This chimes with something I’ve been pondering: we anticipate big breakthoughs in software—AI!, blockchain!, metaverse! chatbots!—but in reality the field is relatively stagnant. Meanwhile in areas like biology, there’s been unexpected advances. Or maybe, as Terence indicates, it’s all about the hype.
As designers, with every new project we tend to leverage existing symbols and reinforce their meaning to be able to benefit from mental associations people will naturally make. But we also have the power to modify and repurpose those symbols, should that be our intention.
This is an archive of the very earliest Web browsers — the true pioneers, the Old Gods, the Ancients:
WorldWideWeb, LineMode, Viola, Erwise, Midas, TkWWW, Samba, Lynx, w3, FineWWW
Setting the scene:
The Washington Hilton stands near the top of a small rise about a mile and a half northeast of the National Mall. Its two white-painted modern facades sweep out in broad semicircles like the wings of a bird. The New York Times, reporting on the hotel’s completion in 1965, remarked that the building looks “like a sea gull perched on a hilltop nest.”
The hotel hides its most famous feature below ground. Underneath the driveway roundabout is an enormous ovoid event space known as the International Ballroom, which was for many years the largest pillar-less ballroom in DC. In 1967, the Doors played a concert there. In 1968, Jimi Hendrix also played a concert there. In 1972, a somewhat more sedate act took over the ballroom to put on the inaugural International Conference on Computing Communication, where a promising research project known as the ARPANET was demonstrated publicly for the first time.
It turns out that the most important innovation of the ARPANET isn’t obvious in hindsight:
So what I’m trying to drive home here is that there is an important distinction between statement A, “the ARPANET connected people in different locations via computers for the first time,” and statement B, “the ARPANET connected computer systems to each other for the first time.” That might seem like splitting hairs, but statement A elides some illuminating history in a way that statement B does not.
Adrian brings an excellent historical perspective to the horrifying behaviour of Facebook’s in-app browsers:
Somewhere along the way, despite a reasonably strong anti-framing culture, framing moved from being a huge no-no to a huge shrug. In a web context, it’s maligned; in a native app context, it’s totally ignored.
Yup, frames are back—but this time they’re in native apps—with all their shocking security implications:
The more I think about it, the more I cannot believe webviews with unfettered JavaScript access to third-party websites ever became a legitimate, accepted technology. It’s bad for users, and it’s bad for websites.
By the way, this also explains that when you try browsing the web in an actual web browser on your mobile device, every second website shoves a banner in your face saying “download our app.” Browsers offer users some protection. In-app webviews offer users nothing but exploitation.
❤️
I believe we aren’t nostalgic for the technology, or the aesthetic, or even the open web ethos. What we’re nostalgic for is a time when outsiders were given a chance to do something fun, off to the side and left alone, because mainstream culture had no idea what the hell to do with this thing that was right in front of it.
An account of the mother of all demos, written by Steven Johnson.
The design process in action in Victorian England:
Recognizing that few people actually read statistical tables, Nightingale and her team designed graphics to attract attention and engage readers in ways that other media could not. Their diagram designs evolved over two batches of publications, giving them opportunities to react to the efforts of other parties also jockeying for influence. These competitors buried stuffy graphic analysis inside thick books. In contrast, Nightingale packaged her charts in attractive slim folios, integrating diagrams with witty prose. Her charts were accessible and punchy. Instead of building complex arguments that required heavy work from the audience, she focused her narrative lens on specific claims. It was more than data visualization—it was data storytelling.
A fascinating account of the history of JAWS and NVDA.
Steven Johnson profiles Lou Montulli, creator of the cookie, and ponders unintended consequences:
Years ago, the mathematician Edward Lorenz proposed a metaphor to describe how very small elements in a system’s initial conditions can lead to momentous changes over time. Imagining a tornado that ultimately emerges out of the tiny air perturbations caused by the flapping of a butterfly’s wings, Lorenz called it the “butterfly effect.” For better and for worse, Montulli’s cookie may be the most pronounced example of a technological butterfly effect in our time. But instead of a butterfly flapping its wings, it’s a 23-year-old programmer writing a few lines of code to make a shopping cart feature work. Almost three decades later, we’re still riding out the storm that code helped create.
The history of humanity in food and recipes.
The timeline of this website is equally impressive—it’s been going since 1999!
We have been seduced by Harari because of the power not of his truth or scholarship but of his storytelling. As a scientist, I know how difficult it is to spin complex issues into appealing and accurate storytelling. I also know when science is being sacrificed to sensationalism. Yuval Harari is what I call a “science populist.” (Canadian clinical psychologist and YouTube guru Jordan Peterson is another example.) Science populists are gifted storytellers who weave sensationalist yarns around scientific “facts” in simple, emotionally persuasive language. Their narratives are largely scrubbed clean of nuance or doubt, giving them a false air of authority—and making their message even more convincing. Like their political counterparts, science populists are sources of misinformation. They promote false crises, while presenting themselves as having the answers. They understand the seduction of a story well told—relentlessly seeking to expand their audience—never mind that the underlying science is warped in the pursuit of fame and influence.
Harari has seduced us with his storytelling, but a close look at his record shows that he sacrifices science to sensationalism, often makes grave factual errors, and portrays what should be speculative as certain.
Everything old is new again:
In our current “information age,” or so the story goes, we suffer in new and unique ways.
But the idea that modern life, and particularly modern technology, harms as well as helps, is deeply embedded in Western culture: In fact, the Victorians diagnosed very similar problems in their own society.
Some thoughts—and kind words—prompted by my recent talk, In And Out Of Style.
Here’s the video of my opening talk at this year’s CSS Day, which I thoroughly enjoyed!
It’s an exciting time for CSS! It feels like new features are being added every day. And yet, through it all, CSS has managed to remain an accessible language for anyone making websites. Is this an inevitable part of the design of CSS? Or has CSS been formed by chance? Let’s take a look at the history—and some alternative histories—of the World Wide Web to better understand where we are today. And then, let’s cast our gaze to the future!
Paul Ford:
The web was born to distribute information on computers, but the technology industry can never leave well enough alone. It needs to make everything into software. To the point that your internet browser is basically no longer a magical book of links but a virtual machine that can simulate a full-fledged computer.
How a writing system went from being a dream (literally) to a reality, codified in unicode.
Glenn Davis of Project Cool’s Cool Site Of The Day from waaaay back in the day is writing his online memoirs.
Depending on when you got online, this will either bring back a lot of memories or sound like something from a different century (which technically it is).
City of Women encourages Londoners to take a second glance at places we might once have taken for granted by reimagining the iconic Underground map.
I love everything about this …except that there’s no Rosalind Franklin station.
Time and again, organizations have sought to contain software’s most troublesome tendencies—its habit of sprawling beyond timelines and measurable goals—by introducing new management styles. And for a time, it looked as though companies had found in Agile the solution to keeping developers happily on task while also working at a feverish pace. Recently, though, some signs are emerging that Agile’s power may be fading. A new moment of reckoning is in the making, one that may end up knocking Agile off its perch.