I like a good em dash, me.
I write to understand and remember. Sometimes that will be interesting to others, often it won’t be.
But it’s going to happen. Here, on my own site.
A nexus of hypermedia on all things Blade Runner, from links to Tumblr blogs to embedded screenplays, documentaries, and scanned images.
The fascinating history of interactive fiction from adventure game to hypertext.
The split between parsers and hyperlinks reminds me of different approaches to chatbots: free text entry vs. constrained input.
There are many qualities one must possess to be a working writer or artist. Talent, brains, tenacity. Wealthy parents are good. You should definitely try to have those. But first among equals, when it comes to necessary ingredients, is selfishness. A book is made out of small selfishnesses. The selfishness of shutting the door against your family. The selfishness of ignoring the pram in the hall. The selfishness of forgetting the real world to create a new one. The selfishness of stealing stories from real people. The selfishness of saving the best of yourself for that blank-faced anonymous paramour, the reader. The selfishness that comes from simply saying what you have to say.
Congratulations on a decade of publishing on your own site—you’re a blogging wizard, Harry!
Having this website changed and shaped my career. If you don’t have a blog, I urge you, start working on one this weekend. Your own blog, with your own content, at your own domain. It might just change your life.
I spoke my brains on the Venturi’s Voice podcast. It’s a random walk through topics like sharing, writing, publishing, and bizzzzznis.
Tracy’s new book is excellent (and I had the great honour of writing a foreword for it).
Programmers, developers, marketers, and non-designers — want to become a better designer? This short book has everything you need.
A pace layer model for readers (and writers).
Rachel describes her process of putting technical talks together:
This method of creating a talk is the one that I find gets me from blank page to finished slide deck most effectively.
She also acknowledges that many other processes are available.
If you are stuck, and your usual method isn’t working, don’t be afraid to try a different approach even if just to get the ideas moving and take you away from staring at the blank page! You might discover that some types of talk benefit from an alternate starting point. There really are no rules here, other than that you do end up with a talk before you need to walk out on that stage.
Great advice for writing usable
alt attributes. This gem seems obvious in hindsight but I hadn’t considered it before:
End the alt-text with a period. This will make screen readers pause a bit after the last word in the alt-text, which creates a more pleasant reading experience for the user.
Paul Ford marks two decades of publishing on his own site.
Some days I want to erase this whole thing—much of the writing is sloppy and immature, and I was, too. But why bother to hit the red button? The path of the Internet has seen fit to do that for me.
Great advice from Jen on writing a book:
- Write emails to Ted. Try to find a little comfort zone inside the larger uncomfortable task.
- Don’t write a Book. Write Chapters. Break a large chore into smaller tasks and focus on one at a time.
- Trap yourself. Set up a workspace that limits distraction and procrastination.
- Don’t despair the zero-word-count days. Give yourself credit for behind-the-scenes work, even self-care.
- Get amnesia. Keep your eye on the prize.
We’re getting rid of advertisers and digging back to our roots: community-based, community-built, and determinedly non-commercial.
A List Apart has given me so, so much over the years that becoming a supporter is quite literally the least I can do.
George Lucas, Ted Chiang, Greg Egan, Stanley Kubrick, Tom Stoppard, William Shakespeare, and Ridley Scott are all part of Matt’s magnificent theory that the play is the thing.
Rosencrantz and Guildenstern are replicants.
Characters look like people, except they exist for only the duration of a movie — only while they are necessary. They come with backstory and memories fully established but never experienced, partly fabricated for the job and partly drawn from real people known by the screenwriter. At the end, they vanish, like tears in rain.
Three authors pick their favourite book by Philip K Dick:
- Nicola Barker: Puttering About in a Small Land
- Michael Moorcock: Time Out of Joint
- Adam Roberts: Do Androids Dream of Electric Sheep?