A trashcan, a tyepface, and a tactile keyboard. Marcin gets obsessive (as usual).
I linked to the first of Ethan’s short videos on accessibility last week, but it’s well worth checking out all five:
This is a lovely new project from Mark that gets very meta, cataloging specimens of type specimens:
This project will dig into specimens from these three perspectives: as artefacts made by and for font designers to evolve type culture; as tools for font users to make decisions about choosing and using type; and as effective marketing tools.
Using ligatures to create a s*** font that f***ing censors bad language automatically.
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.
Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!
A treasure trove of case studies and interviews.
Great typography on the web should be designed in layers. The web is an imperfect medium, consumed by countless different devices over untold numbers of network connections—each with their own capabilities, limitations, and peculiarities. To think that you can create one solution that will look and work the same everywhere is a fantasy. To make this more than just one nice book website, the whole project and process needs to embrace this reality.
This is such a clever use of variable fonts!
We can use a lighter font weight to make the text easier to read whenever dark mode is active.
I never thought of combining the
datalist element with
input type="color"—it’s pretty cool that it just works!
Here’s one simple, practical way to make apps perform better on mobile devices: always configure HTML input fields with the correct
autocompleteattributes. While these three attributes are often discussed in isolation, they make the most sense in the context of mobile user experience when you think of them as a team.
This is an excellent deep dive with great advice:
You may think that you are familiar with the basic
autocompleteoptions, such as those that help the user fill in credit card numbers or address form fields, but I’d urge you to review them to make sure that you are aware of all of the options. The spec lists over 50 values!
A history of typesetting from movable type to variable fonts.
A really nice open-source font-previewing tool for the Mac.
Everything you ever wanted to know about variable fonts, gathered together into one excellent website.
A brief history of the manicule, illustrated with some extreme examples.
Some solid research here. Turns out that using
input type=”text” inputmode=”numeric” pattern="[0-9]*" is probably a better bet than using
In this interview, Biance Berning says:
Cassie Evans from Clearleft is an interesting person to follow as she combines web animation with variable font technology, essentially exploring the technology’s practicality and expression.
We’re only just scratching the surface of what variable fonts can do within more interactive and immersive spaces. I think we’ll see a lot more progress and experimentation with that as time goes on.
Andy takes Utopia for a spin—it very much matches his approach.
This is the project that Trys and James have been working on at Clearleft. It’s a way of approaching modular scales in web typography that uses CSS locks and custom properties to fantastic effect.
Utopia is not a product, a plugin, or a framework. It’s a memorable/pretentious word we use to refer to a way of thinking about fluid responsive design.
I’m usually building one of three things: a demo, a prototype, or a minimum viable product (MVP).
I’ve seen some confusion over these terms — some people seem to use them somewhat interchangeable. But they’re not the same thing, and building one when you need another can cause problems.
This is a very useful distinction!