Tags: typography



Transform your type online with variable fonts | Creative Bloq

This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.

I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.

Font Playground — Play with variable fonts!

A fun way to play around with the options in variable fonts.

Fonty: the new way for testing web fonts

This is very neat! Test out how Google Fonts will look on your website: type in your URL and away you go. Works well on mobile too.

Ampersand 2018 | Rob Weychert

Rob attended the excellent Ampersand event last Friday and he’s made notes for each and every talk.

Pixels vs. Ems: Users DO Change Font Size – Evan Minto – Medium

I have to admit, I didn’t realise that text reszing behaved differently for user preferences compared to page zoom. For that reason alone, I’m going to avoid setting font sizes in pixels.

If 2 to 3% (or more!) of your users are relying on a custom font size, you should know that so you can either support that user preference or make a conscious decision to not support it. Doing anything less is frankly irresponsible, especially considering that users with larger font sizes may be using those sizes to compensate for visual disabilities.

Tim Brown: Coming soon: Flexible Typesetting

Fellow web type nerds: Tim Brown brings very good tidings indeed!

My new book is called Flexible Typesetting, and it will be published by A Book Apart this summer. I absolutely cannot wait for you to read it, because we have so much to talk about.

Fontjoy - Generate font pairings in one click

This looks like fun: it’s like a clever slot machine for pairing typefaces.

I thought the “machine learning” angle sounded like marketing bullshit, but it’s genuinely fascinating.

Segmented type appreciation corner

Marcin built this lovely little in-browser tool to demonstrate how segmented type displays work at different sizes.

The Next Big Thing in Type

Over the course of a semester, students at UMPRUM Academy in Prague made variable fonts. I think Krabat might be my favourite.

Wakamai Fondue

A drag-and-drop tool for examining variable fonts (kind of like FontDrop but with more sliders to play with).

I didn’t get the name until I said it out loud.

Upcoming changes to the CSS you need for variable fonts | Clagnut

Rich enumerates some changes in how you set up variable fonts. So if you’re pulling in a font that has weight as an axis, you can now add this to your @font-face rule:

font-weight: 1 999;

I’m already very excited about variable fonts—I’m going to be positively giddy by the time Ampersand rolls around (which, by the way, you should totally go to—it’s going to be sooo good!).

Variable Fonts | DSType Foundry

Here’s an interesting twist on variable fonts: one of variable axes is serificity …serificousness …serifness. The serifs. The serifs, is what I’m trying to say.

One small point: it seems a bit of a shame that there are separate files for regular and italic—it would’ve been nice to have a variable axis for italicity …italicousness …ah, screw it.

A typeface is not a tool · Klim Type Foundry

Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.

Ampersand: Interview with Mandy Michael – Clear(left) Thinking – Medium

I’m soooo excited that Mandy is speaking at Ampersand here in Brighton in June!

Be there or be square.

Variable Fonts

A simple resource for finding and trying variable fonts.


A handy browser-based tool for examining font files to see which features they support.

90 Minutes | Type Supply

Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.

FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”

It’s Dangerous to Go Stallone. Take Glyphhanger | Filament Group, Inc., Boston, MA

You’ll need to be comfortable with using the command line, but this is a very useful font subsetting tool from those clever folks at Filament Group.