Tags: type

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Recursive | Recursive

Play around with this variable font available soon from Google Fonts in monospaced and sans-serif versions.

Standard Ebooks: Free and liberated ebooks, carefully produced for the true book lover.

Books in the public domain, lovingly designed and typeset, available in multiple formats for free. Great works of fiction from Austen, Conrad, Stevenson, Wells, Hardy, Doyle, and Dickens, along with classics of non-fiction like Darwin’s The Origin of Species and Shackleton’s South!

5 Keys to Accessible Web Typography | Better Web Type

Some excellent explanations for these five pieces of sensible typography advice:

  1. Set your base font size in relative units
  2. Check the colour of your type and only then its contrast
  3. Use highly legible fonts
  4. Shape your paragraphs well
  5. Correctly use the heading levels

Variable Fonts for Developers

A showcase of fun experiments with variable fonts, courtesy of Mandy.

Breaking the physical limits of fonts

This broke my brain.

The challenge: in the fewest resources possible, render meaningful text.

  • How small can a font really go?
  • How many bytes of memory would you need (to store it and run it?)
  • How much code would it take to express it?

Lets see just how far we can take this!

VOCAL

Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.

Type in the digital era is a mess

Marcin explains why line height works differently in print and the web. Along the way, he hits upon this key insight about CSS:

Web also took away some of the control from typesetters. What in the print era were absolute rules, now became suggestions.

Remember that every line of CSS you write is a suggestion to the browser.

Progressive Font Enrichment: reinventing web font performance | Responsive Web Typography

Jason describes the next big thing in web typography: streaming fonts!

…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.

Public Sans

A free and open source neutral sans-serif typeface, released as part of version two of the design system for the US federal government.

Science and Tech Ads on Flickr

Stylish! Retro! Sciency!

Martin ad

Intro to Font Metrics

Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.

All you need to know about hyphenation in CSS | Clagnut by Richard Rutter

Everything you need to know about hyphenation on the web today, from Rich’s galaxy brain.

Hyphenation is a perfect example of progressive enhancement, so you can start applying the above now if you think your readers will benefit from it – support among browsers will only increase.

Programming Fonts - Test Drive

Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.

Bodoni*

An open source version of Bodoni:

Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.

Carson: Textured fluid type - Steve Honeyman

I reckon it’s time for distressed type to make a comeback—CSS is ready for it.

WALL·E | Typeset In The Future

A deep dive into Pixar’s sci-fi masterpiece, featuring entertaining detours to communist propaganda and Disney theme parks.

Notes on prototyping – Ben Frain

Good tips on prototyping using the very materials that the final product will be built in—HTML, CSS, and JavaScript.

The only thing I would add is that, in my experience, it’s vital that the prototype does not morph into the final product …no matter how tempting it sometimes seems.

Prototypes are made to be discarded (having validated or invalidated an idea). Making a prototype and making something for production require very different mindsets: with prototyping it’s all about speed of creation; with production work, it’s all about quality of execution.

Jongert

Nick demonstrates the responsive power of variable fonts by recreating a lovely design from Jacob Jongert.

Grab that browser window and get squishin’!

Brand New Roman

A font made of corporate logos.