Watching this data visualisation on its high speed setting is quite hypnotic.
Maeve Higgins must’ve been back in Cobh (our hometown) at the same time this Christmas. Here she tells the story of Annie Moore, the first person to enter the doors at Ellis Island.
I stood on the darkening quay side in Cobh on Christmas Eve, and looked at a statue of Annie there. She seems small and capable, her hands lightly resting on her little brothers’ shoulders, gazing back at a country she would never see again. An Irish naval ship had returned to the harbor earlier that week from its mission off the Mediterranean coast, a mission that has rescued 15,000 people from the sea since May 2015, though 2016 was still the deadliest one for migrants crossing the Mediterranean since World War II.
An illustrated history of digital iconography.
This is a rather lovely idea—a disc with eight rings, each marked with the position of a planet, the arrangement of which corresponds to a specific date.
The 1978 short film Farewell, etaoin shrdlu documents the changeover from linotype to digital typesetting at The New York Times.
An evenhanded treatment of the unremitting march of technological progress, Weiss’s film about an outmoded craft is stylistically vintage yet also immediate in its investigation of modernity.
Fortunately there’s a back-up on the Internet Archive, but this tale of Google’s overnight destruction of fourteen years of writing is truly infuriating.
When we use their services, we trust that companies like Google will preserve some of the most personal things we have to share. They trust that we will not read the fine print.
When you pitch your tent in someone else’s walled garden, they can tear down your home whenever they want.
I know exactly how Tim feels. It’s hard not to feel guilty when you’re reading something instead of spending the time doing “real work”, but it always ends up being time well spent:
Reading time can be hard to justify, even to oneself. There is no deadline. It’s not going to move any immediate projects forward (most likely). And it often feels like a waste of time, especially if your interests are diverse. But it’s important. Most great work is the product of collaborative thinking.
Our Harry’s in the New York Times! Well, an article on dark patterns is in the New York Times, and Harry is Mr. Dark Patterns.
Prompted by the way Craig is handling the shutdown of hi.co, Glenn Fleishman takes a look at other digital preservation efforts and talk to Laura Welcher at the Long Now Foundation.
A time capsule is bottled optimism. It makes material the belief that human beings will survive long enough to retrieve and decode artifacts of the distant past.
I always loved Matt’s light cone project—it was a big influence on the Radio Free Earth hack that I made with Chloe. Now it has been reborn as a Twitter bot. Here’s Matt’s documentation for his future self:
I haven’t made a habit of project write-ups before, but I’m taking an increasingly “long now” approach to the tech I make and use. How will I remember what I made in a decade? By reading this post.
A breathtaking overview of Cassini’s mission. The timeline video—matching up footage from Saturn with contemporary events on Earth—is a beautiful and haunting dose of perspective.
You can even watch a four hour video of every single one of the 341,805 images that Cassini has sent up till now.
A nice navigable timeline of historical events from Wikipedia.
Kelli Anderson’s thesis on the Human Interference Task Force project set up to mark nuclear waste sites for future generations (a project I’ve referenced in some of my talks).
This infographic offers a visual way to explore the various stages of the Earth’s history using a 12 hour clock analogy.
I’d like to do this for all Clearleft web projects.
How important is mobile for @nytimes? We’re blocking access to our home page on desktop in our building.
A long-zoom look at life, work, and success.
I’m not usually a fan of portmanteau neologisms, but I really like Tash’s coining of the word longtrepreneur.
Primer, but Twitter.