A fascinating four-part series by Lisa Charlotte Muth on colour in data visualisations:
This is a great combination of rigorous research and great data visualisation.
I like the split-screen animated format for explaining this topic.
Download this PDF to see 100 beautiful literary visualisations.
Visualising the growth of the internet.
A beautiful interactive visualisation of every paper published in Nature.
Draw an iceberg and see how it will float.
There are some beautiful illustrations in this online exhibition of data visualisation in the past few hundred years.
A lovely visualisation of asteroids in our solar system.
A handy tool for getting an overview of your site’s CSS:
CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
A timeline showing the history of non-digital dataviz.
A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.
This is a nifty visual interactive explainer for the language of CSS—could be very handy for Codebar students.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
Visual Design Inspiration from Agency Websites–And Other Tangential Observations | Jim Nielsen’s Weblog
Granted, agencies are usually the ones pushing the boundaries. “Pop” and “pizazz” are what sell for many of them (i.e. “look what we can do!”) Many of these sites pushed the boundaries of what you can do in the browser, and that’s cool. I like seeing that kind of stuff.
But if you asked me what agency websites inspired both parts me, I’d point to something like Clearleft or Paravel. To me, they strike a great balance of visual design with the craft of building for an accessible, universal web.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.
Like a little mini CSS Zen Garden, here’s one compenent styled five very different ways.
Crucially, the order of the markup doesn’t consider the appearance—it’s concerned purely with what makes sense semantically. And now with CSS grid, elements can be rearranged regardless of source order.
CSS is powerful and capable of doing amazingly beautiful things. Let’s embrace that and keep the HTML semantical instead of adapting it to the need of the next design change.