Click around the site a bit and you’ll find yourself tied to an endless string of hyperlinks, hopping from one page to the next, with no real rhyme or reason to tie them altogether. It is almost pure web id, unleashed structurally to engage your curiosity and make use of the web’s most primal feature: the link.
It looks (a more complex version of) fragmention might be coming to Chrome.
If you ignore the slightly insulting and condescending clickbaity title, this is a handy run-down of eight browser features with good support:
addEventListener(),scrollTo(),setTimeout() and setInterval(),defaultChecked property for checkboxes,normalize() and wholeText for strings of text,insertAdjacentElement() and insertAdjacentText(),event.detail, andscrollHeight and scrollWidth.Spoiler: it’s plain text. Every time.
Nothing boosts opens and clicks as well as an old school, plain-text email.
I feel vindicated.
People say they prefer HTML emails ..but they actually prefer plain-text.
This seems like a plausable explanation:
Think about how you email colleagues and friends: Do you usually add images or use well-designed templates? Probably not, and neither does your audience. They’re used to using email to communicate in a personal way, so emails from companies that look more personal will resonate more.
Now get off my lawn, you pesky HTML-email lovin’ kids.
Ignore the ludicrously clickbaity title. This is a well-considered look at thirty years of linking on the World Wide Web.
This history of the World Wide Web from 1996 is interesting for the way it culminates with …Java. At that time, the language seemed like it would become the programmatic lingua franca for the web. Brendan Eich sure upset that apple cart.
This is a really good explanation of the difference between context-aware layouts—that we’ve had up until now—and content-aware layouts, which are now possible with CSS grid:
With the
min-content,max-contentandautokeywords, we can size grid tracks based on their content. I think this is very cool. If we manage to embrace as much of the web’s flexibility as we can, we can get the most out of these tools, and let CSS help us with designing for the unknown.
Prompted by our time at CERN, Remy ponders why web browsers (quite quickly) diverged from the original vision of being read/write software.
I linked to this a while back but now this great half hour documentary by Jessica Yu is ready and you can watch the whole thing online: Tim Berners-Lee, the birth of the web, and where the web has gone since.
In the scenes describing the early web, there’s footage of the recreated Line Mode Browser—how cool is that‽
On the 50th anniversary of Vannevar Bush’s As We May Think, Tim Berners-Lee delivered this address in 1995.
To a large part we have MEMEXes on our desks today. We have not yet seen the wide scale deployment of easy human interfaces for editing hypertext and making links. (I find this constantly frustrating, but always assume will be cured by cheap commercial products within the year.)
Twenty years ago—when the web was just a decade old—Tim Berners-Lee gave this talk, looking backwards and forwards.
For me the fundamental Web is the Web of people. It’s not the Web of machines talking to each other; it’s not the network of machines talking to each other. It’s not the Web of documents. Remember when machines talked to each other over some protocol, two machines are talking on behalf of two people.
A great interview with Ted Nelson at the Internet Archive where he reminisces about Doug Engelbart, Bob Taylor, Vannevar Bush, hypertext and Xanadu. Wind him and let him go!
There’s an interesting tidbit on what he’s up to next:
So, the first one I’m trying to build will just be a comment, but with two pages visibly connected. And the second bit will be several pages visibly connected. A nice example is Vladimir Nabokov’s novel Pale Fire, which is a long poem by the fictitious author John Shade, connected to a large number of idiotic footnotes by the fictitious academic Charles Kinbote.
Ironically, back in the days of the Dark Brown Project, I actually got permission from the publishers of Pale Fire to demonstrate it on the Brown system. So now I hope to demonstrate it on the new Xanadu.
Pale Fire is the poem referenced in Blade Runner 2049:
Cells interlinked within cells interlinked…
A good reminder from Chris—prompted by Scott O’Hara’s article—that the figcaption element and the alt attribute do different things. If you use an empty alt attribute on an img inside a figure, then your figcaption element is captioning nothing …and no, using the same text for both is not the solution.
Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.
My goodness, Meagan’s new site design is absolutely gorgeous! The colour palette, the typography, the texture, the motion design …it all communicates character and personality. Beautiful work!
It’s our job as designers to bring clarity back to the digital canvas by crafting reading experiences that put readers first.
A short text file, imbued with meaning and memory.
Publishing on the web really is quite marvellous:
…an endless thrill, a sort of everlasting, punk-rock feeling and I hope it will never really go away.
Bruce reveals that the theory and the reality are somewhat different when it comes to the accessibility of inline elements like em and strong.
Looking back on this classic explainer video from eleven years ago, I know exactly what’s meant by this comment:
its weird that when i first saw this video it made me think of the future, and now i watch it and it reminds me of the past..