Tags: typography

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Type in the digital era is a mess

Marcin explains why line height works differently in print and the web. Along the way, he hits upon this key insight about CSS:

Web also took away some of the control from typesetters. What in the print era were absolute rules, now became suggestions.

Remember that every line of CSS you write is a suggestion to the browser.

Progressive Font Enrichment: reinventing web font performance | Responsive Web Typography

Jason describes the next big thing in web typography: streaming fonts!

…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.

Public Sans

A free and open source neutral sans-serif typeface, released as part of version two of the design system for the US federal government.

Science and Tech Ads on Flickr

Stylish! Retro! Sciency!

Martin ad

Intro to Font Metrics

Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.

All you need to know about hyphenation in CSS | Clagnut by Richard Rutter

Everything you need to know about hyphenation on the web today, from Rich’s galaxy brain.

Hyphenation is a perfect example of progressive enhancement, so you can start applying the above now if you think your readers will benefit from it – support among browsers will only increase.

Programming Fonts - Test Drive

Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.

Bodoni*

An open source version of Bodoni:

Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.

Owltastic • Web design by Meagan Fisher Couldwell

My goodness, Meagan’s new site design is absolutely gorgeous! The colour palette, the typography, the texture, the motion design …it all communicates character and personality. Beautiful work!

Stepping away from Sass

I think Cathy might’ve buried the lede:

The knock on effect of this was removing media queries. As I moved towards some of the more modern features of CSS the need to target specific screen sizes with unique code was removed.

But on the topic of Sass, layout is now taken care of with CSS grid, variables are taken care of with CSS custom properties, and mixins for typography are taken care of with calc().

Personally, I’ve always found the most useful feature of Sass to simply be that you can have lots of separate Sass files that get combined into one CSS file—very handy for component libraries.

Carson: Textured fluid type - Steve Honeyman

I reckon it’s time for distressed type to make a comeback—CSS is ready for it.

WALL·E | Typeset In The Future

A deep dive into Pixar’s sci-fi masterpiece, featuring entertaining detours to communist propaganda and Disney theme parks.

Redesigning your product and website for dark mode — Stuff & Nonsense

Some advice from Andy on creating a dark theme for your website. It’s not just about the colours—there are typography implications too.

Jongert

Nick demonstrates the responsive power of variable fonts by recreating a lovely design from Jacob Jongert.

Grab that browser window and get squishin’!

Brand New Roman

A font made of corporate logos.

The Complete CSS Demo for OpenType Features - OpenType Features in CSS

Every single font-feature-settings value demonstrated in one single page.

Monotype restored the font Walbaum, a 200-year-old serif typeface — Quartzy

The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:

Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”

Astronomical Typography

Typography meets astronomy in 16th century books like the Astronomicum Caesareum.

It is arguably the most typographically impressive scientific manual of the sixteenth century. Owen Gingerich claimed it, “the most spectacular contribution of the book-maker’s art to sixteenth-century science.”

Transform your type online with variable fonts | Creative Bloq

This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.

I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.

Font Playground — Play with variable fonts!

A fun way to play around with the options in variable fonts.