If we describe patterns also in terms of content, context, and contrast, we are able to define more precisely what a specific pattern is all about, what its role within a design system is, and how it is defined and shaped by its environment.
Josh gives a thorough roundup of the Interaction ‘17 event he co-chaired.
“I think I’ve distilled what this conference is all about,” Jeremy Keith quipped to me during one of the breaks. “It’s about how we’ll save the world through some nightmarish combination of virtual reality, chatbots, and self-driving cars.”
This is really good fun! And thanks to service workers, it works offline too.
The rounds are:
- Dead or Not Dead,
- Number 1 or Not Number 1, and
- Oscar or Not Oscar.
An interview with Batesy that gives a nice insight into life at Clearleft.
He’s sketching mad, that one!
World of Concrete: Inside the Industry That’s Building Trump’s America Brick by Brick - The Atlantic
Fear and concrete in Las Vegas: a great piece of infrastructure reportage by Georgina.
According to this, the forthcoming Clearleft redesign will be totally on fleek.
Are you a UI designer? In Brighton? Well, feel in this form if you’re interested in gathering with like-minded people.
This local, monthly and free meetup will let designers show their work, share any methods, processes and tools and ask for the odd critique.
A comparison of a few different tools for generating pattern libraries.
In this particular case, Fractal comes out on top:
It has the features we need, and I’m happier than I should be with how simple the directory and file structure is. The documentation has also been super helpful thus far. We’ve customized it with our client’s branding and are ready to roll.
Under the hood it’s the same Blink engine that power’s the regular Opera browser (and Chrome) but I really like the interface on this experiment. It’s described as being a “concept browser”, much like a “concept car”, which is a nice way of framing experiments like this. More concept browsers please!
Having spent half a decade encouraging people to make their pattern libraries public and doing my best to encourage openness and sharing, I find this kind of styleguide-shaming quite disheartening:
These all offer something different but more often than not they have something in common. They look ugly enough to have been designed by someone who enjoys configuring a router.
If a pattern library is intended to inspire, then make it inspiring. But if it’s intended to be an ever-changing codebase (made for and by the kind of people who enjoy configuring a router), then that’s where the effort and time should be concentrated.
But before designing anything—whether it’s a website or a pattern library—figure out who the audience is first.
Some interesting insights from usability and accessibility testing at the Co-op.
We used ‘nesting’ to reduce the amount of information on the page when the user first reaches it. When the user chooses an option, we ask for any other details at that point rather than having all the questions on the page at once.
Ever been on one of those websites that doesn’t allow you to paste into the password field? Frustrating, isn’t it? (Especially if you use a password manager.)
It turns out that nobody knows how this ever started. It’s like a cargo cult without any cargo.
A thoroughly fascinating look at which parts of a browser’s interface are available to prevent phishing attacks, and which parts are available to enable phishing attacks. It’s like trench warfare for pixels.
A resource for American citizens put together by former congressional staffers. If you’re a US citizen wondering how you can resist Trump’s agenda, this should provide solid advice on what action you can take.
I love this recasting of the internet into a fantastical medieval setting. Standards become spells, standards bodies become guilds and orders of a coven, and technologies become instruments of divination. Here, for example, is the retelling of IPv4:
The Unique Rune of the Fourth Order is the original and formative Unique Rune, still commonly in use. All existing Unique Runes of the Fourth Order were created simultaneously in the late 1970’s by the Numberkeepers, at a time when Rough Telepathy was a small and speculative effort tightly affiliated with the Warring Kingdom of the United States. There were then and are now 4.3 billion Unique Runes of the Fourth Order, a number which cannot be increased. The early Numberkeepers believed 4.3 billion would be more than enough. However, this number is no longer sufficient to provision the masses hungry to never disengage from participation in Rough Telepathy, and the Merchants eager to harness Rough Telepathy as a “feature” in new and often unnecessary consumer products. This shortage has caused considerable headache among the Fiefdoms, the Regional Telepathy Registers, and the Coven.
Aaron documents how he posts to his website through his Amazon Echo. No interface left behind.
Anna has just published a lovely new version of her excellent little book on pattern libraries. EPUB, MOBI, and PDF versions are yours for a mere $8.