A fascinating bit of technological archeology tracing some of the oldest still-running software, from a COBOL program at the Pentagon to the firmware on the Voyager probes.
Under the hood it’s the same Blink engine that power’s the regular Opera browser (and Chrome) but I really like the interface on this experiment. It’s described as being a “concept browser”, much like a “concept car”, which is a nice way of framing experiments like this. More concept browsers please!
You, the software engineers and leaders of technology companies, face an enormous responsibility. You know better than anyone how best to protect the millions who have entrusted you with their data, and your knowledge gives you real power as civic actors. If you want to transform the world for the better, here is your moment. Inquire about how a platform will be used. Encrypt as much as you can. Oppose the type of data analysis that predicts people’s orientation, religion, and political preferences if they did not willingly offer that information.
Software is politics, because software is power.
The transcript of a tremendous talk by Richard Pope.
Russell wrote an article for Wired magazine all about PowerPoint, but this extended director’s cut on his own site is the real deal.
Who knew that the creator of PowerPoint was such an enthusiast for the concertina?
Never let fear get in the way! Don’t be afraid to continue even when things appear to be impossible, even when the so-called “experts” say it is impossible. Don’t be afraid to stand alone, to be different, to be wrong, to make and admit mistakes, for only those who dare to fail greatly can ever achieve greatly.
An engaging look at the history of word processing, word processed by Josephine Livingstone.
I lightweight little web browser. It’s quite nice.
The missing font generator for Mac OS X.
Very handy for subsetting fonts for the web. It doesn’t (yet) export WOFF2 unfortunately.
A profile—published on Ada Lovelace Day—of Margaret Hamilton’s work on the Apollo project.
This article first appeared in Fast Company almost twenty years ago. It’s a fascinating look into the culture and process that created and maintained the software for the space shuttle. It’s the opposite of Silicon Valley’s “move fast and break things.”
To be this good, the on-board shuttle group has to be very different — the antithesis of the up-all-night, pizza-and-roller-hockey software coders who have captured the public imagination. To be this good, the on-board shuttle group has to be very ordinary — indistinguishable from any focused, disciplined, and methodically managed creative enterprise.
Léonie gives a great, clear description of how screen readers switch modes as they traverse the DOM snapshot.
An astute comparison of the early years of the web with the early years of the app store. If there’s anything to this, then the most interesting native apps are yet to come. App Store 2.0?
The image-stitching algorithm is trying its best.
The first Lunar Orbiter, Andy Warhol’s Amiga, and George R.R. Martin’s WordStar …the opening address to the Digital Preservation 2014 conference July 22 in Washington, DC.
Just as early filmmakers couldn’t have predicted the level of ongoing interest in their work over a hundred years later, who can say what future generations will find important to know and preserve about the early history of software?
(Mind you, I can’t help but feel that the chances of this particular text have a long life at a Medium URL are pretty slim.)
I’m not sure if I agree completely with every point, but this is a great shortlist of things you can do to make your code more resilient and understandable (thereby making you, by any sensible definition, a better programmer).
This nifty place in Brighton is just down the street from me:
Our classes allow kids to get creative with exciting, cutting-edge technology and software.
Craig recently had a piece published in the New Yorker called Goodbye, Cameras. It’s good …but this follow-on piece on his own site is truly wonderful.
Read. Absorb. Ponder.
Being close to the network does not mean being on Facebook, thought it can mean that, too. It does not mean pushing low-res images to Instagram, although there’s nothing wrong with that. What the network represents, in my mind, is a sort of ledger of humanity. The great shared mind. An image’s distance to it is the difference between contributing or not contributing to that shared ledger.
Ben is rightly worried by the blasé attitude in the tech world to the PRISM revelations. Perhaps that attitude stems from a culture of “log everything by default”?
I think there’s a deep rooted trait within this industry that sedates the outrage. That is the normality, complicity, and dependency on ‘surveillance’ in the software we make.
This looks like it could be a handy app for synchronising a whole bunch of devices when testing. I’ll have to give it a whirl on the device lab.
Also, it has a perfectly fair one-off price, rather than the Mafia-style protection fee model that Adobe uses for Edge Inspect.