, but how we write it, and even more worrying, how we think about it.