A really lovely unmonetisable enthusiasm:
All 2,242 illustrations from James Sowerby’s compendium of knowledge about mineralogy in Great Britain and beyond, drawn 1802–1817 and arranged by color.
You can dive in and explore or read more about the project and how it was made.
It reminds me of Paul’s project, Bradshaw’s Guide: the both take a beloved artifact of the past and bring it online with care, love, and respect.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.
An absolutely gorgeous piece of hypermedia!
Data visualisations and interactive widgets enliven this maze of mathematics. Dig deep—you may just uncover the secret passages that join these concepts together.
A lovely little bit of urban cartography.
I’m finding this tool to be very useful for the kind of chaotic mind-mapping I do when I’m preparing a conference talk.
After showing us the size of space, here’s a fascinating intereactive visualisation of the ocean depths.
The design history of the New York subway map.
Celestial objects ordered by size, covering a scale from one astronaut to the observable universe.
Correlation does not imply causation.
Lighthouses of the world, mapped.
A cornucopia of interactive visualisations. You control the horizontal. You control the vertical. Networks, flocking, emergence, diffusion …it’s all here.
Isn’t this just lovely?
Cassie made a visualisation of the power we’re getting from the solar panels we installed on the roof of the Clearleft building.
I highly recommend reading her blog post about the process too. She does such a great job of explaining how she made API calls, created SVGs, and calculated animations.
Oodles and oodles of data on cities, including gorgeous animations of urban growth over time.
Some lovely data visualisation by Brendan:
The work features three main components — the threats, represented by black obelisk style objects, the system which detects and deals with these threats, represented by an organic mesh like structure, and finally the creativity that is allowed to flow because the threats have been neutralised.
This is a nifty visualisation by Hui Jing. It’s really handy to have elements categorised like this:
Chris has made sonic sparklines on his site too, but they’re far more musical than mine. Here’s his explanation of how he did it.
Rob has turned his exhaustive spreadsheet of all the concerts he has attended into a beautiful website. Browse around—it’s really quite lovely!
Rob’s also writing about the making of the site over on his blog.
This orrery is really quite wonderful! Not only is it a great demonstration of what CSS can do, it’s a really accurate visualisation of the solar system.
Minimalist cartography.