Link tags: typo



Bjørn Karmann › Occlusion Grotesque

A typeface co-designed with a tree over the course of five years.

Yes, a tree.

Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree. As the tree grows, it deforms the letters and outputs new design variations, that are captured annually.

Cardigan Sci-fi • Robin Rendle

Cardigans are not entirely necessary for a show or a film to fit within the Cardigan sci-fi subgenre (although they certainly help). It’s the lack of polish in the world, it’s the absence of technological fetishism in the science fiction itself. The science or the tools or the spaceships do not sit at the heart of Cardigan sci-fi — it’s all about the people that wear the cardigans instead.

What serif typeface would go well with Proxima Nova?

Mark Simonson goes into the details of his lovely new typeface Proxima Sera.

Roboto … But Make It Flex - Material Design

This version of Roboto from Font Bureau is a very variable font indeed.

Tim Brown: CSS forces

Some interesting thoughts from Tim here. What if CSS could “displace” design decisions from one area to another?

For example, a flexible line spacing value in one container could influence margins that surround the text block. That change in spaciousness may mean that nearby headings need size or spacing adjustments to stay feeling connected.

This feels like the complete opposite way that most people approach design systems—modular, componentised, and discrete—but very in-line with the way that CSS has been designed—interconnected, relational and cascading.

Fluid Type Scale - Generate responsive font-size variables

This is kind of a Utopia lite: pop in your minimum and maximum font sizes along with a modular scale and it spits out some custom properties for clamp() declarations.

Thoughts on Exerting Control With Media Queries - Jim Nielsen’s Blog

Some thoughts on CSS, media queries, and fluid type prompted by Utopia:

We say CSS is “declarative”, but the more and more I write breakpoints to accommodate all the different ways a design can change across the viewport spectrum, the more I feel like I’m writing imperative code. At what quantity does a set of declarative rules begin to look like imperative instructions?

In contrast, one of the principles of Utopia is to be declarative and “describe what is to be done rather than command how to do it”. This approach declares a set of rules such that you could pick any viewport width and, using a formula, derive what the type size and spacing would be at that size.

Utopia - an introduction - YouTube

James and Trys have made this terrific explanatory video about Utopia. They pack a lot into less than twenty minutes but it’s all very clearly and methodically explained.

Utopia - an introduction

Fluid type sizes and spacing — Piper Haywood

Prompted by Utopia, Piper shares her methodology for fluid type in Sass.

Manrope – free sans-serif variable font

This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.

My Custom CSS Reset

This CSS reset is pleasantly minimalist and a lot of thought has gone into each step. The bit about calculating line height is very intriguing!

Design and long-term thinking

I like this mashup of two diagrams: Stewart Brand’s pace layers and Stephanie DiRusso’s typology of design thinking.

Seb Lester’s Favorite Fonts

Seb picks his top ten typefaces inspired by calligraphy.

MD Nichrome by Mass-Driver

Marvin has some competition! Here’s another beautiful sci-fi variable font:

MD Nichrome is a display typeface based on the typography of paperback science fiction from the 70s and early 80s.

Sans Bullshit Sans — Leveraging the synergy of ligatures

As part of my content buddying process, I am henceforth going to typeset all drafts in this font. I just tested it with this sentence:

We can leverage the synergy of a rich immersive user paradigm shift.

CSS Font Lorem Ipsum

Professional web designer on a closed course. Do not attempt.

PlymouthPress – A Letterpress Image Font

An experimental image font made using the University of Plymouth’s unique letterpress workshop.


The font is intended for display purposes only, and not is suitable for body text.

Uppestcase and Lowestcase Letters: Advances in Derp Learning

A genuinely interesting (and droll) deep dive into derp learning …for typography!