I wrote this song while my colleague Tim Berners-Lee was inventing something called “The World Wide Web” a few offices away. The song was published in 1993, when less that 100 websites existed.
The first image ever published on the web was of this band, Les Horribles Cernettes …LHC.
Time for another video from Patterns Day. Here’s Sareh Heidari walking us through Grandstand, the CSS framework at the BBC.
The latest video from Patterns Day is up—Ellen’s superb philosophical presentation: Patterns in Language, Language in Patterns.
There’s so much packed into this one, it might take more than one viewing to take it all in.
A great short talk by Tim. It’s about performance, but so much more too.
The videos are coming! The videos are coming!
Here’s the first one: Laura Elizabeth opening the show at Patterns Day.
The first of Neil Bomkamp’s series of short films—testbeds for potential feature films.
The following film describes an unusual motion picture now being produced in London for release all over the world, starting in early 1967.
When I was in Düsseldorf for this year’s excellent Beyond Tellerrand conference, I had the pleasure of meeting Nadieh Bremer, data visualisation designer extraordinaire. I asked her a question which is probably the equivalent of asking a chef what their favourite food is: “what’s your favourite piece of data visualisation?”
There are plenty of popular answers to this question—the Minard map, Jon Snow’s cholera map—but we had just been chatting about Nadieh’s previous life in astronomy, so one answer popped immediately to mind: the Hertzsprung-Russell diagram.
This was my favourite talk from this year’s Interaction conference—packed full of insights, and delivered superbly.
It prompted so many thoughts, I found myself asking a question during the Q&A.
I wasn’t supposed to speak at this year’s Beyond Tellerrand conference, but alas, Ellen wasn’t able to make it so I stepped in and gave my talk on evaluating technology.
There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.
Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.
As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.
Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.
It adds up to a potential cultural disaster:
If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.
I love it when people explain Huffduffer better than I ever could.
Huffduffer is a free service that allows you to build a personalized audio feed. It’s kind of like a “read later” service but for audio.
This is a free online video course recorded by Jake a couple of years back. It’s got a really good step-by-step introduction to service workers, delivered in Jake’s typically witty way. Some of the details are a bit out of date, and I must admit that I bailed when it got to IndexedDB, but I highly recommend giving this a go.
There’s also a free course on web accessibility I’m planning to check out.
Oodles and oodles of videos of talks from London developer meetups.
Here’s the opening keynote I gave at the Render Conference in Oxford. The talk is called Evaluating Technology:
A small black mirror.