A trashcan, a tyepface, and a tactile keyboard. Marcin gets obsessive (as usual).
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.
Ever wanted to set some text in 70% Times New Roman and 30% Arial? Me neither. But now, thanks to variable fonts, you can!
A treasure trove of case studies and interviews.
A really nice open-source font-previewing tool for the Mac.
Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.
A fun way to play around with the options in variable fonts.
This is very neat! Test out how Google Fonts will look on your website: type in your URL and away you go. Works well on mobile too.
Here’s an interesting twist on variable fonts: one of variable axes is serificity …serificousness …serifness. The serifs. The serifs, is what I’m trying to say.
One small point: it seems a bit of a shame that there are separate files for regular and italic—it would’ve been nice to have a variable axis for italicity …italicousness …ah, screw it.
A simple resource for finding and trying variable fonts.
Some lovely branding work for the UK Parliament, presented very nicely.
A handy browser-based tool for examining font files to see which features they support.
You’ll need to be comfortable with using the command line, but this is a very useful font subsetting tool from those clever folks at Filament Group.
Rob walks us through the typographic choices for his recent redesign:
Most of what I design that incorporates type has a typographic scale as its foundation, which informs the typeface choices and layout proportions. The process of creating that scale begins by asking what the type needs to do, and what role contrasting sizes will play in that.
A blog dedicated to documenting the letterforms on display in Berlin.