Just like many people develop with an average connection speed in mind, many people have a fixed view of who a user is. Maybe they think there are customers with a lot of money with fast connections and customers who won’t spend money on slow connections. That is, very roughly speaking, perhaps true on average, but sites don’t operate on average, they operate in particular domains.
The ‘Credit Card Number’ Field Must Allow and Auto-Format Spaces (80% Don’t) - Articles - Baymard Institute
A deep dive into formatting credit card numbers with spaces in online forms.
J. Renée Beach writes on Ev’s blog about three things to consider when planning for offline experiences:
- Reach, and
How will you express to your users that the content is up to date, safe and available across their network?
Usability Testing of Inline Form Validation: 40% Don’t Have It, 20% Get It Wrong - Articles - Baymard Institute
I saw Christian speak on this topic at Smashing Conference in Barcelona. Here, he takes a long hard look at some of the little things that sites get wrong when doing validating forms on the fly. It’s all good sensible stuff, although it sounds a bit medical when he takes about “Premature Inline Validation.”
Monica takes a look at the options out there for loading web fonts and settles on a smart asynchronous lazy-loading approach.
The dreadful headline makes this sound like another pearl-clutching moral panic, but there’s some good stuff in this somewhat hagiographic profile.
Harris is developing a code of conduct—the Hippocratic oath for software designers—and a playbook of best practices that can guide start-ups and corporations toward products that “treat people with respect.” Having companies rethink the metrics by which they measure success would be a start.
Benjamin’s retrospective on three years of volunteering at web conferences, some of them run by Clearleft.
Krystal’s excellent annotated collection of onboarding examples.
Two pieces of good news from Google:
- 85% of websites qualify as mobile-friendly, so there’s no longer a need to explicitly label them as such in search results.
- Google will down-rank sites that have annoying pop-overs demanding you download an app or sign up to an email newsletter when you’re trying to read the damn page.
Our Harry’s in the New York Times! Well, an article on dark patterns is in the New York Times, and Harry is Mr. Dark Patterns.
This is my kind of talk—John Snow’s cholera map, the Yucca Mountain think-tank, the Pioneer plaque, the Voyager record, the Drake equation, the Arecibo signal, and the love song of J. Alfred Prufrock.
♫ These are a few of my fav-our-ite things! ♫
I really, really like this approach. I’ve used something similar in my responsive design workshops, where I get people to break things down into nouns and verbs (objects and actions). I think there’s a lot of crossover with good URL design here too—this is kind of like REST for UX designers.
I quite like this step-by-step interface for a form, all cleverly handled with the
:focus pseudo-class. I’d want to refine some of the usability issues before using it in production, but the progressive disclosure is nice.
If you think people using ad blockers are just anti-ad or want to freeload on publishers, you’re completely missing the point. The online advertising industry has been abusing users for 20 years now, and we’re sick of it.
The thesis: any film is improved by playing Walk Of Life by Dire Straits over the ending.
The proof: this website.
(this is absorbing and brilliant)
A lovely outlook on designing with progressive enhancement:
There will always be users coming from places you didn’t expect, using devices you didn’t test for.
Cennydd speaks his brains on conversational interfaces—a refreshing counterpoint to Chris’s cheerleading.
My concern is that by encouraging the practice of doing UX design without touching the surface of a product, we get shitty designs. In a process where UX and UI are seen as separate things the risk is one comes before the other. The UX designer draws the wireframes, the UI designer gets to turn them into pretty pictures, with no back-and-forth between the two. An iterative process can mitigate some of the damage such an artificial division of labour produces, but I think we still start out on the wrong foot. I think a better practice might entail including visual considerations from the very beginning of the design process (as we are sketching).
Charlotte talks through some of the techniques she used when she was building the site for this year’s UX London, with a particular emphasis on improving perceived performance.