Link tags: type

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PlymouthPress – A Letterpress Image Font

An experimental image font made using the University of Plymouth’s unique letterpress workshop.

Grungy!

The font is intended for display purposes only, and not is suitable for body text.

Uppestcase and Lowestcase Letters: Advances in Derp Learning

A genuinely interesting (and droll) deep dive into derp learning …for typography!

Meet Utopia: Designing And Building With Fluid Type And Space Scales — Smashing Magazine

An excellent explainer from Trys and James of their supersmart Utopia approach:

Utopia encourages the curation of a system small enough to be held in short-term memory, rather than one so sprawling it must be constantly referred to.

System fonts don’t have to be ugly /// Iain Bean

You don’t have to use web fonts—there are some pretty nice options if you stick to system fonts (like Georgia, Charter, and Palatino).

Proxima Vara by Mark Simonson

Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.

Continuous Typography / MK

Sounds like some convergent thinking with the ideas behind Utopia.

I think that the idea that that any typographic attribute (including variable font parameters) can be a function (linear, exponential, stepped, Bezier, random, or otherwise) of any given input variable (user preference, screen dimensions, connection speed, time of day, display language, or whatever else) is an incredibly powerful one, and worth exploring as an aesthetic as well as a technical proposition.

Here’s a demo you can play with.

archives.design

All of these graphic design books, magazines, and type specimens are available for perusal on the Internet Archive.

CSS Stats

A handy tool for getting an overview of your site’s CSS:

CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.

Google font to SVG path

Cassie pointed me to this very nifty tool (that she plans to use in your SVG animation workshop): choose font from Google Fonts, type some text, and get the glyphs immediately translated into an SVG!

share-button-type/explainer.md

If you’ve been following my recent blog posts about a declarative option for the Web Share API, you might be interested in this explainer document I’ve put together. It outlines the use case for button type="share".

Clamp | Utopia

Trys has been investigating how to incorporate CSS clamp() into the brilliant Utopia project. I won’t pretend to understand all the maths here—this is a very deep dive!

He’s also created a CSS generator Mark 2 if you want to use clamp() in your fluid type.

What is happening to our digital archives?

Employing the principle of least power for better digital preservation:

New frameworks and technologies spring up to try and cope with the speed of change. More and more ways to build and release things faster and cheaper becomes the norm. And, the more this happens, the more we deviate from standards: good ol’ HTML and CSS.

A tale of three skeuomorphs

A trashcan, a tyepface, and a tactile keyboard. Marcin gets obsessive (as usual).

Type Specimens

This is a lovely new project from Mark that gets very meta, cataloging specimens of type specimens:

This project will dig into specimens from these three perspectives: as artefacts made by and for font designers to evolve type culture; as tools for font users to make decisions about choosing and using type; and as effective marketing tools.

Scunthorpe Sans 🗯🚫 profanity-blocking font

Using ligatures to create a s*** font that f***ing censors bad language automatically.

The Fonts in Popular Things Identified Vol. 1 · Typewolf

I’d watch this game show:

Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.

Times New Arial

Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!

FEMME TYPE – Celebrating Women in the Type Industry

A treasure trove of case studies and interviews.

Web Typography News #43: Typesetting Moby-Dick, part 2

Great typography on the web should be designed in layers. The web is an imperfect medium, consumed by countless different devices over untold numbers of network connections—each with their own capabilities, limitations, and peculiarities. To think that you can create one solution that will look and work the same everywhere is a fantasy. To make this more than just one nice book website, the whole project and process needs to embrace this reality.