Tags: television

25

sparkline

Internet Archive: Connections season 1, episodes 1-10

Videos for the whole first season of James Burke’s brilliant Connections TV series.

Internet Archive and chill.

fascism in sci-fi | Sci-fi interfaces

Chris is putting his examination of interfaces in science fiction on pause while he examines a more pressing matter for today’s political climate—an examination of depictions of fascism in science fiction:

  1. Sci-fi interfaces and fascism
  2. A surprisingly empty survey: Strong fascism in screen sci-fi
  3. Why is strong fascism missing in screen sci-fi?

BBC Computer Literacy Project Archive

Here’s a treasure trove of eighties nerd nostalgia:

In the 1980s, the BBC explored the world of computing in The Computer Literacy Project. They commissioned a home computer (the BBC Micro) and taught viewers how to program.

The Computer Literacy Project chronicled a decade of information technology and was a milestone in the history of computing in Britain, helping to inspire a generation of coders.

Untold AI: The Untold | Sci-fi interfaces

Prompted by his time at Clearleft’s AI gathering in Juvet, Chris has been delving deep into the stories we tell about artificial intelligence …and what stories are missing.

And here we are at the eponymous answer to the question that I first asked at Juvet around 7 months ago: What stories aren’t we telling ourselves about AI?

The Lost Picture Show: Hollywood Archivists Can’t Outpace Obsolescence - IEEE Spectrum

There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.

Format:

Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.

Medium:

As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.

Licensing:

Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.

It adds up to a potential cultural disaster:

If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.

The Analog Web | Jim Nielsen’s Blog

This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.

When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.

Bring on the Flood · thewalrus.ca

Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.

Powerful Ideas Need Love Too!

Alan Kay’s written remarks to a Joint Hearing of the Science Committee and the Economic and Educational and Opportunites Committee in October 1995.

How We Got To Now with Steven Johnson - YouTube

Steven Johnson’s new television series will be shown on BBC in a few months time. Looks like it’s going to be good Burkian fun.

HOW WE GOT TO NOW WITH STEVEN JOHNSON | Coming October 2014 | PBS

Screen shots of computer code

There’s something very satisfying about this televisual sleuthing:

Images of the computer code appearing in TV and films and what they really are.

stevenberlinjohnson.com: How We Got To Now

This sounds like it’s a going to be a good: a new TV series by Steven Johnson on the history of technology and innovation. Sounds very Burkian, which is a very good thing.

The Past 100 Years of the Future

This (free!) PDF looks like it could be a nice companion piece to Chris and Nathan’s recent book:

Human-computer interaction in science-fiction movies and television.

It’s a work in progress. You’ll notice a lot of placeholders where the images should be. That’s because the studios are demanding extortionate rates for screenshots.

Crazy Walls

Perfectly offset with red string.

Thieves Are Your Best Customers in Waiting – Stuntbox

A great article from David with some concrete proposals for media companies.

By the way, how nice is David’s new responsive design? Very nice. Very nice indeed.

scott_lynch: Against Big Bird, The Gods Themselves Contend In Vain

It turns out that Big Bird is a god-defying instantiation of Moorcock’s Eternal Champion. Magnificent!

Big Bird and Snuffy go with him to stand in the Hall of Two Truths at the gate to the afterlife. The gigantic foam balls on these guys! Sure, Elmo loves you, but when’s the last time Elmo held anyone’s hand on the threshold of eternal night?

Minimal Mac | TV Is Broken

A fascinating insight into the reaction of an internet-savvy child upon being exposed to “regular” television.

The Star Wars Holiday Special | magazine | Vanity Fair

Add this one to your Instapaper/Readability queue: the behind-the-scenes story of the train wreck that was the 1978 Star Wars Holiday Special.

Understanding 9/11: A Television News Archive

A truly impressive achievement by Archive.org: all the television footage from September 11th, 2001 gathered in one place on the web.

Open Rights Group | Ofcom agrees to allow the BBC to hobble HD receivers

Offcom are not representing my interests as a consumer. This is a disgraceful decision.

Shownar

An experimental prototype that tracks the online buzz around BBC programmes (before they disappear down the memory hole of the iPlayer's time-restricted playback).