Tags: type

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Segmented type appreciation corner

Marcin built this lovely little in-browser tool to demonstrate how segmented type displays work at different sizes.

The Next Big Thing in Type

Over the course of a semester, students at UMPRUM Academy in Prague made variable fonts. I think Krabat might be my favourite.

Wakamai Fondue

A drag-and-drop tool for examining variable fonts (kind of like FontDrop but with more sliders to play with).

I didn’t get the name until I said it out loud.

Upcoming changes to the CSS you need for variable fonts | Clagnut

Rich enumerates some changes in how you set up variable fonts. So if you’re pulling in a font that has weight as an axis, you can now add this to your @font-face rule:

font-weight: 1 999;

I’m already very excited about variable fonts—I’m going to be positively giddy by the time Ampersand rolls around (which, by the way, you should totally go to—it’s going to be sooo good!).

Variable Fonts | DSType Foundry

Here’s an interesting twist on variable fonts: one of variable axes is serificity …serificousness …serifness. The serifs. The serifs, is what I’m trying to say.

One small point: it seems a bit of a shame that there are separate files for regular and italic—it would’ve been nice to have a variable axis for italicity …italicousness …ah, screw it.

A typeface is not a tool · Klim Type Foundry

Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.

Braille Neue

I love this idea (and implementation)—instead of treating braille signage as something “separate but equal”, this typeface attempts to unify lettering and braille into one.

Braille Neue is a universal typeface that combines braille with existing characters. This typeface communicates to both the sighted and blind people in the same space.

Variable Fonts

A simple resource for finding and trying variable fonts.

The first visual identity for UK Parliament

Some lovely branding work for the UK Parliament, presented very nicely.

FontDrop!

A handy browser-based tool for examining font files to see which features they support.

90 Minutes | Type Supply

Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.

FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”

It’s Dangerous to Go Stallone. Take Glyphhanger | Filament Group, Inc., Boston, MA

You’ll need to be comfortable with using the command line, but this is a very useful font subsetting tool from those clever folks at Filament Group.

Shipping system fonts to GitHub.com · @mdo

A look at the font stack that Github is using.

How to Redesign a Tech Logo + Subtraction.com

I think Khoi might be on to something here …but I also think this change in priorities is no bad thing:

Consider the macro trend of these brands all visually converging alongside the industry’s current mania for design systems. That juxtaposition suggests that we’re far more interested in implementing ideas than we are in ideas themselves.

Doctype Brighton

A new webby meet-up in Brighton organised by Davs Howard. It’ll be one the first Thursday of the month at The Joker. I often find myself in The Joker on Thursday nights anyway (for the wings) so I’ll be heading along to the inaugural event on February 1st.

Ampersand Web Typography Conference | 29 June 2018 | Brighton, UK

Save the date! The best web typography conference in the world is back in Brighton on June 29th, and this time it’s at the best venue: The Duke Of York’s.

In fact, you can do more than saving the date: you can snap up a super early bird ticket for whopping £85 saving.

Saving Your Web Workflows with Prototyping · Matthias Ott – User Experience Designer

A well-written (and beautifully designed) article on the nature of the web, and what that means for those of us who build upon it. Matthias builds on the idea of material honestly and concludes that designing through prototypes—rather than making pictures of websites—results in a truer product.

A prototyping mindset means cultivating transparency and showing your work early to your team, to users – and to clients as well, which can spark excited conversations. A prototyping mindset also means valuing learning over fast results. And it means involving everyone from the beginning and closely working together as a team to dissolve the separation of linear workflows.

Little UI details from @steveschoger, in HTML and CSS

Suggestions for small interface tweaks.

Spectral: A New Screen-First Typeface - Library - Google Design

A rather handsome looking free serif typeface based on Gargantua. Spectral is available under an Open Font License.