A fascinating treasure trove of objects recovered from the canals of Amsterdam.
Ultimately you can’t control when and how things go wrong but you do have some control over what happens. This is why progressive enhancement exists.
I had fun answering these questions.
A wonderful—and humorous—deep dive into all things time-related.
Building a calendar sucks. Like there’s really cool shit you can do, since every calendar out there today is basically straight outta 2005, but at the end of the day you’re stuck dealing with all of the edge cases that all your dork friends have warned you about since the dawn of time. (Like literally, the dawn of time is a separate edge case you have to account for as well.)
This also contains a well-deserved shout-out to ISO 8601:
ISO 8601 is one of my favorite standards and/or RFC out there. And yes, you should definitely have a favorite.
I do have a favourite RFC—ask me about it sometime over a beer.
A lovely bit of audio work from Matthew Sherrett—six short spoken word pieces about the island of Rockall.
New Privacy Rules Could Make This Woman One of Tech’s Most Important Regulators - The New York Times
It’s kind of surreal to see a profile in the New York Times of my sister-in-law. Then again, she is Ireland’s data protection commissioner, and what with Facebook, Twitter, and Google all being based in Ireland, and with GDPR looming, her work is more important than ever.
By the way, this article has 26 tracking scripts. I don’t recall providing consent for any of them.
So, could researchers find clear evidence that an ancient species built a relatively short-lived industrial civilization long before our own? Perhaps, for example, some early mammal rose briefly to civilization building during the Paleocene epoch about 60 million years ago. There are fossils, of course. But the fraction of life that gets fossilized is always minuscule and varies a lot depending on time and habitat. It would be easy, therefore, to miss an industrial civilization that only lasted 100,000 years—which would be 500 times longer than our industrial civilization has made it so far.
As installation begins, it feels like a good time to revisit this twelve year old essay by Michael Chabon on The Clock Of The Long Now. It’s a remarkable piece of writing about our relationship to the very idea of The Future, and how that relationship has changed in just one lifetime.
Ten thousand years from now: can you imagine that day? Okay, but do you? Do you believe “the Future” is going to happen? If the Clock works the way that it’s supposed to do—if it lasts—do you believe there will be a human being around to witness, let alone mourn its passing, to appreciate its accomplishment, its faithfulness, its immense antiquity? What about five thousand years from now, or even five hundred? Can you extend the horizon of your expectations for our world, for our complex of civilizations and cultures, beyond the lifetime of your own children, of the next two or three generations? Can you even imagine the survival of the world beyond the present presidential administration?
In this terrific essay by Marina Benjamin on the scientific and mathematical quest for ever-more dimensions, she offers this lovely insight into the mind-altering effects that the art of Giotto and Uccello must’ve had on their medieval audience:
By consciously exploring geometric principles, these painters gradually learned how to construct images of objects in three-dimensional space. In the process, they reprogrammed European minds to see space in a Euclidean fashion.
In a very literal fashion, perspectival representation was a form of virtual reality that, like today’s VR games, aimed to give viewers the illusion that they had been transported into geometrically coherent and psychologically convincing other worlds.
There’s a running joke at just about any gathering at Clearleft where we measure TTPL—Time To Pace Layers—a measurement of how long we can discuss anything before making an inevitable reference to Stewart Brand’s framing.
It’s one of those concepts that, once your brain has been exposed, you start seeing everywhere. Like bad kerning or sexism.
This is a fascinating way to explore time and place—a spyglass view of hundred year old maps overlaid on the digital maps of today.
We need to keep our eyes on the prize: making sure the internet does not suck for as many people as possible for as long as possible. That’s the work we need to be doing. And we should do it not from a place of fear or despair, but from a place of joy.
Relive the final trip to the moon with Geno and the crew of Apollo 17 …(real)timeshifted by 45 years.
Data visualisations created for The Times, complete with code.
A lovely profile of the lovely In Our Time.
In part because “In Our Time” is unconnected to things that are coming out, things happening right this minute, things being promoted, it feels aligned with the eternal rather than the temporal, and is therefore escapist without being junk.
Anyone remember the site After Our Time?
A pace layer model for readers (and writers).
From the library of Alexandria to the imagined canals of mars to the spots on the sun, this is a beautifully written examination of the chronology contained within the bristlecone pine.
The oldest of the living bristlecones were just saplings when the pyramids were raised. The most ancient, called Methuselah, is estimated to be more than 4,800 years old; with luck, it will soon enter its sixth millennium as a living, reproducing organism. Because we conceive of time in terms of experience, a life spanning millennia can seem alien or even eternal to the human mind. It is hard to grasp what it would be like to see hundreds of generations flow out from under you in the stream of time, hard to imagine how rich and varied the mind might become if seasoned by five thousand years of experience and culture.
There is only the briefest passing mention of the sad story of Don Currey.
- the early era: ~1996 – 2004,
- the jQuery era: ~2004 – 2010,
- the Single Page App era: ~2010 - 2014, and
- the modern era: ~2014 - present.
Time-shifted photographs of my hometown in Ireland.