UX London 2023 | Flickr
These pictures really capture the vibe of this year’s lovely UX London event.

These pictures really capture the vibe of this year’s lovely UX London event.
A search engine for images and audio that’s either under a Creative Commons license or is in the public domain.
In a way, I find these pictures—taken by someone from the ground with regular equipment—just as awe-inspiring as the images from the James Webb Space Telescope.
A good ol’ rant by Vasilis on our design tools for the web.
Marc very kindly took loads of pictures at dConstruct on Friday—lovely!
The capture
attribute is pretty nifty—and I just love that you get so much power in a declarative way:
<input type="file" accept="image/*" capture="environment">
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The Flickr Foundation represents our commitment to stewarding this digital, cultural treasure to ensure its existence for future generations.
Its first act is the renewal of the Flickr Commons.
This is a fascinating deep dive by Léonie on the inner workings of speech synthesis. She has quite a conundrum: she wants fast playback, but she also wants a voice that doesn’t sound robotic. Unfortunately it’s the robotic-sounding voices that work best at speed.
If you’re interested in this topic, I highly recommend listening to (or reading) the accessibility episode of the Clearleft podcast which featured Léonie as a guest giving demos and explanations.
The World Ocean is as close as you can get to outer space without leaving Earth. It’s an entirely different universe, nothing like the life we have on land.
These wonderfully realistic photo effects from Lynn are quite lovely!
I wrote a while back about one of my favourite photographs but this might just give it a run for its money.
It was only near the end of the 19th century that shutter speeds improved, as did emulsions, meaning that spontaneous moments could be captured. Still, smiling was not part of many cultures. It could be seen as unseemly or undignified, and many people rarely sat for photos anyway.
From Xerox PARC to the World Wide Web:
The internet did not use a visual spatial metaphor. Despite being accessed through and often encompassed by the desktop environment, the internet felt well and truly placeless (or perhaps everywhere). Hyperlinks were wormholes through the spatial metaphor, allowing a user to skip laterally across directories stored on disparate servers, as well as horizontally, deep into a file system without having to access the intermediate steps. Multiple windows could be open to the same website at once, shattering the illusion of a “single file” that functioned as a piece of paper that only one person could hold. The icons that a user could arrange on the desktop didn’t have a parallel in online space at all.
These are great photos of the speakers at Beyond Tellerrand—great captures of Sharon, Cassie, and Charlotte.
I found myself needing to open some old Photoshop files recently, but I haven’t had Photoshop installed on my computer for years (not since Adobe moved to the Mafia pricing model). It turns out there’s an online recreation of Photoshop!
I remember when this was literally the example people would give for the limitations of the web: “Well, you can’t build something like Photoshop in the browser…”
Some photos from a lively discussion between Alex Russell and me at View Source in Amsterdam led Remy to create this meme generator.
You can see some results here and here.
This is not to be confused with a certain other photo which has led to its own memification here and here.
Brendan describes the software he’s using to get away from Adobe’s mafia business model.
Just look at these fantastic pictures that Trys took (very unobstrusively) at Patterns Day—so rock’n’roll!