A very very in-depth look at fluid typography in CSS using
A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.
Some really great CSS tips from Rich on sizing display text for multiple viewports.
Cennydd enumerates what design sprints are good for:
- generating momentum,
- highlighting the scope of the design process,
- developing the team, or
- provoking core product issues.
And also what they’re not so good for:
- reliable product design,
- proposing sophisticated user research,
- answering deep product-market fit questions, or
- getting the green light.
A series of quick’n’dirty prototypes to illustrate some of the design challenges involved in handling personal data:
- Data access tracker
- Data minimisation
- Guardian for digital identity
- Home privacy settings
- Portable shopping list
- Single trip insurance checker
If we don’t start exploring what the General Data Protection Regulation means for people, the same thing that happened with the cookie law will happen again.
These new rights have the potential to improve how our digital products and services work.
A marvellous piece of writing and design. The family drama of two brothers who revolutionised the world of diving and salvage, told through beautifully typeset hypertext…
If you enjoyed reading Marcin’s serendipitous story on Twitter, here are the pictures to accompany it.
Kevin writes a plea on Ev’s blog for better contrast in web typography:
When you build a site and ignore what happens afterwards — when the values entered in code are translated into brightness and contrast depending on the settings of a physical screen — you’re avoiding the experience that you create. And when you design in perfect settings, with big, contrast-rich monitors, you blind yourself to users. To arbitrarily throw away contrast based on a fashion that “looks good on my perfect screen in my perfectly lit office” is abdicating designers’ responsibilities to the very people for whom they are designing.
The 1978 short film Farewell, etaoin shrdlu documents the changeover from linotype to digital typesetting at The New York Times.
An evenhanded treatment of the unremitting march of technological progress, Weiss’s film about an outmoded craft is stylistically vintage yet also immediate in its investigation of modernity.
This is a clever quick’n’dirty way of prototyping iterations on an existing site using dev tools and screenshots.
This is easily the most wrong-headed piece of writing I’ve read in a long time.
“But customers benefit from smaller file sizes too, because that makes web pages faster.” Certainly, that was true in 1996. And some web developers persist with political objections. But with today’s faster connections—even on mobile—optimizing for file size is less useful than ever.
I’ll leave it to you to see the logical flaws in every one of the arguments presented here by Matthew Buterick. Meanwhile I’m going to get off his lawn.
This is what Nick Sherman has been banging on about for years, and now the time has come for variable fonts …as long as typographers, browser makers, and standards bodies get behind it.
More details on Ev’s blog.
A good ol’ polemic in favour of using web fonts. It’s a good read although I strongly disagree with this line of reasoning:
The average internet speed in the United States today is three times as fast as it was in 2011.
But that americentric view is redeemed later on:
The World Wide Web may be a creation of the West, but now, at long last, it needs to get ready for the rest.
I may not agree with all the points in this article, but I think we can all agree that if we’re going to use web fonts, we must use them responsibly …otherwise users are going to treat them as damage and route around them.
font-display property is landing in browsers, and this is a great introduction to using it:
If you don’t know which option to use, then go with
A terrific rundown of all your options when it comes to web font loading.
A handy tool for testing the legibility of different typefaces under all sorts of conditions.
I’ve always loved the way that Edward Tufte consistently uses Bembo to typeset his books. Here’s a version made for screen and freely licensed.
You can think of this as a short book or a long article, but either way it’s a handy overview of typography on the web:
A concise, referential guide on best web typographic practices.
Mind you, I take issue with this assertion:
Establishing a vertical rhythm is simple.