I must remember to try this out-of-office email strategy.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
Using ligatures to create a s*** font that f***ing censors bad language automatically.
Join your favorite authors on Zoom where you can have spirited discussions from the privacy of our own quarantined space!
I reckon a lot of websites have bad accessibility not because folks don’t care, but because they don’t know there’s an issue in the first place.
The headline is begging the question (I don’t think accessible websites are so hard to build), but I agree with Robin’s idea:
What if our text editors caught accessibility issues and showed them to us during development?
This is something that Hidde has been talking about recently too, looking at content management systems.
¶, &, @, ‽, ☺, #, and ☛.
Three authors pick their favourite book by Philip K Dick:
- Nicola Barker: Puttering About in a Small Land
- Michael Moorcock: Time Out of Joint
- Adam Roberts: Do Androids Dream of Electric Sheep?
A thoroughly lovely look at the octothorpe that skewers a myth or two along the way.
Now that Five Simple Steps has closed down, the individual authors are in charge of distributing their own books. This site links to all of those books.
A short profile of Michael Moorcock’s Elric series (though, for me, Jerry Cornelius is the champion that remains eternal in my memory).
Brian Aldiss: ‘These days I don’t read any science fiction. I only read Tolstoy’ | Books | The Guardian
A profile of Brian Aldiss in The Guardian.
I still can’t quite believe I managed to get him for last year’s Brighton SF.
Maciej’s talk from this year’s XOXO—excellent stuff!
Thanks to Jason Scott, every episode of The Sound Of Young America ever recorded is now stored on the Internet Archive. Get huffduffing!
The dominance of the desktop browser is over – the web has become wider. After so long painting in a tiny corner of the canvas, it’s time to broaden our approach.
It’s understandable that the community is somewhat nervous about the changes ahead. So far, we’ve mostly responded by scratching around for device-specific tips, but this isn’t sustainable or scalable. We should transcend “platformism” and instead learn to design for diverse contexts, displays, connectivity, and inputs by breaking devices down into first principles. Instead of the defective dichotomy of the “desktop” and “mobile” web, designers should aim to create great user experiences using the truly fluid nature of the web.
Margaret Atwood is all kinds of wonderful.
Don't be too proud of this technological terror you have created.
A beautiful PDF literary magazine, designed to be printed out and read away from the computer. I'd still love to see an HTML version.
Aleks pointed me to this sort-of ARG involving authors in London. Could be good fun.
Science-fiction author Lews Shiner is releasing many of his short stories online for free (HTML or PDF).