This broke my brain.
The challenge: in the fewest resources possible, render meaningful text.
- How small can a font really go?
- How many bytes of memory would you need (to store it and run it?)
- How much code would it take to express it?
Lets see just how far we can take this!
Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.
Marcin explains why line height works differently in print and the web. Along the way, he hits upon this key insight about CSS:
Web also took away some of the control from typesetters. What in the print era were absolute rules, now became suggestions.
Remember that every line of CSS you write is a suggestion to the browser.
Jason describes the next big thing in web typography: streaming fonts!
…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.
Stylish! Retro! Sciency!
Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.
Everything you need to know about hyphenation on the web today, from Rich’s galaxy brain.
Hyphenation is a perfect example of progressive enhancement, so you can start applying the above now if you think your readers will benefit from it – support among browsers will only increase.
An open source version of Bodoni:
Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.
My goodness, Meagan’s new site design is absolutely gorgeous! The colour palette, the typography, the texture, the motion design …it all communicates character and personality. Beautiful work!
I think Cathy might’ve buried the lede:
The knock on effect of this was removing media queries. As I moved towards some of the more modern features of CSS the need to target specific screen sizes with unique code was removed.
But on the topic of Sass, layout is now taken care of with CSS grid, variables are taken care of with CSS custom properties, and mixins for typography are taken care of with
Personally, I’ve always found the most useful feature of Sass to simply be that you can have lots of separate Sass files that get combined into one CSS file—very handy for component libraries.
I reckon it’s time for distressed type to make a comeback—CSS is ready for it.
A deep dive into Pixar’s sci-fi masterpiece, featuring entertaining detours to communist propaganda and Disney theme parks.
Some advice from Andy on creating a dark theme for your website. It’s not just about the colours—there are typography implications too.
A font made of corporate logos.
This checklist came in very handy during a performance-related workshop I was running today (I may have said the sentence “Always ask yourself What Would Zach Do?”).
- Start Important Font Downloads Earlier (Start a Web Font load)
- Prioritize Readable Text (Behavior while a Web Font is loading)
- Make Fonts Smaller (Reduce Web Font load time)
- Reduce Movement during Page Load (Behavior after a Web Font has loaded)
The first two are really straightforward to implement (with
font-display). The second two take more work (with subsetting and the font loading API).
font-feature-settings value demonstrated in one single page.