Tags: vision

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sparkline

Visions - A Literary Science Fiction Magazine

This forthcoming sci-fi quarterly publication looks intriguing:

Each issue contains a part of a previously untranslated novel as well as essays looking at the world through the lens of different writers.

I’m loving their typeface. It’s called Marvin. It was specially made for the magazine, and available to download and use for personal use for free.

Marvin gets its distinctive voice not only from its Art Nouveau vibe but also from its almost geometrically perfect construction. Its roundness and familiarity with Bauhaus typefaces shows its roots in geometric sans serifs at the same time.

The story of its (re)construction is fascinating. (Thanks for the heads-up, Jason.)

The Lost Picture Show: Hollywood Archivists Can’t Outpace Obsolescence - IEEE Spectrum

There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.

Format:

Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.

Medium:

As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.

Licensing:

Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.

It adds up to a potential cultural disaster:

If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.

The Last 100 Days, the Next 100 Years

Cancelling the future.

The future lives and dies by the state of the archives. To look hard at this world and honestly, diligently articulate what happened and what it was like in the present is a sort of promise to the future, a new layer to the palimpsest of history that can become someone else’s foundation.

The Analog Web | Jim Nielsen’s Blog

This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.

When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.

Bring on the Flood · thewalrus.ca

Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.

The Joy of Sparks

This is so cool! The logs of the Indie Web Camp IRC channel visualised as a series of sparklines in the style of Joy Division/Jocelyn Bell Burnell.

Productivity Future Vision

Any sufficiently advanced vision piece is indistinguishable from Black Mirror.

Tech’s tunnel vision (Phil Gyford’s website)

I really like Phil’s braindump of conference ideas. Frankly, many of these ideas work just as well as watchwords for building on the web:

  • Different models for start-ups. Co-operatives. Employee ownership. Normal, slowly-growing, profit-making businesses.
  • Technology for people who don’t live in the first world. (There’s a lot of them and they have a lot of technology, but most of us know nothing about it.)
  • Websites that make the whole Web better.
  • New services that work fine on technology that’s been around for years.
  • Services designed for people who have little money.
  • Services designed for people who aren’t fully able.
  • Models for keeping services running over the long-term. (What happens when your company closes, or to your personal projects when you die?)

Web 2024 | Robin Berjon

Here’s a dystopian vision of the web in ten years time, where professional developers are the only people able to publish on the web.

This is why it worries me when I come across very smart people who don’t seem to see a problem with the creation of web pages being taken out of the reach of any human being with an internet connection and a smattering of declarative languages—HTML, CSS—and into the hands of an elite minority of JavaScript programmers.

Powerful Ideas Need Love Too!

Alan Kay’s written remarks to a Joint Hearing of the Science Committee and the Economic and Educational and Opportunites Committee in October 1995.

How We Got To Now with Steven Johnson - YouTube

Steven Johnson’s new television series will be shown on BBC in a few months time. Looks like it’s going to be good Burkian fun.

Screen shots of computer code

There’s something very satisfying about this televisual sleuthing:

Images of the computer code appearing in TV and films and what they really are.

The Pastry Box Project | 2 December 2013, baked by Anne van Kesteren

Coming from anyone else, this glorious vision might seem far-fetched, but Anne is working to make it a reality.

stevenberlinjohnson.com: How We Got To Now

This sounds like it’s a going to be a good: a new TV series by Steven Johnson on the history of technology and innovation. Sounds very Burkian, which is a very good thing.

Here is to ones who see things differently

An interesting observation on the changes in Apple’s advertising campaigns: it’s no longer about “here’s how great you (the user) can be”, instead it’s increasingly about “here’s how great we (the company) can be.”

Data Visualization Reinterpreted by VISUALIZED on Vimeo

Peter Saville talks about the enduring appeal of his cover for Unknown Pleasures.

I like to think of all the variations and mashups as not just tributes to Joy Division, but tributes to Jocelyn Bell Burnell too.

The Past 100 Years of the Future

This (free!) PDF looks like it could be a nice companion piece to Chris and Nathan’s recent book:

Human-computer interaction in science-fiction movies and television.

It’s a work in progress. You’ll notice a lot of placeholders where the images should be. That’s because the studios are demanding extortionate rates for screenshots.

Crazy Walls

Perfectly offset with red string.

Pictures and vision

Robin Sloan compares Facebook and Google in an interesting way:

Really, Facebook is the world’s largest photo sharing site—that also happens to be a social network and a login system.

Google is getting good, really good, at building things that see the world around them and actually understand what they’re seeing.

Thieves Are Your Best Customers in Waiting – Stuntbox

A great article from David with some concrete proposals for media companies.

By the way, how nice is David’s new responsive design? Very nice. Very nice indeed.