When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Here’s a great opportunity for somebody looking to level up in web development—mentorship from the one and only Aaron Gustafson.
Whereas before content used to be spread out on numerous domains in numerous ways, content now mostly makes its home on the three domains that are most hostile to thoughtful human discussion: Twitter, Medium, and Facebook.
So what? you may ask..
Think about how many times you’ve tweeted. Or written or commented on a Facebook post. Or started a Medium draft. These are all our words, locked in proprietary platforms that controls not only how our message is displayed, but how we write it, and even more worrying, how we think about it.
Some typically smart thinking from Mike—what if success were measured in learning rather than shipping?
Organizations that learn the quickest seem the most likely to succeed over the long haul.
This really resonates with me, and it aligns so closely with our values at Clearleft that I think this is something we should be pursuing. Fortunately Mike’s post comes with plenty of examples and ideas.
Fortunately there’s a back-up on the Internet Archive, but this tale of Google’s overnight destruction of fourteen years of writing is truly infuriating.
When we use their services, we trust that companies like Google will preserve some of the most personal things we have to share. They trust that we will not read the fine print.
When you pitch your tent in someone else’s walled garden, they can tear down your home whenever they want.
Two weeks ago, writer and artist Dennis Cooper was checking his Gmail when something peculiar happened: the page was refreshed and he was notified that his account had been deactivated – along with the blog that he’d maintained for 14 years.
This is why the Indie Web exists.
His advice to other artists who work predominantly online is to maintain your own domain and back everything up.
This is relevant to my interests because I think I’m supposed to be a senior developer. Or maybe a technical director. I’m really not sure (job titles suck).
Anyway, I very much appreciate the idea that a technical leadership position isn’t just about technical skills, but also communication and connectedness.
When we boiled down what we’re looking for, we came away with 12 traits that divide pretty cleanly along those three areas of responsibility: technical capability, leadership, and community.
For someone like me with fairly mediocre technical capability, this is reassuring.
Now if I only I weren’t also mediocre in those other areas too…
Dan Gillmor and Kevin Marks report on the Decentralized Web Summit:
Kahle framed the gathering with three key questions: How can we build a reliable decentralized web? How can we make it more private? And how do we keep it fun and evolving?
Story of my life:
I have to confess I had no idea what a technical leader really does. I figured it out, eventually.
Seriously, this resonates a lot with what I find myself doing at Clearleft these days.
It is a sad and beautiful world wide web:
The technology that let people make web sites never went away. You can still set up a site as if it were 1995. But culture changes, as do expectations. It takes a certain set of skills to create your own web site, populate it with cool stuff, set up a web server, and publish your own cool-stuff web pages. I would argue that those skills should be a basic part of living in a transparent and open culture where individuals are able to communicate on an equal field of play. Some fellow nerds would argue the same. But most everyone else, statistically, just uses Facebook and plays along.
Paul Ford shines a light on the solution:
Standing against this tide of centralization is the indie web movement. Perhaps “movement” is too strong—it’s more an aesthetic of independence and decentralization. The IndieWebCamp web page states: “When you post something on the web, it should belong to you, not a corporation.” You should own your information and profit from it. You should have your own servers. Your destiny, which you signed over to Facebook in order to avoid learning a few lines of code, would once again be your own.
Beautiful, beautiful writing:
We could still live in that decentralized world, if we wanted to. Despite the rise of the all-seeing database, the core of the internet remains profoundly open. I can host it from my apartment, on a machine that costs $35. You can link to me from your site. Just the two of us. This is an age of great enterprise, no time to think small. Yet whatever enormous explosion tears through our digital world next will come from exactly that: an individual recognizing the potential of the small, where others see only scale.
I’ve been thinking a lot about learning, teaching, mentoring, coaching …this article by Ivana McConnell from last year is packed with gold nuggets of wisdom concerning apprenticeships.
As lifelong learners, we may be reluctant to call ourselves “masters.” But that’s missing the point, and it discounts the fact that teaching is learning. We’re not there to guarantee mastery—we’re there to give our apprentices fundamentals, to foster their respect, and make journeymen (or women) out of them. Mastery will come; we just offer the tools.
I really love what Dan is doing with his apprenticeship programme—I hope we can do something like this at Clearleft.
Jeffrey’s right. Instagram’s new deal with developers is openly hostile. It probably means the end of OwnYourGram in its current form …a service whose existence is frankly the only reason I’m able to use Instagram at all.
Why Get on the Indie Web?
In a word, autonomy.
- What is the Indie Web?
- How Can You Get on the Indie Web?,
- Where is the Indie Web? and
- Who is the Indie Web?
The Indie Web is made of people. It’s made by me. It can be made by you too. There’s no gatekeeper. You can join anytime without anyone’s permission. The Indie Web is made by everyone.
Shane gave a talk recently where he outlined his reasons for publishing on the indie web:
Most people reading this will probably have an account at most or all of these sites: Facebook, Instagram, Twitter, YouTube, Vimeo, Tumblr, Wordpress. Many also had accounts at Friendster, Tribe, MySpace, Delicious, Magnolia, Gowalla, Geocities. But no one has an account at any of those (on the second list) anymore. And all of the content that we created on those sites is gone.
All of those super emo feeling you posted to MySpace, they’re all gone. Some of the great web designers of our generation got started on Geocities. That stuff is gone forever. And sure, it was sparkling animated GIFs and neon colors. But that’s important history. Yahoo bought it, left it alone for a while, and then decided one day to turn it off.
This article on airships has my new favourite sentence in the English language:
During the First World War, Germany and its allies ceased production of sausages so that there would be enough cow guts to make zeppelins from which to bomb England.
Of course it was Simon who pointed me to this. Of course.
A subset of one of my favourite sites on the web:
Explore the Arctic of the past from the deck of a whaling ship.
Choose your vessel and get transcribing.