A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.
You can dive in and explore or read more about the project and how it was made.
It reminds me of Paul’s project, Bradshaw’s Guide: the both take a beloved artifact of the past and bring it online with care, love, and respect.
This is a nifty visual interactive explainer for the language of CSS—could be very handy for Codebar students.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
Tyring to do make screenshots of agency websites is tricky if the website is empty HTML with everything injected via JavaScript.
Granted, agencies are usually the ones pushing the boundaries. “Pop” and “pizazz” are what sell for many of them (i.e. “look what we can do!”) Many of these sites pushed the boundaries of what you can do in the browser, and that’s cool. I like seeing that kind of stuff.
But if you asked me what agency websites inspired both parts me, I’d point to something like Clearleft or Paravel. To me, they strike a great balance of visual design with the craft of building for an accessible, universal web.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.
Like a little mini CSS Zen Garden, here’s one compenent styled five very different ways.
Crucially, the order of the markup doesn’t consider the appearance—it’s concerned purely with what makes sense semantically. And now with CSS grid, elements can be rearranged regardless of source order.
CSS is powerful and capable of doing amazingly beautiful things. Let’s embrace that and keep the HTML semantical instead of adapting it to the need of the next design change.
An absolutely gorgeous piece of hypermedia!
Data visualisations and interactive widgets enliven this maze of mathematics. Dig deep—you may just uncover the secret passages that join these concepts together.
A lovely little bit of urban cartography.
I’m finding this tool to be very useful for the kind of chaotic mind-mapping I do when I’m preparing a conference talk.
After showing us the size of space, here’s a fascinating intereactive visualisation of the ocean depths.
The design history of the New York subway map.
Celestial objects ordered by size, covering a scale from one astronaut to the observable universe.
Lynn gives a step-by-step walkthrough of the latest amazing redesign of her website. There’s so much joy and craft in here, with real attention to detail—I love it!
A case study from Twitter on the benefits of using a design system:
With component-based design, development becomes an act of composition, rather than constantly reinventing the wheel.
I think that could be boiled down to this:
Component-based design favours composition over invention.
I’m not saying that’s good. I’m not saying that’s bad. I’m also not saying it’s neutral.
Correlation does not imply causation.
Lighthouses of the world, mapped.
A cornucopia of interactive visualisations. You control the horizontal. You control the vertical. Networks, flocking, emergence, diffusion …it’s all here.
Isn’t this just lovely?
Cassie made a visualisation of the power we’re getting from the solar panels we installed on the roof of the Clearleft building.
I highly recommend reading her blog post about the process too. She does such a great job of explaining how she made API calls, created SVGs, and calculated animations.
Oodles and oodles of data on cities, including gorgeous animations of urban growth over time.
Some lovely data visualisation by Brendan:
The work features three main components — the threats, represented by black obelisk style objects, the system which detects and deals with these threats, represented by an organic mesh like structure, and finally the creativity that is allowed to flow because the threats have been neutralised.