In which Rob takes a deep dive into isometric projection and then gets generative with it.
An absolutely gorgeous piece of hypermedia!
Data visualisations and interactive widgets enliven this maze of mathematics. Dig deep—you may just uncover the secret passages that join these concepts together.
A series of really nice CSS grid demos based on two-page magazine spreads.
This seventeen year old profile of Tim Berners-Lee is fascinating to read from today’s perspective.
This excerpt from Claire L. Evans’s new book Broad Band sounds like Halt and Catch Fire, but for real.
Many people saw the web for the ﬁrst time in Jaime’s loft, on a Mac II her hacker friend Phiber Optik set up with a 28.8K internet connection. As avant-garde guitarist Elliott Sharp performed live, and another friend, DJ Spooky, played house tracks, Jaime’s guests gathered around the Mac’s small screen. At the top of 1994, there were fewer than 1,000 websites in the world, mostly personal home pages. These converts would call themselves the “early true believers,” counting the year of their arrival online as a mark of status, the way the ﬁrst punks claimed 1977.
Craig talks about reading, writing, books, publishing, and Amazon:
Kindle and non-Kindle book sales account for less than two percent of Amazon’s market cap. The Kindle could disappear tomorrow, and Amazon would not be materially affected. Even from a branding perspective, I don’t think AMAZON = BOOKS anymore, certainly not to younger consumers. AMAZON = PRIME. PRIME = A 3D PRINTER on a one-day time-delay that deposits anything you can imagine on your doorstep.
There’s also this about the double-edged sword of working at scale:
Does affecting one hundred lives turn you on? A thousand? A million? A billion? Why? What does it mean to have a positive impact on a life? How intimate does that connection need to be? Understanding your scale — the scale that moves you — is critical to understanding with whom and how you should work, how you should live.
So maybe we need to look at the whole package and create an… oh, I don’t know, what’s the phrase I need… an “indie web”?
The BBC has been experimenting with some alternative layouts for some articles on mobile devices. Read on for the details, but especially for the philosophical musings towards the end—this is gold dust:
Even the subtext of Google’s marketing push around Progressive Web Apps is that mobile websites must aspire to be more like native apps. While I’m as excited about getting access to previously native-only features such as offline support and push notifications as the next web dev, I’m not sure that the mobile web should only try to imitate the kind of user interfaces that we see on native.
Do mobile websites really dream of being native apps, any more than they dreamt of being magazines?
This forthcoming sci-fi quarterly publication looks intriguing:
Each issue contains a part of a previously untranslated novel as well as essays looking at the world through the lens of different writers.
I’m loving their typeface. It’s called Marvin. It was specially made for the magazine, and available to download and use for personal use for free.
Marvin gets its distinctive voice not only from its Art Nouveau vibe but also from its almost geometrically perfect construction. Its roundness and familiarity with Bauhaus typefaces shows its roots in geometric sans serifs at the same time.
A marvellous piece of writing and design. The family drama of two brothers who revolutionised the world of diving and salvage, told through beautifully typeset hypertext…
The UK Space Agency has a magazine called “space:uk” and you can download PDFs of back issues.
I really like this comparison:
As a zinester and zine librarian, I see the Indie Web as a pretty direct correlation to 1980’s and 1990’s zine culture. The method of production may be completely different (photocopiers and direct mail vs web posts and servers) but the goals are almost identical – controlling the way in which your message and identity are displayed, crafted, and stored while avoiding censorship that corporate media might impose. The end goal of both zine and indieweb technologies is ownership of your own identity without a filter.
But there also challenges:
The key issue right now for diverse populations utilizing the Indie Web is accessibility. As long as the tools for creating & controlling your own identity online are still relatively obtuse & technical to implement, we won’t have great diversity within the Indie Web.
I was interviewed for a feature in issue 257 of net magazine.
In this interview, I pause. And continue.
If you picked up the Guardian this weekend, you’ll have seen some brilliant work by Kyle on the cover (and inside) the magazine section.
Now this is what I call research:
Through the use of my knowledge of computer magazines, my sharp eyes, and other technical knowledge, I have overcome the limited amount of information available in the video content of WarGames and with complete certainty identified the exact name and issue number of the magazine read on screen by David L. Lightman in WarGames.
A heartfelt response from Vitaly to .net magazine’s digital destruction.