Visual Design Inspiration from Agency Websites–And Other Tangential Observations | Jim Nielsen’s Weblog
Granted, agencies are usually the ones pushing the boundaries. “Pop” and “pizazz” are what sell for many of them (i.e. “look what we can do!”) Many of these sites pushed the boundaries of what you can do in the browser, and that’s cool. I like seeing that kind of stuff.
But if you asked me what agency websites inspired both parts me, I’d point to something like Clearleft or Paravel. To me, they strike a great balance of visual design with the craft of building for an accessible, universal web.
It was a few years before I realized that worry stones had a name, that they were borrowed from cultures other and older than mine. Heck, it’s been more than a few years since I’ve even held one. But in the last few weeks, before and after launching the redesign, I’ve kept working away at this website, much as I’d distractedly run my fingers over a smooth, flat stone.
We choose whether our work stays alive on the internet. As long as we keep our hosting active, our site remains online. Compare that to social media platforms that go public one day and bankrupt the next, shutting down their app and your content along with it.
But the real truth is that as long as we’re putting our work in someone else’s hands, we forfeit our ownership over it. When we create our own website, we own it – at least to the extent that the internet, beautiful in its amorphous existence, can be owned.
I know a number of people who blog as a way to express themselves, for expression’s sake, rather than for anyone else wanting to read it. It’s a great way to have a place to “scream into the void” and share your thoughts.
The best time to make a personal website is 20 years ago. The second best time to make a personal website is now.
Chris offers some illustrated advice:
- Define the purpose of your site
- Organize your content
- Look for inspiration
- Own your own domain name
- Build your website
Not only does the differentiation of terms create a divide within the industry, the term ‘web app’ regularly acts as an excuse for corner cutting and the exclusion of users.
We kid ourselves into thinking we’re building groundbreakingly complex systems that require bleeding-edge tools, but in reality, much of what we build is a way to render two things: a list, and a single item. Here are some users, here is a user. Here are your contacts, here are your messages with that contact. There ain’t much more to it than that.
I love the way that Benjamin is documenting his activities at Homebrew Website Club Brighton each week:
Another highly productive 90 mins.
Homebrew website club is on every Thursday evening 6.00-7.30pm at Clearleft. You should come along!
Two of my favourite things: indie web and service workers.
This makes me so happy. I remember saying when my book came out, that the best feedback I could possibly get would be readers making their websites work offline. The same can be said for the talk of the book.
Side by side screenshots of websites, taken ten years apart. The whitespace situation has definitely improved. It would be interesting to compare what the overall page weights were/are though.
Facebook isn’t really all that much better or more convenient than having your own website, or sending emails or chats. But for some reason, Facebook (and Instagram) are where we post now.
The title is quite clickbaity, but this is a rather wonderful retelling of web history on how Content Management Systems may have stifled a lot of the web’s early creativity.
Also, there’s this provocation: we like to rail against algorithmic sorting …but what if the reverse-chronological feed was itself the first algorithm?
Before social media monoliths made us into little mechanical turks for advertising platforms, we had organic homes on the web. We had pages that were ours. And they could look however you wanted. And you could write whatever you wanted on there.
There weren’t comments if you didn’t want them. There were no photo dimensions to adhere to. No 140-character limits. No BS. Or lots of BS. Either way, the choice was yours because you owned your site and you could do whatever you wanted.
A pretty good summary of some key indie web ideas.
What an excellent idea! A weekly round-up in audio form of indie web and homebrew website news. Nice and short.
Why Get on the Indie Web?
In a word, autonomy.
- What is the Indie Web?
- How Can You Get on the Indie Web?,
- Where is the Indie Web? and
- Who is the Indie Web?
The Indie Web is made of people. It’s made by me. It can be made by you too. There’s no gatekeeper. You can join anytime without anyone’s permission. The Indie Web is made by everyone.
I’ve been on the web for most of my life, but, without a site to call home, I haven’t been of the web for far too long.
Benjamin documents his experience at the first Brighton Homebrew Website Club: a most pleasant evening.
Some excellent research from Chris, canvassing opinions on whether there’s a difference between web “apps” and web “sites”. His conclusion:
Almost none of the points above ring true for me. All I see are exceptions and gray area.
If nothing else, the fact that none of the proposed distinctions agree with one another show how pointless the phrase “web app” is—if people have completely differing ideas on what a phrase means, it is completely useless in furthering discussion …the very definition of a buzzword.
This leads me to think perhaps the “web app” moniker (certainly the newer of the two) is simply just a fashionable term. We like the sound of it, so we use it, regardless if it truly means anything.
But all of this is, I think, missing the more important point: why? Why would you want to separate the cornucopia of the web into two simplistic buckets? What purpose does it serve? That’s the question that really needs be answered.
If we could pin down a super accurate definition that we agreed on, even then it might not be particularly useful. And since we can’t, I argue it’s even less useful.